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Piano Sonata in A Major, Op. 101Beethoven's Last Piano Sonatas, An Edition with Elucidation, Volume 4$

John Rothgeb

Print publication date: 2015

Print ISBN-13: 9780199914265

Published to Oxford Scholarship Online: September 2015

DOI: 10.1093/acprof:oso/9780199914265.001.0001

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(p.145) Bibliography of Cited Works by Heinrich Schenker

(p.145) Bibliography of Cited Works by Heinrich Schenker

Source:
Piano Sonata in A Major, Op. 101
Publisher:
Oxford University Press

Bibliography references:

(p.146)

Citation Form

Title

Die Letzten Fünf Sonaten von Beethoven. Kritische Ausgabe mit Einführung und Erläuterung:

109

Erläuterungs-Ausgabe der Sonate E Dur, Op. 109. Vienna: Universal Edition, 1913.

109 2

2nd, abridged, ed. Edited by O. Jonas. Vienna: Universal Edition, 1971.

110

Erläuterungs-Ausgabe der Sonate As Dur, Op. 110. Vienna: Universal Edition, 1914.

110 2

2nd, abridged, ed. Edited by O. Jonas. Vienna: Universal Edition, 1972.

111

Erläuterungs-Ausgabe der Sonate C Moll, Op. 111. Vienna: Universal Edition, 1915.

111 2

2nd, abridged, ed. Edited by O. Jonas. Vienna: Universal Edition, 1971.

101

Erläuterungs-Ausgabe der Sonate A Dur, Op. 101. Vienna: Universal Edition, 1921.

101 2

2nd, abridged, ed. Edited by O. Jonas. Vienna: Universal Edition, 1972.

Ninth Symphony

Beethovens neunte Sinfonie. Vienna: Universal Edition, 1912. 2nd ed. as Wiener Urtext Ausgabe. Edited by Karl Heinz Füssl and H. C. Robbins Landon. Vienna: Universal Edition, 1969. Translated and edited by J. Rothgeb as Beethoven’s Ninth Symphony. New Haven: Yale University Press, 1992.

Octaves and Fifths

Johannes Brahms: Oktaven u. Quinten. Vienna: Universal Edition, 1933. Translated and annotated by P. Mast, as “Brahms’s Study, Octaven u. Quinten u. A. with Schenker’s Commentary Translated,” in The Music Forum. Vol. 5. New York: Columbia University Press, 1979.

Chromatic Fantasy

J. S. Bach: Chromatische Phantasie und Fuge. Vienna: Universal Edition, 1909. Translated and edited by Hedi Siegel, as J. S. Bach’s Chromatic Fantasy, and Fugue: Critical Edition with Commentary. New York: Longman, 1984.

C. P. E. Bach’s Klavierwerke

Phil. Em. Bach: Klavierwerke (selections). 3 vols. Vienna: Universal Edition, 1902. 2nd ed., 2 vols. Vienna: Universal Edition, n.d.

Tonwille

Der Tonwille. Flugblätter zum Zeugnis unwandelbarer Gesetze der Tonkunst. Vol. 8/9 (Apr./Sept., 1924). Vienna: Gutmann, 1924.

Harmony

Neue musikalische Theorien und Phantasien I: Harmonielehre. Stuttgart: Cotta, 1906. Edited by O. Jonas, translated by E. M. Borgese, as Harmony. Chicago: University of Chicago Press, 1954.

Counterpoint

Neue musikalische Theorien und Phantasien II: Kontrapunkt. 2 books. Vienna: Universal-Edition, 1910, 1922. Edited by J. Rothgeb, translated by J. Rothgeb and J. Thym as Counterpoint Book I, II. New York: Shirmer Books, 1987. 2nd, corrected, ed. Ann Arbor, MI: Musicalia Press, 2001.

Masterwork

Das Meisterwerk in der Musik. Ein Jahrbuch. 3 vols. Munich: Drei Masken Verlag, 1925, 1926, 1930. Edited by W. Drabkin, translated by I. Bent et. al. as The Masterwork in Music. Cambridge, UK: Cambridge University Press, 1994, 1996, 1997.

Free Composition

Neue musikalische Theorien und Phantasien III: Der freie Satz. Vienna: Universal Edition, 1935. 2nd, abridged, ed. Edited by O. Jonas. Vienna: Universal Edition, 1956. Translated and edited by Ernst Oster as Free Composition. New York: Longman, 1979.

Ornamentation

Ein Beitrag zur Ornamentik. Vienna: Universal Edition, 1904. Translated and edited by H. Siegel as “A Contribution to the Study of Ornamentation,” in The Music Forum, vol. IV. New York: Columbia University Press, 1976.