Jump to ContentJump to Main Navigation
BeautyThe Fortunes of an Ancient Greek Idea$

David Konstan

Print publication date: 2015

Print ISBN-13: 9780199927265

Published to Oxford Scholarship Online: November 2014

DOI: 10.1093/acprof:oso/9780199927265.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 26 February 2017

(p.237) Bibliography

(p.237) Bibliography

Source:
Beauty
Publisher:
Oxford University Press

Bibliography references:

Alberti, Leon Battista. 1970. On Painting. Translated with Introduction and Notes by John R. Spencer. New Haven: Yale University Press (originally published in 1435).

Ast, Friedrich. 1835–1838. Lexicon Platonicum. 3 vols. Leipzig: Weidmann.

Audergon, Sébastien. 2001. Themistios: Discours 13, Sur l’amour ou la beauté du prince. Fribourg: Université de Fribourg (Mémoire de Licence, Faculté des Lettres de l’Université de Fribourg, Suisse).

Avaliani, Eka. 2012. “МОНСТРЫ ЭЛЛИНСКОГО МИФАИ ИХ ПЕРИФЕРИЙНЫЕ ВАРИАНТЫ” (“Monsters of the Hellenic Mythology and their Peripheral Counterparts”). 2012. Skhole 6.2: 306–322.

Avioz, Michael. 2009. “The Motif of Beauty in the Books of Samuel and Kings.” Vetus Testamentum 59: 341–359.

Bäbler, Balbina, and Heinz-Günther Nesselrath, eds. and trans. 2006. Ars et verba: die Kunstbeschreibungen des Kallistratos. Berlin: De Gruyter.

Balaudé, Jean-François, trans. 2004. Platon: Hippias mineur, Hippias majeur. Paris: Livre de Poche.

Barber, Charles. 2014. “An Introduction to Michael Psellos on Art and Aesthetics.” In Psellos and Aesthetics. Edited by Charles Barber and Stratis Papaioannou. Notre Dame, IN: University of Notre Dame Press. (p.238)

Barker, Andrew. 2010. “Mathematical Beauty Made Audible: Musical Ethics in Ptolemy’s Harmonics.” Classical Philology 105: 403–425.

Barney, Rachel. 2010. “Notes on Plato on the Kalon and the Good.” Classical Philology 105: 363–377.

Bartsch, Shadi. 2006. The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire. Chicago: University of Chicago Press.

Baumgarten, Alexander Gottlieb. 1750–1758. Aesthetica. Frankfurt an der Oder: I. C. Kleyb.

Beiser, Frederick C. 2009. Diotima’s Children: German Aesthetic Rationalism from Leibniz to Lessing. Oxford: Oxford University Press.

Berry, D. H. 2012. “Cicero and Greek Art.” Papers of the Langford Latin Seminar 15: 1–19.

Billault, Alain. 2006. “Very Short Stories: Lucian’s Close Encounters with Some Paintings.” In Authors, Authority, and Interpreters in the Ancient Novel: Essays in Honor of Gareth L. Schmeling = Ancient Narrative supplement 5. Edited by Shannon N. Byrne, Edmund P. Cueva, and Jean Alvarez. Groningen: Barkhuis Publishing, 47–59.

Bloemsma, Hans. 2013. “Byzantine Art and Early Italian Painting.” In Byzantine Art and Renaissance Europe. Edited by Angeliki Lymberopoulou and Rembrandt Duits. Farnham, UK: Ashgate, 37–59.

Blok, Josine H. 1995. The Early Amazons: Modern and Ancient Perspectives on a Persistent Myth. Leiden: E. J. Brill.

Blunt, Anthony. 1962. Artistic Theory in Italy, 1450–1600. 2nd edition. Oxford: Oxford University Press.

Böhme, Gernot. 2001. Aisthetik: Vorlesungen über Ästhetik als allgemeine Wahrnehmungslehre. Munich: Wilhelm Fink Verlag.

Botterweck, G. Johannes, and Helmer Ringgren, eds. 1974–1993. Theological Dictionary of the Old Testament. Translated by John. T. Willis. 14 vols. Grand Rapids, MI: Eerdmans.

Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. London: Routledge.

Bradley, Mark A. 2011. “Obesity, Corpulence and Emaciation in Roman Art.” Papers of the British School at Rome 79: 1–41.

Brancacci, Aldo. 2007. “Democritus’ Mousika.” In Democritus: Science, The Arts, and the Care of the Soul. Edited by Aldo Brancacci and Pierre-Marie Morel. Leiden: E. J. Brill, 181–206.

Brand, Peg Zeglin. 2000. “Introduction.” In Beauty Matters. Edited by Peg Zeglin Brand. Bloomington: Indiana University Press, 1–24. (p.239)

Brendel, Otto. 1946. “The Interpretation of the Holkham Venus.” The Art Bulletin 28: 65–75.

Brine, Kevin R., Elena Ciletti, and Henrike Lähnemann, eds. 2010. The Sword of Judith: Judith Studies across the Disciplines. Cambridge: OpenBook Publishers.

Brown, Francis, S.R. Driver, and Charles A. Briggs, eds. 1953. Hebrew and English Lexicon of the Old Testament. Oxford: Clarendon Press.

Burke, Edmund. 2004. Reflections on the Revolution in France. Edited by Connor Cruise O’Brien. London: Penguin Books (originally published in 1790).

Büttner, Stefan. 2006. Antike Ästhetik: Eine Einführung in die Prinzipien des Schönen. Munich: Beck.

Bussels, Stijn. 2012. The Animated Image: Roman Theory on Naturalism, Vividness and Divine Power. Berlin: Akademie Verlag.

Cairns, Douglas. 2014. “A Short History of Shudders.” In Unveiling Emotions II. Emotions in Greece and Rome: Texts, Images, Material Culture. Edited by Angelos Chaniotis and Pierre Ducrey. Stuttgart: Franz Steiner Verlag, 85–107.

Carpenter, Rhys, ed. 1902. Demetrius: On Style: The Greek Text of Demetrius De elocutione. Cambridge: Cambridge University Press.

Clark, T. J. 2013. Picasso and Truth: From Cubism to Guernica. Princeton, NJ: Princeton University Press.

Cochrane, Joe, and Sarah Lyall. 2013. “Emphasizing Inner Beauty, Pageant Says No to Bikinis.” New York Times/International Herald Tribune (Global Edition Asia Pacific), June 6, Section A, p. 6.

Cohen, Edward E. 1992. Athenian Economy and Society: A Banking Perspective. Princeton, NJ: Princeton University Press.

Cope, Edward Meredith. 1877. Aristotle: Rhetoric. Vol. 1. Revised by John Edwin Sandys. Cambridge: Cambridge University Press.

D’Ambra, Eve. 1998. Art and Identity in the Roman World. London: Weidenfeld and Nicolson.

d’Angour, Armand. 2011. The Greeks and the New: Novelty in Ancient Greek Imagination and Experience. Cambridge: Cambridge University Press.

Danto, Arthur C. 2003. The Abuse of Beauty. Chicago: Open Court.

Darwin, Charles. 1871. The Descent of Man, and Selection in Relation to Sex. London: John Murray.

Davies, John K. 2001. “Hellenistic Economies in the Post-Finley Era.” In Hellenistic Economies. Edited by Zofia H. Archibald, John Davies, Vincent Gabrielson, and Graham J. Oliver. London: Routledge, 7–43.

da Vinci, Leonardo. 2005. A Treatise on Painting. Translated by John Francis Rigaud. Mineola, NY: Dover (original date of translation, 1877). (p.240)

de Jonge, Casper C. 2008. Grammar and Rhetoric: Dionysius of Halicarnassus on Language, Linguistics and Literature. Leiden: E.J. Brill.

de Jonge, Casper C. 2012. “Dionysius and Longinus on the Sublime: Rhetoric and Religious Language.” American Journal of Philology 133: 271–300.

Derrida, Jacques. 1987. The Truth in Painting. Translated by Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press.

Desmond, William. 1986. Art and the Absolute: A Study of Hegel’s Aesthetics. Albany: State University of New York Press.

Destrée, Pierre. 2013. “Aristotle on the Paradox of Tragic Pleasure.” In Suffering Art Gladly: The Paradox of Negative Emotion in Art. Edited by Jerrold Levinson. Basingstoke, UK: Palgrave Macmillan, 3–27.

Dickens, Charles. 1992. Oliver Twist. London: Penguin.

Dickey, Stephanie S. 2010. “Damsels in Distress: Gender and Emotion in Seventeenth Century Netherlandish Art.” In The Passions in the Arts of the Early Modern Netherlands/De Hartstochten in de Kunst in de Vroegmoderne Nederlanden. Edited by Stephanie S. Dickey and Herman Roodenburg. Zwolle: Waanders Publishers, 53–81.

Dover, Kenneth J. 1989. Greek Homosexuality. 2nd edition. Cambridge, MA: Harvard University Press.

Durst, Sarah Beth. 2007. Into the Wild. London: Penguin Books.

Dwyer, Eugene. 2012. “Collectible Singletons.” Arethusa 45: 305–318.

Dyck, Andrew R. 1996. A Commentary on Cicero, De officiis. Ann Arbor: University of Michigan Press.

Ebert, Joachim. 1969. “Die Gestalt des Thersites in der Ilias.” Philologus 113: 159–175.

Eco, Umberto. 2004. History of Beauty. Translated by Alastair McEwen. New York: Rizzoli.

Edmonds, J. M. 1912. Greek Bucolic Poets. Cambridge, MA: Harvard University Press.

Eyl, Jennifer. 2012. “Why Thekla Does Not See Paul: Visual Perception and the Displacement of Eros in the Acts of Paul and Thekla.” In The Ancient Novel and Early Christian and Jewish Narrative: Fictional Intersections = Ancient Narrative supplement 16. Edited by Marília P. Futre Pinheiro, Judith Perkins, and Richard Pervo. Groningen: Barkhuis Publishing, 3–20.

Fairbanks, Arthur, trans. 1931. Elder Philostratus, Younger Philostratus, Callistratus. London: Heinemann. (p.241)

Finley, Moses I. 1999. The Ancient Economy. Revised edition with a forward by Ian Morris. Berkeley: University of California Press (originally published in 1973).

Fisher, Nick. 2001. Aeschines, Against Timarchos. Oxford: Oxford University Press.

Fontanier, Jean-Michel. 1998. La beauté selon saint Augustin. Rennes: Presses Universitaires de Rennes.

Ford, Anton. 2010. “Response to Irwin.” Classical Philology 105: 396–402.

Fortenbaugh, William W., Pamela Huby, Robert Sharples, and Dimitri Gutas, eds. 1992. Theophrastus of Eresus: Sources for his Life, Writings, Thought and Influence. 2 vols. Leiden: Brill.

Fortenbaugh, William W., and Eckart Schütrumpf, eds. 1999. Demetrius of Phalerum: Text, Translation and Discussion. New Brunswick, NJ: Transaction Publishers.

Freedberg, David. 1989. The Power of Images: Studies in the History and Theory of Response. Berkeley: University of California Press.

Furley, William D., ed. 2009. Menander: Epitrepontes. London: Institute of Classical Studies = BICS Supplement 106.

Gardin Dumesnil, M. J. B. 1825. Latin Synonyms with their Different Significations and Examples. Translated and augmented by J. M. Gosset. 3rd edition. London: George B. Whittaker.

Gardner, Howard. 2011. Truth, Beauty, and Goodness Reframed: Educating for the Virtues in the Twenty-First Century. New York: Basic Books.

Gera, Deborah Levine. 2013. Judith: Introduction, Translation, Commentary. Berlin: de Gruyter.

Gilbert-Rolfe, Jeremy. 2000. “Beauty.” X-Tra 2.3: 3–5 (corrected version online at http://www.strikingdistance.com/xtra/XTra100/v2n3/jgr.html, accessed 6 April 2013).

Gombrich, Ernst. 1990. Review of Freedberg 1989. New York Review of Books 15: 6–9.

Gorky, Maxim. 1932. My Apprenticeship. Translated by Margaret Wettlin. Moscow: Foreign Languages Publishing House.

Gracyk, Theodore A. 1994. “Rethinking Hume’s Standard of Taste.” The Journal of Aesthetics and Art Criticism 52: 169–182.

Grammer, K., B. Fink, A. P. Møller, and R. Thornhill. 2003. “Darwinian Aesthetics: Sexual Selection and the Biology of Beauty.” Biological Reviews of the Cambridge Philosophical Society 78: 385–407. (p.242)

Green, R. P. H., trans. 1997. Saint Augustine: On Christian Teaching. Oxford: Oxford University Press.

Grube, G. M. A. 1964. “The Date of Demetrius ‘On Style.’” Phoenix 18: 294–302.

Gwilt, Joseph. 1826. The Architecture of Marcus Vitruvius Pollio. London: Priestley and Weale. Available (in modified version) at http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Vitruvius.

Hazebroucq, M.-F. 2004. Hippias Majeur. Paris: Ellipses.

Halliwell, Stephen. 2002. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton, NJ: Princeton University Press.

Halliwell, Stephen. 2011. Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus. Oxford: Oxford University Press.

Heaney, Seamus. 2002. Finders Keepers: Selected Prose, 1971–2001. London: Faber and Faber.

Heath, Malcolm. 2012. “Longinus and the Ancient Sublime.” In The Sublime: From Antiquity to the Present. Edited by Timothy M. Costelloe. Cambridge: Cambridge University Press, 11–23.

Heitsch, Ernst. 2011. Platon, Größerer Hippias. Göttingen: Vandenhoeck and Ruprecht.

Hinterberger, Martin. 2013. Phthonos: Mißgunst, Neid und Eifersucht in der byzantinischen Literatur. Wiesbaden: Dr. Ludwig Reichert Verlag.

Hume, David. 1757. Of the Standard of Taste. London: A. Millar.

Hume, David. 1999. An Enquiry concerning Human Understanding. Edited by Tom L. Beauchamp. Oxford: Oxford University Press.

Hunter, Richard, and Donald Russell, eds. 2011. Plutarch: How to Study Poetry (De audiendis poetis). Cambridge: Cambridge University Press.

Hyland, Drew A. 2008. Plato and the Question of Beauty. Bloomington: University of Indiana Press.

Innes, Doreen. 1985. “Theophrastus and the Theory of Style.” In Theophrastus of Eresus: On his Life and Work. Edited by William F. Fortenbaugh. New Brunswick, NJ: Transaction Books, 251–268.

Irwin, Terence. 2010. “The Sense and Reference of Kalon in Aristotle.” Classical Philology 105: 381–396.

Isenberg, Arnold. 1973. “Critical Communication.” In Aesthetics and the Theory of Criticism: Selected Essays of Arnold Isenberg. Edited by William Callaghan et al. Chicago: University of Chicago Press (originally published in Philosophical Review 58 [1949]: 330–344).

Janko, Richard. 2000. Philodemus: On Poems Book One. Oxford: Oxford University Press. (p.243)

Jeremiah, Edward T. 2012. The Emergence of Reflexivity in Greek Language and Thought: From Homer to Plato and Beyond. Leiden: Brill = Philosophia antiqua 129.

Joosse, Albert. 2012. Review of Heitsch 2011. Bryn Mawr Classical Review 2012.03.56.

Jung, Carl. 1932. “Picasso.” Neue Zürcher Zeitung 153, no. 2,107 (November 13): 2.Jowett, Benjamin. 1908. The Republic of Plato. 3rd ed. Oxford: The Clarendon Press.

Kant, Immanuel. 1952. Critique of Judgement. Translated by J. C. Meredith. London: Oxford University Press.

Kant, Immanuel. 2000. Critique of the Power of Judgment. Translated by Paul D. Guyer. Cambridge: Cambridge University Press.

Kay, Paul, and Willett Kempton. 1984. “What Is the Sapir-Whorf Hypothesis?” American Anthropologist n.s. 86: 65–79.

Kelly, Gavin. 2013. “The Political Crisis of AD 375–376.” Chiron 43: 357–409.

Keltner, Dacher, and Jonathan Haidt. 2003. “Approaching Awe, a Moral, Spiritual and Aesthetic Emotion.” Cognition and Emotion 17: 297–314.

Ker, Walter C. A. 1919. Martial: Epigrams. 2 vols. London: Heinemann.

King, William L. 1992. “Scruton and Reasons for Looking at Photographs.” British Journal of Aesthetics 32: 258–265.

Kivy, Peter. 2011. Once-Told Tales: An Essay in Literary Aesthetics. Malden, MA: Wiley-Blackwell.

Konstan, David. 1987. “Persians, Greeks and Empire.” Arethusa 20: 59–73.

Konstan, David. 1997. “Conventional Values of the Hellenistic Greeks: The Evidence from Astrology.” In Conventional Values of the Hellenistic Greeks. Edited by Per Bilde et al. Aarhus: Aarhus University Press = Studies in Hellenistic Civilization 8, 159–76.

Konstan, David. 2000. “Plato between Love and Friendship.” Hypnos 6: 154–169.

Konstan, David. 2004. “‘The Birth of the Reader’: Plutarch as Literary Critic.” Scholia 13: 3–27; Spanish version under the title, “‘El nacimiento del lector’: Plutarco como crítico literario,” Praesentia 13 (2012), available at http://erevistas.saber.ula.ve/index.php/praesentia/article/view/4229.

Konstan, David. 2005. “The Pleasures of the Ancient Text or The Pleasure of Poetry from Plato to Plutarch.” In F. Cairns, ed., Greek and Roman Poetry, Greek and Roman Historiography = Papers of the Langford Latin Seminar 12: 1–17.

Konstan, David. 2008. “In Defense of Croesus, or Suspense as an Aesthetic Emotion.” Aisthe 3: 1–15 (accessible online at http://www.ifcs.ufrj.br/~aisthe/vol%20II/KONSTAN.pdf). Reprinted in Fernando Santoro, (p.244) Tatiana Ribeiro, and Henrique Cairus, eds., Pathos: A Poética das Emoções. Rio de Janeiro: Arquimedes Editora, 2009.

Konstan, David. 2009a. “Cosmopolitan Traditions.” In A Companion to Greek and Roman Political Thought. Edited by Ryan Balot. Oxford: Blackwell, 473–484.

Konstan, David. 2009b. “Le courage dans le roman grec: de Chariton à Xénophon d’Ephèse, avec référence à Philon d’Alexandrie.” In Roman IV: Vertus, passions et vices dans le roman grec (Actes du colloque de Tours, 19–21 octobre 2006, organisé par l’université François-Rabelais de Tours). Edited by Bernard Pouderon and Cécile Bost-Pouderon. Lyon: Presses de la Maison de l’Orient et de la Méditerranée, 117–126.

Konstan, David. 2009c. “Reunion and Regeneration: Narrative Patterns in Ancient Greek Novels and Christian Acts.” In Fiction on the Fringe: Novelistic Writing in Late Antiquity. Edited by Grammatiki Karla and Ingela Nilsson. Leiden: Brill Academic Publishers = Mnemosyne Supplements Series 310, 105–120.

Konstan, David. 2010. “Suche und Verwandlung: Transformation von Erzählmustern in den hellenistischen Romanen und den apokryphen Apostelakten.” Translated by Regina Höschele. In Askese und Identität in Spätantike, Mittelalter und früher Neuzeit. Edited by Werner Röcke and Julia Weitbrecht. Berlin: Walter de Gruyter, 251–268.

Konstan, David. 2012a. “Between Appetite and Emotion, or Why Can’t Animals Have Erôs?” In Eros in Ancient Greece. Edited by Ed Sanders et al. Oxford: Oxford University Press, 13–25.

Konstan, David. 2012b. “El concepto de belleza en el mundo antiguo y su recepción en Occidente.” Nova Tellus 30: 133–148.

Konstan, David. 2012c. “A Senecan Theory of Drama?” In Estudios sobre teatro romano: el mundo de los sentimientos y su expresión. Edited by Rosario López Gregoris. Zaragoza: Libros Pórtico, 179–185.

Konstan, David. 2013a. “Beauty, Love, and Art: The Legacy of Ancient Greece.” ΣΧΟΛΗ 7: 327–339.

Konstan, David. 2013b. “Biblical Beauty: Hebrew, Greek, and Latin.” In The One Who Sows Bountifully: Essays in Honor of Stanley K. Stowers. Edited by Caroline Johnson Hodge et al. Atlanta: Society of Biblical Literature, 129–140.

Konstan, David. 2013c. “Cómo decir ‘belleza’ en griego antiguo.” In Ianua Classicorum: Temas y formas del Mundo Clásico, vol. 1. Madrid: Sociedad Española de Estudios Clásicos = Actas del XIII Congreso de la Sociedad Española de Estudios Clásicos (Logroño, julio de 2011), 441–446. (p.245)

Konstan, David. 2013d. “Themistius on Royal Beauty.” In The Purposes of Rhetoric in Late Antiquity: From Performance to Exegesis. Edited by Alberto Quiroga. Tübingen: Mohr Siebeck, 179–188.

Konstan, David. 2014a. “Beauty.” In A Companion to Ancient Aesthetics. Edited by Pierre Destrée and Penelope Murray. Malden, MA: Wiley-Blackwell.

Konstan, David. 2014b. “Beauty and Desire between Greece and Rome.” In Emotions Between Greece and Rome (Bulletin of the Institute of Classical Studies). Edited by Douglas Cairns.

Konstan, David. 2014c. “Wit and Irony in the Epic Cycle.” In A Companion to the Greek Epic Cycle. Edited by Marco Fantuzzi and Christos Tsagalis. Cambridge: Cambridge University Press.

Konstan, David, and Ilaria Ramelli. 2014. “The Novel and Christian Narrative.” In The Blackwell Companion to the Ancient Novel. Edited by Shannon Byrne and Edmund Cueva. Hoboken, NJ: John Wiley and Sons, 180–197.

Kosman, Aryeh. 2010. “Beauty and the Good: Situating the Kalon.” Classical Philology 105: 341–357.

Kossatz-Deissmann, Anneliese. 1994. “Paridis iudicium.” Lexicon iconographicum mythologiae classicae. Vol. 7.1. Zurich: Artemis Verlag, 176–188.

Krafft-Ebbing, Richard von. 1886. Psychopathia Sexualis: Eine klinisch-forensische Studie. 1st edition. Stuttgart: Ferdinand Enke.

Kristeller, Paul Oskar. 1951. “The Modern System of the Arts: A Study of the History of Aesthetics (I).” Journal of the History of Ideas 12: 496–527. Reprinted, along with part II (Journal of the History of Ideas 13 [1952]: 17–46), in P. O. Kristeller, Renaissance Thought and the Arts: Collected Essays, expanded edition. Princeton, NJ: Princeton University Press, 1990, 163–227.

Laes, Christian. 2011. Children in the Roman Empire: Outsiders Within. Cambridge: Cambridge University Press.

Langerbeck, H., ed. 1986. Gregorii Nysseni Opera. Vol. 6. Leiden: Brill.

Lapatin, Kenneth. 2010. “The ‘Art’ of Politics.” Arethusa 43: 253–265.

Laurence, Ray. 2009. Roman Passions: A History of Pleasure in Imperial Rome. London: Continuum.

Leibniz, Gottfried Wilhelm. 1989. Elements of Natural Law. In Leibniz, Philosophical Papers and Letters: A Selection. Translated and edited with an introduction by Leroy E. Loemker. 2nd edition. Dordrecht: Kluwer.

Lessing, Gotthold Ephraim. 1962. Laocoon: An Essay on the Limits of Painting and Poetry. Translated by Edward Allen McCormick. Baltimore: The Johns Hopkins University Press (originally published in 1766). (p.246)

Levinson, Jerrold. 2011. “Beauty Is Not One: The Irreducible Variety of Visual Beauty.” In The Aesthetic Mind: Philosophy and Psychology. Edited by Elisabeth Schellekens and Peter Goldie. Oxford: Oxford University Press, 190–207.

Liddell, Henry George, and Robert Scott, eds. 1940. A Greek-English Lexicon. 9th edition. Revised by Henry Stuart Jones and Roderick McKenzie. Oxford: Oxford University Press.

Linwood, William. 1843. A Lexicon to Aeschylus. London: Taylor and Walton.

Lissarrague, François. 1999. “Publicity and Performance: Kalos Inscriptions in Attic Vase-Painting.” In Performance Culture and Athenian Democracy. Edited by Simon Goldhill and Robin Osborne. Cambridge: Cambridge University Press, 359–373.

Loader, James Alfred. 2011. “The Pleasing and the Awesome: The Beauty of Humans in the Old Testament.” Old Testament Essays 24: 652–667.

Loader, James Alfred. 2012a. “The Dark Side of Beauty in the Old Testament.” Old Testament Essays 25: 334–350.

Loader, James Alfred. 2012b. “Making Things from the Heart: On Works of Beauty in the Old Testament.” Old Testament Essays 25: 100–114.

Ludlam, Ivor. 1991. Hippias Major: An Interpretation. Stuttgart: Franz Steiner Verlag.

Macan, Reginald Walter. 1908. Herodotus: The Seventh, Eighth & Ninth Books with Introduction and Commentary. London: Macmillan.

MacKenna, Stephen, trans. 1969. Plotinus: The Enneads. New York: Pantheon Books.

Mackenzie, Henry. 2009. The Man of Feeling. Edited by Brian Vickers. New York: Oxford University Press (originally published in 1771).

Macwilliam, Stuart. 2009. “Ideologies of Male Beauty and the Hebrew Bible.” Biblical Interpretation 17: 265–287.

Mankin, David, ed. 2011. Cicero De oratore Book III. Cambridge: Cambridge University Press.

Mansfield, Elizabeth C. 2007. Too Beautiful to Picture: Zeus, Myth, and Mimesis. Minneapolis: University of Minnesota Press.

Marcovich, Miroslav. 1988. “Hermocles’ Ithyphallus for Demetrius.” In Studies in Graeco-Roman Religions and Gnosticism. Edited by Miroslav Marcovich. Leiden: Brill, 8–19.

Martindale, Charles. 2005. Latin Poetry and the Judgement of Taste: An Essay in Aesthetics. Oxford: Oxford University Press. (p.247)

Masséglia, Jane. 2012. “‘Reasons to be Cheerful’: Conflicting Emotions in the Drunken Old Women of Munich and Rome.” In Unveiling Emotions: Sources and Methods for the Study of Emotions in the Greek World. Edited by Angelos Chaniotis. Stuttgart: Franz Steiner, 413–430.

May, James M., and Jakob Wisse, trans. 2001. Cicero on the Ideal Orator. Oxford: Oxford University Press.

Middeldorf, Ulrich. 1947. “Letters to the Editor.” The Art Bulletin 29: 67.

Monteil, Pierre. 1964. Beau et laid en latin. Paris: Klincksieck.

Montemayor García, Alicia. 2013. La trama de los discursos y las artes: El Canon de Policleto de Argos. Mexico City: Conaculta.

Morales, Helen. 2004. Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon. Cambridge: Cambridge University Press.

Morales, Helen. 2011. “Fantasising Phryne: The Psychology and Ethics of Ekphrasis.” Cambridge Classical Journal 57: 71–104.

Moretti, Francesca Paola. 2006. La Passio Anastasiae: introduzione, testo critico, traduzione. Rome: Herder.

Moscoso, Javier. 2011. Historia cultural del dolor. Madrid: Taurus.

Moscoso, Javier. 2012. Pain: A Cultural History. Translated by Sarah Thomas and Paul House. Houndmills: Palgrave.

Most, G. W. 1992. “Schöne (das).” In Historisches Wörterbuch der Philosophie. Vol. 8. Edited by Joachim Ritter and Karlfried Grunder. Basel: Schwabe Verlag, 1343–1351.

Munteanu, Dana. 2009. “Qualis Tandem Misericordia in Rebus Fictis? Aesthetic and Ordinary Emotion.” Helios 36: 117–147.

Murdoch, Iris. 2001. Nuns and Soldiers. New York: Penguin Books (originally published in 1980).

Murray, A. T., trans. 1924. Homer: The Iliad. Cambridge, MA: Harvard University Press.

Nehamas, Alexander. 2007. The Promise of Happiness: The Place of Beauty in a World of Art. Princeton, NJ: Princeton University Press.

Netz, Reviel. 2010. “What Did Greek Mathematicians Find Beautiful?” Classical Philology 105: 426–444.

North, John Harry. 2012. Winckelmann’s “Philosophy of Art”: A Prelude to German Classicism. Newcastle upon Tyne: Cambridge Scholars Publishing.

O’Donnell, James J., ed. 1992. The Confessions of Augustine: Text and Commentary. Oxford: Oxford University Press. (p.248)

Oliver, Graham J. 2006. “The Economic Realities.” In A Companion to the Classical Greek World. Edited by Konrad H. Kinzl. Malden, MA: Blackwell, 281–310.

Olyan, Saul M. 2008. Disability in the Hebrew Bible: Interpreting Mental and Physical Differences. Cambridge: Cambridge University Press.

O’Sullivan, Patrick. 2011. “Dio Chrysostom and the Poetics of Phidias’ Zeus.” In The Statue of Zeus at Olympia: New Approaches. Edited by Janette McWilliam et al. Newcastle upon Tyne: Cambridge Scholars Publishing, 137–154.

Papaioannou, Stratis. 2013. Michael Psellos: Rhetoric and Authorship in Byzantium. Cambridge: Cambridge University Press.

Passmore, J. A. 1951. “The Dreariness of Aesthetics.” Mind n.s. 60: 318–335.

Pearsall, Paul. 2007. Awe: The Delights and Dangers of our Eleventh Emotion. Deerfield Beach, FL: Health Communications Inc.

Peek, Werner. 1955. Griechische Vers-Inschriften. Berlin: Akademie-Verlag.

Penchansky, David. 2013. “Beauty, Power, and Attraction: Aesthetics and the Hebrew Bible.” In Beauty and the Bible: Toward a Hermeneutics of Biblical Aesthetics. Edited by Richard J. Bautch and Jean-François Racine. Atlanta: Society of Biblical Literature, 47–65.

Perrin, Bernadotte, trans. 1916. Plutarch: The Parallel Lives. Vol. 3. Cambridge, MA: Harvard University Press.

Platt, Verity. 2002. “Evasive Epiphanies in Ekphrastic Epigram.” Ramus 31: 33–50.

Platt, Verity. 2011. Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature and Religion. Cambridge: Cambridge University Press.

Polanyi, Karl. 2001. The Great Transformation: The Political and Economic Origins of Our Times. Boston: Beacon Press (originally published in 1944).

Pollitt, Jerome. 1974. The Ancient View of Greek Art: Criticism, History, and Terminology. New Haven, CT: Yale University Press.

Porter, James I. 2009. “Is Art Modern? Kristeller’s ‘Modern System of the Arts’ Reconsidered.” British Journal of Aesthetics 49: 1–24.

Porter, James I. 2010. The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience. Cambridge: Cambridge University Press.

Pradeau, J.-F., and F. Fronterotta. 2005. Platon: Hippias majeur, Hippias mineur. Paris: Flammarion.

Prettejohn, Elizabeth. 2005. Beauty and Art: 1750–2000. Oxford: Oxford University Press.

Prettejohn, Elizabeth. 2012. The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso. London: I. B. Tauris. (p.249)

Pretzler, Maria. 2009. “Form over Substance? Deconstructing Ecphrasis in Lucian’s Zeuxis and Eikones.” In A Lucian for our Times. Edited by Adam M. Bartley. Newcastle upon Tyne: Cambridge Scholars Publishing, 157–172.

Prinz, Jesse. 2011. “Emotion and Aesthetic Value.” In The Aesthetic Mind: Philosophy and Psychology. Edited by Elisabeth Schellekens and Peter Goldie. Oxford: Oxford University Press, 71–88.

Prum, Richard O. 2012. “Aesthetic Evolution by Mate Choice: Darwin’s Really Dangerous Idea.” Philosophical Transactions of the Royal Society B: Biological Sciences 367 (19 August): 2253–2265.

Psellus, Michael. 1941. Scripta minora. Vol. 2. Edited by Edward Kurtz and Francis Drexl. Milan: Vita e Pensiero.

Pusey, Edward B. 1838. The Confessions of Saint Augustine. Oxford: J. H. Parker.

Quindlen, Anna. 2014. Still Life with Breadcrumbs: A Novel. New York: Random House.

Ramelli, Ilaria. 2010. “Good/Beauty: agathon/kalón.” In The Brill Dictionary of Gregory of Nyssa. Edited by G. Maspero and L.F. Mateo-Seco. Leiden: Brill, 356–363.

Richlin, Amy. 1992. The Garden of Priapus: Sexuality and Aggression in Roman Humor. 2nd edition. Oxford: Oxford University Press.

Richlin, Amy. 2006. Marcus Aurelius in Love: Marcus Aurelius and Marcus Cornelius Fronto. Chicago: University of Chicago Press.

Roberts, Rhys W., ed. 1910. Dionysius of Halicarnassus: On Literary Composition. London: Macmillan.

Robson, James. 2013. “Beauty and Sex Appeal in Aristophanes.” Eugesta 3: 43–66.

Rudd, Niall, ed. 1989. Horace: Epistles Book II and Epistle to the Pisones (“Ars Poetica”). Cambridge: Cambridge University Press.

Russell, Donald A. 2002. Quintilian: The Orator’s Education. Vol. 3. Cambridge, MA: Harvard University Press.

Russell, Donald A., and David Konstan, eds. and trans. 2005. Heraclitus: Homeric Problems. Atlanta: Society of Biblical Literature.

Russell, Donald A., and Nigel G. Wilson, eds. 1981. Menander Rhetor. Oxford: Clarendon Press.

Rutledge, Steven H. 2012. Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting. Oxford: Oxford University Press.

Sartwell, Crispin. 2004. Six Names of Beauty. New York: Routledge. (p.250)

Scarry, Elaine. 1999. On Beauty and Being Just. Princeton, NJ: Princeton University Press.

Schiller, Friedrich von. 1980. “On the Sublime.” In Schiller: Naive and Sentimental Poetry and On the Sublime. Translation, introduction, and notes by Julius A. Tobias. New York: Fredrich Ungar Publishing Co.

Scobie, A. 1975. “Perversions Ancient and Modern: I. Agalmatophilia, The Statue Syndrome.” Journal of the History of the Behavioral Sciences 11: 49–54.

Scruton, Roger. 1981. “Photography and Representation.” Critical Inquiry 7: 577–603.

Scruton, Roger. 2009. Beauty. Oxford: Oxford University Press.

Setaioli, Aldo. 2007. “Some Ideas of Seneca’s on Beauty.” Prometheus 33: 49–65.

Setaioli, Aldo. 2008. “La notion éthique de kalós/kalón en latin.” Prometheus 34: 160–180.

Shapiro, Alan. 1987. “Kalos-Inscriptions with Patronymic.” Zeitschrift für Papyrologie und Epigraphik 68: 107–118.

Shaw, Brent. 1996. “Body/Power/Identity: Passions of the Martyrs.” Journal of Early Christian Studies 4: 269–312.

Sider, David. 1977. “Plato’s Early Aesthetics: The Hippias Major.” Journal of Aesthetics and Art Criticism 35: 465–470.

Sinisgalli, Rocco, ed. 2011. Leon Battista Alberti On Painting: A New Translation and Critical Edition. Cambridge: Cambridge University Press.

Slater, William J., ed. 1969. Lexicon to Pindar. Berlin: De Gruyter.

Slings, S. R. 1998. “Review of Vancamp 1996.” Mnemosyne 51: 611–616.

Smith, Zadie. 2005. On Beauty. London: Hamish Hamilton.

Solomon, J., trans. 1984. “Eudemian Ethics.” In The Complete Works of Aristotle. Vol. 2. Edited by Jonathan Barnes. Princeton, NJ: Princeton University Press.

Sonek, Krzysztof. 2009. Truth, Beauty, and Goodness in Biblical Narratives: A Hermeneutical Study of Genesis 21:1–21. Berlin: Walter de Gruyter.

Squire, Michael. 2010. “Introduction: The Art of Art History in Greco-Roman Antiquity.” Arethusa 43: 133–163.

Squire, Michael. 2011. The Art of the Body: Antiquity and its Legacy. Oxford: Oxford University Press.

Squire, Michael. 2013. “Apparitions Apparent: Ekphrasis and the Parameters of Vision in the Elder Philostratus’s Imagines.” Helios 40: 97–140.

Staley, Gregory A. 2010. Seneca and the Idea of Tragedy. Oxford: Oxford University Press.

Starr, G. Gabrielle. 2013. Feeling Beauty: The Neuroscience of Aesthetic Experience. Cambridge, MA: MIT Press. (p.251)

Steiner, Wendy. 2001. Venus in Exile: The Rejection of Beauty in Twentieth-Century Art. Chicago: University of Chicago Press.

Stewart, A. F. 1979. Attika: Studies in Athenian Sculpture of the Hellenistic Age. London: Society for the Promotion of Hellenic Studies = Journal of Hellenic Studies, suppl. vol. 14.

Stróżewski, Władyslaw. 2002. O wielkości: Szkice z filozofii człowieka. Cracow: Znak.

Swoyer, Chris. 2010. “Relativism.” In The Stanford Encyclopedia of Philosophy. Edited by Edward N. Zalta. http://plato.stanford.edu/archives/win2010/entries/relativism (accessed March 9, 2013).

Talon-Hugon, Carole. 2009. Morales de l’art. Paris: Presses Universitaires de France.

Tanner, Jeremy. 2010. “Aesthetics and Art History Writing in Comparative Historical Perspective.” Arethusa 43: 267–288.

Tarrant, Dorothy. 1928. The Hippias Major Attributed to Plato. Cambridge: Cambridge University Press.

Tarrant, Harold. 2000. “The Special Power of Visual Beauty in Plato and the Ancient Greek Novel.” In Greek Philosophy and the Fine Arts. Vol. 1. Edited by Konstantine Boudouris. Athens: Ionia Publications, 175–184.

Taylor, Francis Henry. 1948. The Taste of Angels: A History of Art Collecting from Rameses to Napoleon. Boston: Little, Brown, and Co.

Terezis, Christos, and Kalomoira, Polychronopoulou. 2000. “Aspects of Beauty According to Neoplatonic Philosopher Proclus.” In Greek Philosophy and the Fine Arts. Vol. 1. Edited by Konstantine Boudouris. Athens: Ionia Publications, 200–208.

Thiele, Walter, ed. 1987–2005. Sirach (Ecclesiasticus). Freiburg: Verlag Herder (Vetus latina: Die Reste der altlateinischen Bibel, vol. 11.2).

Thornton, Bruce S. 1997. Eros: The Myth of Ancient Greek Sexuality. Boulder, CO: Westview Press.

Tolsa, Cristian. 2013. Claudius Ptolemy and Self-Promotion: A Study on Ptolemy’s Intellectual Milieu in Roman Alexandria. Doctoral thesis, Departament de Filologia Grega, Universitat de Barcelona.

Toscano, Margaret M. 2013. “The Eyes Have It: Female Desire on Attic Greek Vases.” Arethusa 46: 1–40.

Vancamp, Bruno. 1996. Platon: Hippias maior, Hippias minor. Stuttgart: Steiner.

Vanderspoel, John. 1995. Themistius and the Imperial Court: Oratory, Civic Duty, and Paideia from Constantius to Theodosius. Ann Arbor: University of Michigan Press. (p.252)

Vérilhac, Anne Marie. 1978. παιδεσ αωροι: Poésie Funéraire. Vol. 1: Textes. Athens: Athens University Press.

von Arnim, Hans. 1903–1905. Stoicorum veterum fragmenta. Stuttgart: Teubner.Walpole, Horace. 1871 (originally published 1761). Anecdotes of Painting in England. London: Alexander Murray (reprint of 1786 edition).

Watson, J. S., trans. 1860. Cicero on Oratory and Orators. New York: Harper and Brothers.

Webb, Ruth. 2009. Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Farnham: Ashgate.

Westermann, Claus. 1984. “Das Schöne im Alten Testament.” In Erträge der Forschung am Alten Testament: Gesammelte Studien. Vol. 3. Edited by Rainer Albertz and Claus Westermann. Munich: Chr. Kaiser Verlag, 479–497.

Whitehead, Alfred North. 1979. Process and Reality. New York: Free Press (originally published in 1929).

Wilde, Oscar. 1966. “The Critic as Artist.” In The Complete Works of Oscar Wilde. Edited by J. B. Foreman. London: Collins, 1009–1059.

Williams, Craig A. 2012. Reading Roman Friendship. Cambridge: Cambridge University Press.Wilson, H.A. 1893. Gregory of Nyssa: On the Making of Man. In Philip Schaff and Henry Wace, eds., Gregory of Nyssa: Dogmatic Treatises; Select Writings and Letters. Edinburgh: T. & T. Clark = Nicene and Post-Nicene Fathers, series 2, vol. 5, pp. 387-427.

Winckelmann, Johann Joachim. 1987. Reflections on the Imitation of Greek Works in Painting and Sculpture. Translated by E. Heyer and R. C. Norton. La Salle, IL: Open Court (originally published in 1756).

Wolff, Christian. 1732. Psychologia empirica. Frankfurt and Leipzig: Officina Libraria Rengeriana.

Woodruff, Paul. 1982. Plato: Hippias Major: Translation and Commentary. Oxford: Blackwell.

Woodruff, Paul. 2001. Reverence: Renewing a Forgotten Virtue. Oxford: Oxford University Press.

Wooten, Cecil W. 1987. Hermogenes On Types of Style. Chapel Hill: University of North Carolina Press.

Yonge, C. D., trans. 1854. Athenaeus: The Deipnosophists. London: Henry G. Bohn.

Yonge, C. D., trans. 1856. The Orations of Marcus Tullius Cicero. Vol. 1. London: Henry G. Bohn.

Yunis, Harvey, ed. 2011. Plato: Phaedrus. Cambridge: Cambridge University Press.