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The Art of Re-enchantmentMaking Early Music in the Modern Age$
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Nick Wilson

Print publication date: 2013

Print ISBN-13: 9780199939930

Published to Oxford Scholarship Online: January 2014

DOI: 10.1093/acprof:oso/9780199939930.001.0001

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Seven Ages of Early Music

Seven Ages of Early Music

Chapter:
(p.19) 2 Seven Ages of Early Music
Source:
The Art of Re-enchantment
Author(s):

Nick Wilson

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199939930.003.0002

Chapter 2 provides a historical overview of the early music revival in Britain. Early Music’s pre-history (taking us to Germany, Austria, the Netherlands and France, in particular) is briefly introduced. The main part of the chapter then applies an analytical schema - the ‘Seven Ages of Early Music’ to highlight key milestones in the cultural movement over the last 40 years or so. The seven stages take us through Early Music’s Infancy (1966-67), Growth, Independence, Maturity, Consolidation, Restlessness, and thenNew Direction?(2007 onwards). Leading pioneers of the movement, such as Michael Morrow, David Munrow, the ‘class of’ 73, Roger Norrington and John Eliot Gardiner are introduced. Inhighlightingthe pattern of early music ensemble formations over the years, the chapter develops a strong sense of the movement’s trajectory, complete with its ‘coming of age’ with the launch of the Orchestra of the Age of Enlightenment in 1986.

Keywords:   AlteMusik, seven-year cycle, human development, MusicaReservata, Early Music Consort of London, Academy of Ancient Music, The English Concert, Taverner Choir, Consort & Players, The Tallis Scholars, Orchestra of the Age of Enlightenment

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