- Title Pages
- About the Companion Website
- 1 Sonata Form in the First Movement of Bartók's Fourth String Quartet
- 2 Bartók and Traditional form Description
- 3 The Structural Role of Formal Contrast in Beethoven's Piano Sonata op. 101 and Bartók's Third String Quartet
- 4 In Beethoven's Footsteps
- 5 Bartók's Grooves
- 6 Between Sound and Structure
- 7 The Romanian “Long Song” as Structural Convergent Point for the Chiasmal Harmonic Design in Bartók's Fourth String Quartet
- 8 The Use of Tonal Concepts and Their Attendant Modes of Continuity in the Inner Hearing of Bartók's String Quartets
- 9 Aggregate Structure and Cyclic Design at the Conclusion of Bartók's Second String Quartet
- 10 The Realization(s) of Functional Qualities in Bartók's Second String Quartet
- 11 How Barbaric Is Bartók's Forte?
- 12 Bartók's Relics
- 13 Bartók's Quartets, Folk Music, and the Anxiety of Influence
- 14 Recycled Flowers
- Epilogue: Bartók's Present
- Index of Musical Works
- General Index
- The String Quartets of Béla Bartók
- Oxford University Press
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.