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The Age of New WavesArt Cinema and the Staging of Globalization$
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James Tweedie

Print publication date: 2013

Print ISBN-13: 9780199858286

Published to Oxford Scholarship Online: January 2014

DOI: 10.1093/acprof:oso/9780199858286.001.0001

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Morning in the Megacity

Morning in the Megacity

Taiwan and the Globalization of the City Film

Chapter:
(p.178) {5} Morning in the Megacity
Source:
The Age of New Waves
Author(s):

James Tweedie

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199858286.003.0006

The “city film” has been a prominent genre in recent world cinema. This chapter examines that series as a global phenomenon and views Taiwan’s city films within both an international and a domestic context. It begins by asking what the city film was in the first half of the twentieth century and how the pressures of globalization have transformed both urban space and its representation in cinema. It then considers the specific circumstances of Taiwan’s new wave, with particular emphasis on films located in Taipei. The chapter concludes with the work of Edward Yang, especially Taipei Story, a film that features scenes of interior design and meditations on modern urban architecture. Yang’s films accentuate acts of design, and they suggest that many of the traits habitually associated with cinema, especially its artificiality and staginess, its constant destruction and reinvention of reality, are also the defining qualities of the global megacity.

Keywords:   taiwanese new wave, taiwan new cinema, city films, architecture, megacities, taipei, mise en scène, Edward Yang

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