Jump to ContentJump to Main Navigation
The Captor's ImageGreek Culture in Roman Ecphrasis$

Basil Dufallo

Print publication date: 2013

Print ISBN-13: 9780199735877

Published to Oxford Scholarship Online: May 2013

DOI: 10.1093/acprof:oso/9780199735877.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 24 February 2017

(p.253) Bibliography

(p.253) Bibliography

Source:
The Captor's Image
Publisher:
Oxford University Press

Bibliography references:

Acosta-Hughes, Benjamin. 2002. Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley: University of California Press.

Ahl, Frederick M. 1984a. “The Rider and the Horse: Politics and Power in Roman Poetry from Horace to Statius.” Aufstieg und Niedergang der römischen Welt 2.32.1: 40–110.

———. 1984b. “The Art of Safe Criticism in Greece and Rome.” American Journal of Philology 105: 174–208.

Anderson, William S. 1969. The Art of the Aeneid. Englewood Cliffs, NJ: Prentice-Hall.

———, ed. 1972. Ovid’s Metamorphoses, Books 6–10. Norman: University of Oklahoma Press.

———. 1982. Essays on Roman Satire. Princeton: Princeton University Press.

———. 1993. Barbarian Play: Plautus’ Roman Comedy. Toronto: University of Toronto Press.

André, Jacques. 1949. La vie et l’oeuvre d’Asinius Pollion. Paris: Klincksieck.

Arkins, Brian. 1986. “New Approaches to Virgil.” Latomus 45: 33–42.

Augoustakis, Antony, and Carole E. Newlands. 2007. “Introduction: Statius’s Silvae and the Poetics of Intimacy.” Arethusa 40: 117–25.

Austin, R. G., ed. 1971. P. Vergili Maronis Aeneidos liber primus. Oxford: Clarendon Press.

Balensiefen, Lilian. 1995. “Überlegungen zu Aufbau und Lage der Danaidenhalle auf dem Palatin.” Mitteilungen des deutschen archaeologischen Instituts, Roemische Abteilung 102: 189–209.

Balot, Ryan K. 1998. “Pindar, Virgil, and the Proem to Georgic 3.” Phoenix 52: 83–94.

Barchiesi, Alessandro. 1984. La traccia del modello. Effetti omerici nella narrazione virgiliana. Pisa: Giardini.

———. 1994. “Rappresentazioni del dolore e interpretatzione nell’Eneide.” Antike une Abendland 40: 109–24.

———. 1997. “Virgilian Narrative: Ecphrasis.” In Martindale, 271–81. Cambridge: Cambridge University Press.

———. 2005. “Learned Eyes: Poets, Viewers, Image Makers.” In Karl Galinsky, ed., The Cambridge Companion to the Age of Augustus, 281–305. Cambridge: Cambridge University Press.

Barkan, Leonard. 1986. The Gods Made Flesh: Metamorphosis& The Pursuit of Paganism. New Haven: Yale University Press.

Baratte, François. 1986. Le Trésor d’orfèvrerie romaine de Boscoreale. Paris:Éditions de la Réunion des musées nationaux.

Barsby, John. 1999. Terence: Eunuchus. Cambridge: Cambridge University Press.

Bartman, Elizabeth. 2010. “Sculptural Collecting and Display in the Private Realm.” In Elaine K. Gazda, ed., Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula, 71–88. 2nd ed. Ann Arbor: University of Michigan Press.

(p.254) Bartsch, Shadi. 1998. “ Ars and the Man: The Politics of Art in Virgil’s Aeneid.” Classical Philology 93: 322–42.

———. 2006. The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire. Chicago: University of Chicago Press.

Barwick, Karl. 1958. “Zyklen bei Martial und in den kleinen Gedichten des Catull.” Philologus 102: 284–318.

Bass, R. C. 1977. “Some Aspects of the Structure of the Phaethon Episode in Ovid’s Metamorphoses.” Classical Quarterly, n.s., 27: 402–08.

Baxandall, Michael. 1985. Patterns of Intention: On the Historical Explanation of Pictures. New Haven: Yale University Press.

Beard, Mary. 2007. The Roman Triumph. Cambridge: Harvard University Press.

Beck, Deborah. 2007. “Ecphrasis, Interpretation, and Audience in Aeneid 1 and Odyssey 8.” American Journal of Philology 128: 533–49.

Becker, Andrew Sprague. 1995. The Shield of Achilles and the Poetics of Ekphrasis. Lanham: Rowman& Littlefield.

———. 2003. “Contest or Concert? A Speculative Essay on Ecphrasis and the Rivalry between the Arts.” Classical and Modern Literature 23: 1–14.

Becker, Carl. 1964. “Der Schild des Aeneas.” Wiener Studien 77: 111–27.

Belloni, Luigi, Alice Bonandini, Giorgio Ieranò, and Gabriella Moretti, eds. 2010. Le Immagini nel testo, il testo nelle immagini: rapporti fra parola e visualitànella tradizione greco-latina. Labirinti, 128. Trento: Università degli Studi di Trento.

Berg, William J. 1974. Early Virgil. London: Athlone Press.

Bettini, Maurizio. 1999. The Portrait of the Lover. Translated by Laura Gibbs. Berkeley: University of California Press.

Blänsdorf, Jürgen, ed. 2011. Fragmenta poetarum Latinorum, post W. Morel et K. Büchner. Berlin: Walter de Gruyter.

Bloom, Harold. 1997. The Anxiety of Influence: A Theory of Poetry. 2nd ed. New York: Oxford University Press.

Bodel, John. 1994. “Trimalchio’s Underworld.” In James Tatum, ed., The Search for the Ancient Novel, 237–59. Baltimore: The Johns Hopkins University Press.

Boitani, Piero. 1989. “Antiquity and Beyond: The Death of Troilus.” In Piero Boitani, ed., The European Tragedy of Troilus. Oxford: Clarendon Press.

Bömer, Franz. 1969–1986. P. Ovidius Naso: Metamorphosen. 7 vols. Heidelberg: Carl Winter.

Bonadeo, Alessia. 2010. L’Hercules Epitrapezios Novi Vindicis: Introduzione e commento a Stat. silv. 4,6. Naples: Loffredo.

Bosworth, A. B. 1972. “Asinius Pollio and Augustus.” Historia 21: 441–73.

Boucher, Jean-Paul. 1980. Études sur Properce. Problèmes d’inspiration et d’art. 2nd ed. Paris:Éditions de Boccard.

Bowditch, Lowell. 2009. “Palatine Apollo and the Imperial Gaze: Propertius 2.31 and 2.32.” American Journal of Philology 130: 401–38.

Bowersock, Glen W. 1965. “Zur Geschichte des römischen Thessaliens.” Rheinisches Museum für Philologie 108: 277–89.

———. 1971. “A Date in the Eighth Eclogue.” Harvard Studies in Classical Philology 75: 73–80.

Bowie, Ewen. 2009. “Philostratus: The Life of a Sophist.” In Bowie and Elsner, 19–32.

Bowie, Ewen, and Jaś Elsner, eds. 2009. Philostratus. Cambridge: Cambridge University Press.

Boyd, Barbara W. 1995. “ Non enarrabile textum: Ecphrastic Trespass and Narrative Ambiguity in the Aeneid.” Vergilius 41: 71–90.

Boyle, Anthony J. 1972. “The Meaning of the Aeneid: A Critical Inquiry, Part II. Homo Immemor: Book VI and its Thematic Ramifications.” Ramus 1: 113–51.

———. 1975. “A Reading of Virgil’s Eclogues.” Ramus 4: 187–203.

———. 1986. The Chaonian Dove: Studies in the Eclogues, Georgics, and Aeneid of Virgil. Leiden: Brill.

(p.255) Boyle, Anthony J., and J. L. Penwill, eds. 2004. Rethinking Terence. Ramus 33.

Braun, Maximilian. 2000. “ Mos maiorum und humanitas bei Terenz.” In Maximilian Braun, Andreas Haltenhoff, and Fritz-Heiner Mutschler, eds., Moribus antiquis res stat Romana, 205–15. Beiträge zur Altertumskunde 134. Munich: K. G. Saur.

Braund, Susanna M. 1996. “Ending Epic: Statius, Theseus and a Merciful Release.” Proceedings of the Cambridge Philological Society 42: 1–23.

Breed, Brian W. 2006. Pastoral Inscriptions: Reading and Writing Virgil’s Eclogues. London: Duckworth.

Breen, Carolyn C. 1986. “The Shield of Turnus, the Swordbelt of Pallas and the Wolf.” Vergilius 32: 63–71.

Bretzigheimer, Gerlinde. 1993. “Jupiter Tonans in Ovids Metamorphosen.” Gymnasium 100: 19–74.

Brown, P. Michael, ed. and trans. 1993. Horace, Satires I. Warminster: Aris& Phillips.

Brown, Robert. 1987. “The Palace of the Sun in Ovid’s Metamorphoses.” In Michael Whitby, Philip Hardie, and Mary Whitby, eds., Homo Viator: Classical Essays for John Bramble, 211–20. Bristol: Bristol Classical Press.

Browning, Robert. 2002. “Greeks and Others: From Antiquity to the Renaissance.” In Thomas Harrison, ed., Greeks and Barbarians, 257–77. New York: Routledge.

Bryson, Norman. 1981. Word and Image: French Painting of the Ancien Régime. Cambridge: Cambridge University Press.

Buchheit, Vinzenz. 1972. Der Anspruch des Dichters in Vergils Georgika: Dichtertum und Heilsweg. Darmstadt: Wissenschaftliche Buchgesellschaft.

Buecheler, Franz. 1922. Petronii saturae et liber priapeorum. Sixth edition revised by Wilhelm Heraeus. Berlin: Weidmann.

Cairns, Francis. 2006. Sextus Propertius: The Augustan Elegist. Cambridge: Cambridge University Press.

Cancik, Hubert. 1965. Untersuchungen zur lyrischen Kunst des P. Papinius Statius. Spudasmata 13. Hildesheim: Georg Olms.

Candilio, Daniela. 1989. “Nero antico.” In Maxwell L. Anderson and Leila Nista, eds., Radiance in Stone: Sculptures in Colored Marble from the Museo Nazionale Romano, 85–91. Rome: De Luca Edizioni d’Arte.

Carey, Sorcha. 2003. Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Oxford: Oxford University Press.

Casali, Sergio. 1995. “Aeneas and the Doors of the Temple of Apollo.” Classical Journal 91: 1–9.

Cassio, A. C. 1973. “L’ incipit della Cioma Callimachea in Virgilio.” Rivista di Filologia e di Istruzione Classica 101: 329–32.

Caston, Ruth R. 2003. “Rivaling the Shield: Propertius 4.6.” In Thibodeau and Haskell, 145–62. Afton: Afton Historical Society Press.

Chinn, Christopher. 2005. “Statius Silv. 4.6 and the Epigrammatic Origins of Ekphrasis.” Classical Journal 100: 247–63.

Christenson, David M. 2000. Plautus: Amphitruo. Cambridge: Cambridge University Press.

Clare, Ray J. 1996. “Catullus 64 and the Argonautica of Apollonius Rhodius: Allusion and Exemplarity.” Proceedings of the Cambridge Philological Society 42: 60–88.

Clarke, John R. 1991. The Houses of Roman Italy, 100 B.C.—A.D. 250: Ritual, Space, and Decoration. Berkeley: University of California Press.

Clausen, Wendell V. 1982. “The New Direction in Poetry.” In E. J. Kenney and W. V. Clausen, eds., The Cambridge History of Classical Literature. Vol. 2: Latin Literature, 178–206. Cambridge: Cambridge University Press.

———. 1994. A Commentary on Virgil, Eclogues. Oxford: Clarendon Press.

Clay, Diskin. 1988. “The Archaeology of the Temple to Juno in Carthage ( Aen. 1.446–93).” Classical Phililogy 83: 195–205.

———. 1998. Paradosis and Survival: Three Chapters in the History of Epicurean Philosophy. Ann Arbor: University of Michigan Press.

(p.256) Coleman, Kathleen M. 1986. “The Emperor Domitian and Literature.” Aufstieg und Niedergang der römischen Welt 2.32.5: 3087–3115.

———. 1988. Statius: Silvae IV. Oxford: Clarendon Press.

Coleman, Robert, ed. 1977. Vergil: Eclogues. Cambridge: Cambridge University Press.

Collignon, Albert. 1892. Étude sur Pétrone. Paris: Hachette.

Connors, Catherine. 1998. Petronius the Poet: Verse and Literary Tradition in the Satyricon. Cambridge: Cambridge University Press.

Conte, Gian Biagio. 1986. The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Translated and edited by Charles Segal. Ithaca: Cornell University Press.

———. 1996. The Hidden Author: An Interpretation of Petronius’ Satyricon. Translated by Elaine Fantham. Berkeley: University of California Press.

Courtney, Edward. 1966. “On the Silvae of Statius.” Bulletin of the Institute of Classical Studies 13: 94–100.

———. 1984. “Criticisms and Elucidations of the Silvae of Statius.” Transactions of the American Philological Association 114: 327–41.

———. 1987. “Petronius and the Underworld.” American Journal of Philology 108: 408–10.

———, ed. 1990. P. Papini Stati Silvae. Oxford: Clarendon Press.

———, ed. 1993. The Fragmentary Latin Poets. Oxford: Clarendon Press.

Culler, Jonathan. 1977. “Apostrophe.” Diacritics 7.4: 59–69.

Curran, Leo C. 1969. “Catullus 64 and the Heroic Age.” Yale Classical Studies 21: 171–92.

Currie, Harry MacL. 1976. “The Third Eclogue and the Roman Comic Spirit.” Mnemosyne 29: 411–20.

Cuvigny, Hélène. 2002. “Silver Celestial Globe from Antiquity.” In Alexis Kugel, ed., with the collaboration of K. Van Cleempoel and J.-C. Sabrier, Spheres: The Art of the Celestial Mechanic, 22–26. Paris: J. Kugel.

Darwall-Smith, Robin H. 1996. Emperors and Architecture: A Study of Flavian Rome. Collection Latomus 231. Brussels: Latomus.

DeBrohun, Jeri Blair. 1999. “Ariadne and the Whirlwind of Fate: Figures of Confusion in Catullus 64.149–57.” Classical Philology 94: 419–30.

Dekel, Edan. 2012. Virgil’s Homeric Lens. New York: Routledge.

Dessen, Cynthia S. 1995. “The Figure of the Eunuch in Terence’s Eunuchus.” Helios 22: 123–39.

Dewar, Michael, ed. and tr. 1991. Statius: Thebaid IX. Oxford: Clarendon Press.

———. 2008. “The Equine Cuckoo: Statius’ Ecus Maximus Domitiani Imperatoris and the Flavian Forum.” In Johannes J. L. Smolenaars, Harm-Jan van Dam, and Ruurd R. Nauta, eds., The Poetry of Statius, 65–83. Mnemosyne Supplementum 306. Leiden: Brill.

Dickie, Matthew W. 2001. Magic and Magicians in the Greco-Roman World. London: Routledge.

Dix, T. Keith. 1995. “Vergil in the Grynean Grove: Two Riddles in the Third Eclogue.” Classical Philology 90: 256–62.

Doblhofer, Ernst. 1973. “Ovid—ein ‘Urvater der Résistance’?” In Wilhelm Danhofer, ed., 400 Jahre Akademischen Gymnasiums in Graz, 1573–1973. Festschift. 143–54. Graz: Verlag des Akademisches Gymnasium in Graz.

Downey, Glanville. 1959. “Ekphrasis.” In Theodor Klauser, ed., Reallexikon für Antike und Christentum 4.921–44. Anton Hiersemann: Stuttgart.

duBois, Page. 1982. History, Rhetorical Description, and the Epic: From Homer to Spencer. Cambridge: D. S. Brewer.

Dufallo, Basil. 2000. “ Satis/ satura: Reconsidering the ‘Programmatic Intent’ of Horace’s Satires 1.1.” Classical World 93: 579–90.

———. 2007. The Ghosts of the Past: Latin Literature, the Dead, and Rome’s Transition to a Principate. Columbus: The Ohio State University Press.

DuQuesnay, I. M. Le M. 1984. “Horace and Maecenas: The Propaganda Value of Sermones I.” In T. Woodman and D. West, eds., Poetry and Politics in the Age of Augustus, 19–58. Cambridge: Cambridge University Press.

(p.257) Edmunds, Lowell. 2002. “Mars as Hellenistic Lover: Lucretius, De rerum natura 1.29–40 and Its Subtexts.” International Journal of the Classical Tradition 8: 343–58.

———. 2009. “Horace’s Priapus: A Life on the Esquiline ( Sat. 1.8).” Classical Quarterly 59: 125–31.

Elsner, Jaś. 1995. Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity. Cambridge: Cambridge University Press.

———, ed. 1996. Art and Text in Roman Culture. Cambridge: Cambridge University Press.

———. 2002. “Introduction: The Genres of Ekphrasis.” In Ja ś Elsner, ed., The Verbal and the Visual: Cultures of Ekphrasis in Antiquity, 1–18. Ramus 31.

———. 2004. “Seeing and Saying: A Psychoanalytic Account of Ekphrasis.” Helios 31: 157–85.

———. 2007. Roman Eyes: Visuality and Subjectivity in Art and Text. Princeton: Princeton University Press.

———. 2009. “A Protean Corpus.” In Bowie and Elsner, 3–18. Cambridge: Cambridge University Press.

Erskine, Andrew. 2001. Troy between Greece and Rome: Local Tradition and Imperial Power. Oxford: Oxford University Press.

Evans, JaneDeRose. 2009. “Prostitutes in the Portico of Pompey? A Reconsideration.” Transactions of the American Philological Association 139: 123–45.

Evenepoel, Willy. 1990. “Maecenas: A Survey of Recent Literature.” Ancient Society 21: 99–117.

Faber, Riemer. 1995. “Vergil Eclogue 3.37, Theocritus 1 and Hellenistic Ekphrasis.” American Journal of Philology 116: 411–17.

———. 2000. “Vergil’s ‘Shield of Aeneas’ ( Aeneid 8. 617–731) and the Shield of Heracles.” Mnemosyne 53: 49–57.

Fabbrini, Delphina. 2007. Il migliore dei mondi possibili: gli epigrammi ecfrastici di Marziale per amici e protettori. Florence: Università degli studi di Firenze.

Fantham, Elaine. 1997. “Images of the City: Propertius’ New-Old Rome.” In Thomas Habinek and Alessandro Schiesaro, eds., The Roman Cultural Revolution, 122–35. Cambridge: Cambridge University Press.

———. 2004. “Terence and the Familiarisation of Comedy.” In Boyle and Penwill, 20–34.

Fantuzzi, Marco, and Richard Hunter. 2004. Tradition and Innovation in Hellenistic Poetry. Cambridge: Cambridge University Press.

Farrell, Joseph. 1991. Vergil’s Georgics and the Traditions of Ancient Epic: The Art of Allusion in Literary History. New York: Oxford University Press.

———. 1992. “Literary Allusion and Cultural Poetics in Vergil’s Third Eclogue.Vergilius 38: 64–71.

———. 1997. “The Virgilian Intertext.” In Martindale, 222–38. Cambridge: Cambridge University Press.

Fedeli, Paulo. 2005. Properzio: Elegie Libro II. Cambridge: Francis Cairns.

Feeney, Dennis C. 1988. Literature and Religion at Rome: Cultures, Contexts, and Beliefs. Cambridge: Cambridge University Press.

———. 1991. The Gods in Epic: Poets and Critics of the Classical Tradition. Oxford: Clarendon Press.

Feldherr, Andrew. 2010. Playing Gods: Ovid’s Metamorphoses and the Politics of Fiction. Princeton: Princeton University Press.

Fitzgerald, William. 1984. “Aeneas, Daedalus and the Labyrinth.” Arethusa 17: 51–65.

———. 1995. Catullan Provocations: Lyric Poetry and the Drama of Position. Berkeley: University of California Press.

———. 2007. Martial: The World of the Epigram. Chicago: University of Chicago Press.

Flower, Harriet I. 1996. Ancestor Masks and Aristocratic Power in Roman Culture. Oxford: Clarendon Press.

Fowler, Don P. 1991. “Narrate and Describe: The Problem of Ekphrasis.” Journal of Roman Studies 81: 25–35.

(p.258) ———. 2002. Lucretius on Atomic Motion: A Commentary on De rerum natura, Book Two, Lines 1–332. Oxford: Oxford University Press.

Fraenkel, Eduard. 1954. “The Giants in the Poem of Naevius.” Journal of Roman Studies 44: 14–17.

———. 1957. Horace. Oxford: Clarendon Press.

Francis, James A. 2009. “Metal Maidens, Achilles’ Shield, and Pandora: The Beginnings of ‘Ekphrasis.’” American Journal of Philology 130: 1–23.

Fränkel, Hermann. 1935. “Griechische Bildung in altrömischen Epen II.” Hermes 70: 59–72.

Fredrick, David. 1995. “Beyond the Atrium to Ariadne: Erotic Painting and Visual Pleasure in the Roman House.” Classical Antiquity 14: 266–87.

———, ed. 2002. The Roman Gaze: Vision, Power, and the Body. Baltimore: Johns Hopkins.

Freudenburg, Kirk. 1993. The Walking Muse: Horace on the Theory of Satire. Princeton: Princeton University Press.

———. 2001. Satires of Rome: Threatening Poses from Lucilius to Juvenal. Cambridge: Cambridge University Press.

———. 2007. “Leering for the Plot: Visual Curiosity in Apuleius and Others.” In Paschalis, Frangoulidis, Harrison, and Zimmerman, 238–62. Groningen: Barkhuis& Groningen University Library.

Friedländer, Ludwig, ed. 1886. M. Valerii Martialis epigrammaton libri. 2 vols. Leipzig: Hirzel.

Friedländer, Paul. 1912. Johannes von Gaza und Paulus Silentiarius: Kunstbeschreibungen justinianischer Zeit. Leipzig: Teubner.

Frischer, Bernard. 1982. The Sculpted Word: Epicureanism and Philosophical Recruitment in Ancient Greece. Berkeley: University of California Press.

Gaisser, Julia H. 1995. “Threads in the Labyrinth: Competing Views and Voices in Catullus 64.” American Journal of Philology 116: 579–616.

Gale, Monica R. 1994. Myth and Poetry in Lucretius. Cambridge: Cambridge University Press.

———. 1997. “The Shield of Turnus ( Aeneid 7.783–92).” Greece& Rome 44: 176–96.

———. 2000. Virgil on the Nature of Things: The Georgics, Lucretius and the Didactic Tradition. Cambridge: Cambridge University Press.

Galinsky, G.Karl. 1972. The Herakles Theme: The Adaptations of the Hero in Literature from Homer to the Twentieth Century. Oxford: Basil Blackwell.

———. 1975. Ovid’s Metamorphoses: An Introduction to the Basic Aspects. Berkeley: University of California Press.

———. 1996. Augustan Culture: An Interpretive Introduction. Princeton: Princeton University Press.

Gardner, Hunter H. 2007. “Ariadne’s Lament: The Semiotic Impulse of Catullus 64.” Transactions of the American Philological Association 137: 147–79.

Garthwaite, John. 1978. Domitian and the Court Poets Martial and Statius. PhD Diss. Cornell.

———. 1993. “The Panegyrics of Domitian in Martial Book 9.” Ramus 22: 78–102.

Garvie, A. F., ed. 1994. Homer: Odyssey, Books VI–VIII. Cambridge: Cambridge University Press.

Gazda, Elaine K., ed. 2000. The Villa of the Mysteries in Pompeii: Ancient Ritual, Modern Muse. Ann Arbor: Kelsey Museum of Archaeology, University of Michigan Museum of Art.

Germany, Robert. 2008. Mimetic Contagion in Terence’s Eunuchus. PhD Diss. University of Chicago.

Geyssen, John W. 1996. Imperial Panegyric in Statius: A Literary Commentary on Silvae 1.1. Studies on Themes and Motifs in Literature 24. New York: Peter Lang.

Gilbert, Walther, ed. 1901. M. Valerii Martialis epigrammaton libri. Editio stereotypa emendatior. Leipzig: Teubner.

Goldberg, Sander M. 1986. Understanding Terence. Princeton: Princeton University Press.

———. 1995. Epic in Republican Rome. Oxford: Oxford University Press.

(p.259) ———. 2005. Constructing Literature in the Roman Republic: Poetry and Its Reception. Cambridge: Cambridge University Press.

Goldhill, Simon. 1994. “The Naive and Knowing Eye: Ecphrasis and the Culture of Viewing in the Hellenistic World.” In Goldhill and Osborne, 197–223.

———. 2007. “What Is Ekphrasis For?” Classical Philology 102: 1–19.

———. 2009. Review of Webb, Bryn Mawr Classical Review 10.03. http://bmcr.brynmawr.edu/2009/2009-10-03.html.

Goldhill, Simon, and Robin Osborne, eds. 1994. Art and Text in Ancient Greek Culture. Cambridge: Cambridge University Press.

Gow, A. S. F. 1952. Theocritus. 2nd ed. 2 vols. Cambridge: Cambridge University Press.

Gow, A. S. F., and D. L. Page, eds. 1965. The Greek Anthology: Hellenistic Epigrams. Vol. 2. Cambridge: Cambridge University Press.

———, eds. 1968. The Greek Anthology: The Garland of Philip and Some Contemporary Epigrams. 2 vols. Cambridge: Cambridge University Press.

Gowers, Emily. 1993. “Horace, Satires 1.5: An Inconsequential Journey.” Proceedings of the Cambridge Philological Society 39: 48–66.

———. 2003. “Fragments of Autobiography in Horace, Satires 1.” Classical Antiquity 22: 55–91.

Gransden, K. W. 1984. Virgil’s Iliad: An Essay on Epic Narrative. Cambridge: Cambridge University Press.

Gratwick, A. S., ed. 1993. Plautus: Menaechmi. Cambridge: Cambridge University Press.

Grewing, Farouk. 1997. Martial, Buch VI: Ein Kommentar. Hypomnemata 115. Göttingen: Vandenhoeck& Ruprecht.

Graziani, Françoise. 2003. “ Materiam superabat opus: Un art poétique ovidien.” In Emmanuel Bury and Mireille Néraudau, eds., Lectures d’Ovide publiéesàla mémoire de Jean-Pierre Néraudau, 339–55. Paris: Les Belles Lettres.

Griffiths, Frederick T. 1979. Theocritus at Court. Mnemosyne Supplementum 55. Leiden: Brill.

Grossardt, Peter. 2009. “Die ‘Cena Trimalchionis’ gelesen als Parodie auf die ‘Ilias.’” Hermes 137: 335–55.

Gruen, Erich S. 1992. Culture and National Identity in Republican Rome. Ithaca: Cornell University Press.

———. 2011. Rethinking the Other in Antiquity. Princeton: Princeton University Press.

Grüner, Andreas. 2004. Venus ordinis: Der Wandel von Malerei und Literatur im Zeitalter der römischen Bürgerkriege. Paderborn: Schöningh.

Gurd, Sean Alexander. 2007. “Meaning and Material Presence: Four Epigrams on Timomachus’s Unfinished Medea.” Transactions of the American Philological Association 137: 305–31.

Gurval, Robert A. 1995. Actium and Augustus: The Politics and Emotions of Civil War. Ann Arbor: University of Michigan Press.

Guthmüller, Hans-Bodo. 1964. Beobachtungen zum Aufbau der Metamorphosen Ovids. Diss. Marburg.

Gutzwiller, Kathryn J. 2004. “Seeing Thought: Timomachus’ Medea and Ecphrastic Epigram.” American Journal of Philology 125: 339–86.

Habash, Martha. 1999. “Priapus: Horace in Disguise?” Classical Journal 94: 285–97.

Habermehl, Peter. 2006. Petronius, Satyrica 79–141. Ein philologisch-literarischer Kommentar.Vol. 1: Sat. 79–110. Berlin: de Gruyter.

Habinek, Thomas N. 1998. The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome. Princeton: Princeton University Press.

Håkanson, Lennart. 1969. Statius’ Silvae: Critical and Exegetical Remarks with Some Notes on the Thebaid. Lund: Gleerup.

Hallett, Judith P. 1981. “ Pepedi/ diffissa nate ficus: Priapic Revenge in Horace Satires I.8.” Rheinisches Museum für Philologie 124: 341–47.

(p.260) Hardie, Alex. 1983. Statius and the Silvae: Poets, Patrons and Epideixis in the Graeco-Roman World. ARCA Classical and Medieval Texts, Papers and Monographs 9. Liverpool: Francis Cairns.

Hardie, Philip R. 1986. Virgil’s Aeneid: Cosmos and Imperium. Oxford: Clarendon Press.

———. 1990. “Ovid’s Theban History: The First ‘anti- Aeneid’?” Classical Quarterly 40: 224–35.

———. 1992. “Augustan Poets and the Mutability of Rome.” In Powell, 59–82.

———. 1993. The Epic Successors of Virgil: A Study in the Dynamics of a Tradition. Cambridge: Cambridge University Press.

———. 2002. Ovid’s Poetics of Illusion. Cambridge: Cambridge University Press.

Hardie, Philip, Alessandro Barchiesi, and Stephen Hinds, eds. 1999. Ovidian Transformations: Essays on the Metamorphoses and Its Reception. Cambridge: Cambridge Philological Society.

Hardwick, Lorna, and Christopher Stray. 2008. “Introduction: Making Connections.” In Lorna Hardwick and Christopher Stray, eds., A Companion to Classical Receptions, 1–9. Malden: Blackwell.

Harries, Byron. 1990. “The Spinner and the Poet: Arachne in Ovid’s Metamorphoses.” Proceedings of the Cambridge Philological Society, n.s., 36: 64–82.

Harrison, Steven J., ed. 1990. Oxford Readings in Vergil’s Aeneid. Oxford: Oxford University Press.

———. 2000. Apuleius: A Latin Sophist. Oxford: Oxford University Press.

Häuber, Ruth Christine. 1991. Die Horti Maecenatis und die Horti Lamiani auf dem Esquilin. Geschichte, Topographie, Statuenfunde. Diss. Köln.

Heffernan, James A. W. 1993. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press.

Henderson, John. 1998. “Virgil’s Third Eclogue: How Do You Keep an Idiot in Suspense?” Classical Quarterly 48: 213–28.

———. 2002. Pliny’s Statue: The Letters, Self-Portraiture& Classical Art. Exeter: University of Exeter Press.

Henriksén, Christer. 1998. “Martial und Statius.” In Farouk Grewing, ed., Toto Notus in Orbe: Perspektiven der Martial-Interpretation. Palingenesia 65, 77–118. Stuttgart: Franz Steiner.

———. 1998–1999. Martial, Book IX: A Commentary. 2 vols. Studia Latina Upsaliensia 24. Uppsala: Uppsala University Library.

Heraeus, W., ed. 1976. M. Valerii Martialis epigrammaton libri. Corr. ed., Iacobus Borovskij. Leipzig: Teubner.

Heyworth, S. J., 1994. “Some Allusions to Callimachus in Latin Poetry.” Materiali e discussioni per l’analisi dei testi classici 33: 51–79.

———, ed. 2007a. Sexti Properti elegos. Oxford: Clarendon Press.

———. 2007b. Cynthia: A Companion to the Text of Propertius. Oxford: Oxford University Press.

Holford-Strevens, Leofranc. 2000. “In Search of Poplios Papinios Statios.” Hermathena 168: 39–54.

Hollander, John. 1995. The Gazer’s Spirit: Poems Speaking to Silent Works of Art. Chicago: University of Chicago Press.

Holliday, Peter J. 1997. “Roman Triumphal Painting: Its Function, Development, and Reception.” Art Bulletin 79: 130–47.

Hollis, Adrian S., ed. and trans. 2007. Fragments of Roman Poetry c.60 BC—AD 20. Oxford: Oxford University Press.

Hopkinson, Neil, ed. 2000. Ovid: Metamorphoses, Book XIII. Cambridge: Cambridge University Press.

Horsfall, Nicholas M. 1990 (1973–74). “Dido in the Light of History.” In Harrison, 127–44. Oxford: Oxford University Press.

Housman, A. E. 1907. “Corrections and Explanations of Martial.” Journal of Philology 30: 229–65.

(p.261) Hubbard, Thomas K. 1984. “Art and Vision in Propertius 2.31/32.” Transactions of the American Philological Association 114: 281–97.

———. 1998. The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral Tradition from Theocritus to Milton. Ann Arbor: University of Michigan Press.

Hunter, Richard. 1996. Theocritus and the Archaeology of Greek Poetry. Cambridge: Cambridge University Press.

———, ed. 1999. Theocritus: A Selection. Cambridge: Cambridge University Press.

———. 2006. The Shadow of Callimachus: Studies in the Reception of Hellenistic Poetry at Rome. Cambridge: Cambridge University Press.

Hutchinson, G. O. 2003. “The Catullan Corpus, Greek Epigram, and the Poetry of Objects.” Classical Quarterly 53: 206–21.

Isager, Jacob. 1991. Pliny on Art and Society: The Elder Pliny’s Chapters on the History of Art. London: Routledge.

Jaeger, Mary. 2008. Archimedes and the Roman Imagination. Ann Arbor: University of Michigan Press.

James, Sharon L. 1998. “From Boys to Men: Rape and Developing Masculinity in Terence’s Hecyra and Eunuchus.” Helios 25: 31–47.

Janan, Micaela. 1994. “When the Lamp Is Shattered”: Desire and Narrative in Catullus. Carbondale: Southern Illinois University Press.

———. 2009. Reflections in a Serpent’s Eye: Thebes in Ovid’s Metamorphoses. Oxford: Oxford University Press.

Jensson, Gottskálk. 2004. The Recollections of Encolpius: The Satyrica of Petronius as Milesian Fiction. Ancient Narrative, Supplementum 2. Groningen: Barkuis Publishing& Groningen University Library.

Johnson, Patricia J. 2008. Ovid before Exile: Art and Punishment in the Metamorphoses. Madison: University of Wisconsin Press.

Johnson, William R. 1976. Darkness Visible: A Study of Vergil’s Aeneid. Berkeley: University of California Press.

Jones, Brian W. 1992. The Emperor Domitian. London: Routledge.

Karakasis, Evangelos. 2005. Terence and the Language of Roman Comedy. Cambridge: Cambridge University Press.

———. 2011. Song Exchange in Roman Pastoral. Trends in Classics—Supplementary Volumes 5. Berlin: De Gruyter.

Karanika, Andromache. 2006. “Agonistic Poetics in Virgil’s Third Eclogue.” In M. Skoie and S. Bjørnstad Velázquez, eds., Pastoral and the Humanities: Arcadia Re-inscribed, 107–14. Exeter: Bristol Phoenix Press.

Keane, Catherine. 2006. Figuring Genre in Roman Satire. American Classical Studies 50. Oxford: Oxford University Press.

Keith, Alison M. 2000. Engendering Rome: Women in Latin Epic. Cambridge: Cambridge University Press.

———. 2008. Propertius: Poet of Love and Leisure. London: Duckworth.

Kellum, Barbara. 1993 (1986). “Sculptural Programs and Propaganda in Augustan Rome: The Temple of Apollo on the Palatine.” In Eve D’Ambra, ed., Roman Art in Context: An Anthology, 75–83. Upper Saddle River: Prentice Hall.

Kennedy, Duncan F. 1992. “‘Augustan’ and ‘Anti-Augustan’: Reflections on Terms of Reference.” In Powell, 26–58. London: Bristol Classical Press.

Kershaw, Allan. 1997. “Martial 9.44 and Statius.” Classical Philology 92: 269–72.

Ketterer, Robert C. 1986. “Stage Properties in Plautine Comedy III.” Semiotica 60: 29–72.

Kirichenko, Alexander. 2010. A Comedy of Storytelling: Theatricality and Narrative in Apuleius’ Golden Ass. Bibliothek der klassischen Altertumswissenschaften, Neue Folge 2.127. Heidelberg: Universitätsverlag Winter.

(p.262) Klingner, Friedrich. 1956. Catulls Peleus-Epos. Munich: Verlag der Bayerischen Akademie der Wissenschaften.

Klodt, Claudia. 1998. “Platzanlagen der Kaiser in der Beschreibung der Dichter.” Gymnasium 105: 1–38.

Knapp, Charles. 1917. “References to Painting in Plautus and Terence.” Classical Philology 12: 143–57.

Knauer, Georg N. 1964. Die Aeneis und Homer. Göttingen: Vandenhoeck& Ruprecht.

Knorr, Ortwin. 2007. “Metatheatrical Humor in the Comedies of Terence.” In Kruschwitz, Ehlers, and Felgentreu, 167–74.

Konstan, David. 1977. Catullus’ Indictment of Rome: The Meaning of Catullus 64. Amsterdam: Hakkert.

———. 1986. “Love in Terence’s Eunuch: The Origins of Erotic Subjectivity.” American Journal of Philology 107: 369–93.

Kraggerud, Egil. 1998. “Vergil Announcing the Aeneid: On Georg. 3.1–48.” In Hans-Peter Stahl, ed., Vergil’s Aeneid: Augustan Epic and Political Context, 1–20. London: Duckworth.

Krieger, Murray. 1992. Ekphrasis: The Illusion of the Natural Sign. Baltimore: Johns Hopkins University Press.

Kroll, Wilhelm, ed. 1959. C. Valerius Catullus. 3rd ed. Stuttgart: Teubner.

Kruschwitz, Peter. 2002. Carmina Saturnia Epigraphica. Hermes Einzelschriften 84. Stuttgart: Franz Steiner.

Kruschwitz, Peter, Widu-Wolfgang Ehlers, and Fritz Felgentreu, eds. 2007. Terentius Poeta. Zetemata 127. Munich: C. H. Beck.

Künzl, Ernst, Maiken Fecht, and Susanne Greiff. 2000. “Ein Römischer Himmelsglobus der Mittleren Kaiserzeit.” Jarbuch des Römisch-Germanischen Zentralmuseums Mainz 47: 495–594.

Kustas, George L. 1973. Studies in Byzantine Rhetoric. Thessaloniki: Patriarchal Institute for Patristic Studies.

Kuttner, Ann L. 1999. “Culture and History at Pompey’s Museum.” Transactions of the American Philological Association 129: 343–73.

Laird, Andrew. 1993. “Sounding out Ecphrasis: Art and Text in Catullus 64.” Journal of Roman Studies 83: 18–30.

———. 1996. “ Ut figura poesis: Writing Art and the Art of Writing in Augustan Poetry.” In Elsner 1996, 75–102. Cambridge: Cambridge University Press.

———. 2007. “The True Nature of the Satyricon?” In Paschalis et al., 151–67. Groningen: Barkhuis& Groningen University Library.

Lausberg, Marion. 1982. “Ἀρχέτυπον τῆ ς ἰ δίαςποιήσεως. Zur Bildbeschreibung bei Ovid.” Boreas 5: 112–23.

Leach, Eleanor W. 1969. “ Meam quom formam noscito: Language and Characterization in the Menaechmi.” Arethusa 2: 30–45.

———. 1974a. “Ekphrasis and the Theme of Artistic Failure in Ovid’s Metamorphoses.” Ramus 3: 102–42.

———. 1974b. Vergil’s Eclogues: Landscapes of Experience. Ithaca: Cornell University Press.

———. 1988. The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome. Princeton: Princeton University Press.

———. 2004. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge: Cambridge University Press.

Leberl, Jens. 2004. Domitian und die Dichter: Poesie als Medium der Herrschaftsdarstellung. Hypomnemata 154. Göttingen: Vandenhoeck& Ruprecht.

Leclerq, R. 1996. Le divin loisir: Essai sur les Bucoliques de Virgile. Collection Latomus 229. Brussels: Latomus.

Lefèvre, Eckard. 1989. Das Bild-Programm des Apollo-Tempels auf dem Palatin. Xenia 24. Konstanz: Universitätsverlag Konstanz.

(p.263) ———. 2003. Terenz’ und Menanders Eunuchus. Zetemata 117. Munich: Beck.

Leigh, Matthew. 2004. Comedy and the Rise of Rome. Oxford: Oxford University Press.

Lessing, Gotthold E. 2005 (1898). Laocoon: An Essay upon the Limits of Painting and Poetry. Translated by Ellen Frothingham. Mineola: Dover Publications.

Lindsay, W. M. 1929. M. Val. Martialis epigrammata. 2nd ed. Oxford: Clarendon Press.

Linfert, Andreas. 1984. “Die Tochter—nicht die Mutter. Nochmals zur ‘Afrika’-Schale von Boscoreale.” In Nicola Bonacasa and Antonino di Vita, eds., Alessandria e il mondo Ellenistico-Romano: Studi in onore di Achille Adriani, 2.351–58. Rome: “L’Erma” di Bretschneider.

Lipka, Michael. 2001. Language in Vergil’s Eclogues. Untersuchungen zur antiken Literatur und Geschichte 60. Berlin: Walter de Gruyter.

———. 2002. “Notes on Fagus in Vergil’s Eclogues.” Philologus 146: 133–38.

Longfellow, Brenda. 2000. “Liber and Venus in the Villa of the Mysteries.” In Gazda, 116–28.

Lorenz, Sven. 2002. Erotik und Panegyrik: Martials epigrammatische Kaiser. Classica Moncensia 23. Tübingen: Gunter Naar.

———. 2003. “Martial, Herkules und Domitian: Büsten, Statuetten und Statuen im Epigrammaton liber nonus.Mnemosyne 56: 566–84.

Lowenstam, Steven. 1993. “The Pictures on Juno’s Temple in the Aeneid.” Classical World 87: 37–49.

Lowrie, Michèle. 2009. Writing, Performance, and Authority in Augustan Rome. Oxford: Oxford University Press.

Manakidou, Flora. 1993. Beschreibung von Kunstwerken in der hellenistischen Dichtung: Ein Beitrag zur hellenistischen Poetik. Stuttgart: Teubner.

Männlein-Robert, Irmgard. 2007. Stimme, Schrift und Bild: Zum Verhältnis der Künste in der hellenistischen Dichtung. Bibliothek der klassischen Altertumswissenschaften, Neue Folge 2.119. Heidelberg: Winter.

Marshall, C. W. 2006. The Stagecraft and Performance of Roman Comedy. Cambridge: Cambridge University Press.

Martin, Charles. 1992. Catullus. New Haven: Yale University Press.

Martin, R. H., ed. 1976. Terence: Adelphoe. Cambridge: Cambridge University Press.

Martindale, Charles. 1993. Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. Cambridge: Cambridge University Press.

———, ed. 1997. The Cambridge Companion to Virgil. Cambridge: Cambridge University Press.

———. 2004. Latin Poetry and the Judgment of Taste: An Essay in Aesthetics. Oxford: Oxford University Press.

———. 2006. “Introduction: Thinking Through Reception.” In Charles Martindale and Richard F. Thomas, eds., Classics and the Uses of Reception, 1–13. Malden: Blackwell.

Marx, Friedrich, ed. 1928. Plautus, Rudens. Abhandlungen der sächsischen Akademie der Wissenschaften zu Leipzig, Philologisch-Historische Klasse 38.5. Leipzig: Hirzel.

Mattingly, Harold. 1976. Coins of the Roman Empire in the British Museum. Vol. 2. 2 nd ed. Prepared by R. A. G. Carson. London: British Museum Publications.

Maurice, Lisa. 2005. “A Calculated Comedy of Errors: The Structure of Plautus’ Menaechmi.” Syllecta Classica 16: 31–59.

McCarthy, Kathleen. 2000. Slaves, Masters, and the Art of Authority in Plautine Comedy. Princeton: Princeton University Press.

———. 2004. “The Joker in the Pack: Slaves in Terence.” In Boyle and Penwill, 100–19.

McDonnell, Myles. 2006. “Roman Aesthetics and the Spoils of Syracuse.” In Sheila Dillon and Katherine E. Welch, eds., Representations of War in Ancient Rome, 68–90. Cambridge: Cambridge University Press.

McMahon, John M. 1998. Paralysin Cave: Impotence, Perception, and Text in the Satyrica of Petronius. Mnemosyne Supplementum 176. Leiden: Brill.

McNelis, Charles. 2002. “Greek Grammarians and Roman Society during the Early Empire: Statius’ Father and his Contemporaries.” Classical Antiquity 21: 67–94.

(p.264) ———. 2007. Statius’ Thebaid and the Poetics of Civil War. Cambridge: Cambridge University Press.

———. 2008. “ Ut Sculptura Poesis: Statius, Martial, and the Hercules Epitrapezios of Novius Vindex.” American Journal of Philology 129: 255–76.

Meban, David. 2008. “Temple Building, Primus Language, and the Proem to Virgil’s Third Georgic.” Classical Philology 103: 150–74.

Miles, Gary B. 1980. Virgil’s Georgics: A New Interpretation. Berkeley: University of California Press.

Miles, Margaret M. 2008. Art as Plunder: The Ancient Origins of Debate about Cultural Property. Cambridge: Cambridge University Press.

Miller, John F. 2009. Apollo, Augustus, and the Poets. Cambridge: Cambridge University Press.

Miller, Paul Allen. 1994. Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome. London: Routledge.

Mitchell, W. J. T. 1986. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press.

———. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.

———. 2005. What do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press.

Morgan, Llewelyn. 1999. Patterns of Redemption in Virgil’s Georgics. Cambridge: Cambridge University Press.

Morris, Pam. 2003. Realism. London: Routledge.

Morris, Sarah P. 1992. Daidalos and the Origins of Greek Art. Princeton: Princeton University Press.

Moseley, Nicholas, and Mason Hammond, eds. 1953. T. Macci Plauti Menaechmi. Cambridge: Harvard University Press.

Müller, Roman. 2007. “ Pura oratio und puri sermonis amator.” In Kruschwitz, Ehlers, and Felgentreu, 111–25.

Munich, Matthew. 2003. “The Texture of the Past: Nostalgia and Catullus 64.” In Thibodeau and Haskell, 43–65.

Myers, K. Sara. 1994. Ovid’s Causes: Cosmogony and Aetiology in the Metamorphoses. Ann Arbor: University of Michigan Press.

Mynors, Roger A. B. 1990. Virgil: Georgics. Oxford: Clarendon Press.

Nappa, Christopher. 2005. Reading After Actium: Vergil’s Georgics, Octavian, and Rome. Ann Arbor: University of Michigan Press.

Nauta, Ruurd R. 2002. Poetry for Patrons: Literary Communication in the Age of Domitian. Mnemosyne Supplementum 206. Leiden: Brill.

Nava, Maria Luisa, Rita Paris, and Rosanna Friggeri, eds. 2007. Rosso Pompeiano: La decorazione pittorica nelle collezioni del Museo di Napoli e a Pompei. Milan: Electa.

Nelis, Damien. 2001. Vergil’s Aeneid and the Argonautica of Apollonius Rhodius. ARCA Classical and Medieval Texts, Papers and Monographs 39. Leeds: Francis Cairns.

Nelson, Stephanie. 1998. God and the Land: The Metaphysics of Farming in Hesiod and Vergil. Oxford: Oxford University Press.

Newby, Zahra. 2009. “Absorption and Erudition in Philostratus’ Imagines.” In Bowie and Elsner, 322–42.

Newlands, Carole E. 2002. Statius’ Silvae and the Poetics of Empire. Cambridge: Cambridge University Press.

Nisbet, Gideon. 2003. Greek Epigram in the Roman Empire: Martial’s Forgotten Rivals. Oxford: Oxford University Press.

Nisbet, R. G. M., and Margaret Hubbard. 1978. A Commentary on Horace: Odes, Book II. Oxford: Clarendon Press.

Norden, Eduard, ed. 1957. P. Vergilius Maro: Aeneis Buch VI. 4th ed. Stuttgart: Teubner.

(p.265) O’Connell, Michael. 1977. “Pictorialism and Meaning in Catullus 64.” Latomus 36: 746–56.

O’Connor, Eugene M. 1989. Symbolum Salacitatis: A Study of the God Priapus as a Literary Character. Studien zur klassischen Philologie 40. Frankfurt am Main: Peter Lang.

O’Hara, James J. 1990a. Death and the Optimistic Prophecy in Vergil’s Aeneid. Princeton: Princeton University Press.

———. 1990b. “The Significance of Vergil’s Acidalia mater and Venus Erycina in Catullus and Ovid.” Harvard Studies in Classical Philology 93: 335–42.

———. 1994. “They Might Be Giants: Inconsistency and Indeterminacy in Vergil’s War in Italy.” Colby Quarterly 30: 206–26.

———. 1996. True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay. Ann Arbor: University of Michigan Press.

———. 2007. Inconsistency in Roman Epic: Studies in Catullus, Lucretius, Vergil, Ovid and Lucan. Cambridge: Cambridge University Press.

Oliensis, Ellen. 1998. Horace and the Rhetoric of Authority. Cambridge: Cambridge University Press.

———. 2004. “The Power of Image-Makers: Representation and Revenge in Ovid Metamorphoses 6 and Tristia 4.” Classical Antiquity 23: 285–321.

Ong, Walter J. 1982. Orality and Literacy: The Technologizing of the Word. London: Methuen.

Osgood, Josiah. 2006. Caesar’s Legacy: Civil War and the Emergence of the Roman Empire. Cambridge: Cambridge University Press.

O’Sullivan, Patrick. 2000. “Satyr and Image in Aeschylus’ Theoroi.” Classical Quarterly 50: 353–66.

O’Sullivan, Timothy M. 2007. “Walking with Odysseus: The Portico Frame of the Odyssey Landscapes.” American Journal of Philology 128: 497–532.

Owens, William M. 2000. “Plautus’ Stichus and the Political Crisis of 200 B.C.” American Journal of Philology 121: 385–407.

Pagán, Victoria E. 2006. Rome and the Literature of Gardens. London: Duckworth.

Pailler, Jean-Marie. 1990. “Le poète, le prince et l’arène:À propos du “Livre des Spectacles” de Martial.” In Claude Domergue, Christian Landes, and Jean-Marie Pailler, eds., Spectacula I: Gladiateurs et amphithéatres, 179–83. Lattes: Musée archéologique Henri Prades.

Panayotakis, Costas. 1995. Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius. Mnemosyne Supplementum 146. Leiden: Brill.

Papaioannou, Sophia. 2005. Epic Succession and Dissension: Ovid, Metamorphoses 13.623–14.582, and the Reinvention of the Aeneid. Untersuchungen zur antiken Literatur und Geschichte 73. Berlin: Walter de Gruyter.

Parker, W. H. 1988, ed. and trans. Priapea: Poems for a Phallic God. London: Croom Helm.

Paschalis, Michael. 2002. “Reading Space: A Re-examination of Apuleian ekphrasis.” In Michael Paschalis and Stavros Frangoulidis, eds., Space in the Ancient Novel, 132–42. Ancient Narrative, Supplementum 1. Groningen: Barkhuis Publishing& The University Library Groningen.

———. 2011. “Petronius and Virgil: Contextual and Intertextual Readings.” In Konstantin Doulamis, ed., Echoing Narratives: Studies of Intertextuality in Greek and Roman Prose Fiction, 73–98. Ancient Narrative, Supplementum 13. Groningen: Barkhuis& Groningen University Library.

Paschalis, Michael, Stavros Frangoulidis, Stephen Harrison, and Maaike Zimmerman, eds. 2007. The Greek and Roman Novel: Parallel Readings. Ancient Narrative, Supplementum 8. Groningen: Barkhuis& Groningen University Library.

Pavlock, Barbara. 1990. Eros, Imitation, and the Epic Tradition. Ithaca: Cornell University Press.

Peden, R. G. 1985. “The Statues in Apuleius Metamorphoses 2.4.” Phoenix 39: 380–83.

Philippides, Katerina. 1995. “Terence’s Eunuchus: Elements of the Marriage Ritual in the Rape Scene.” Mnemosyne 48: 272–84.

Platt, Verity. 2010. “Art History in the Temple.” Arethusa 43: 197–213.

(p.266) ———. 2011. Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature and Religion. Cambridge: Cambridge University Press.

Plaza, Maria. 2000. Laughter and Derision in Petronius’ Satyrica: A Literary Study. Acta Universitatis Stockholmiensis. Studia Latina Stockholmiensia 46. Stockholm: Almquist& Wiksell International.

———. 2006. The Function of Humour in Roman Verse Satire: Laughing and Lying. Oxford: Oxford University Press.

Pollitt, Jerome J. 1978. “The Impact of Greek Art on Rome.” Transactions of the American Philological Association 108: 155–74.

———. 1986. Art in the Hellenistic Age. Cambridge: Cambridge University Press.

Porter, James I. 2010. The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience. Cambridge: Cambridge University Press.

Pöschl, Viktor. 1975. “Die Tempeltüren des Dädalus in der Aeneis (VI 14–33).” Würzburger Jahrbücher für die Altertumswissenschaft, Neue Folge 1: 119–23.

Powell, Anton, ed. 1992. Roman Poetry and Propaganda in the Age of Augustus. London: Bristol Classical Press.

Powell, Barry B. 1976. “ Poeta Ludens: Thrust and Counter-Thrust in Eclogue 3.” Illinois Classical Studies 1: 113–21.

Prioux,Évelyne. 2007. Regards alexandrins: Histoire et théorie des arts dans l’épigramme hellénistique. Leuven: Peeters.

———. 2008. Petits musées en vers:Épigramme et discours sur les collections antiques. L’art& l’essai 5. Paris: CTHS-INHA.

Putnam, Michael C. J. 1961. “The Art of Catullus 64.” Harvard Studies in Classical Philology 65: 165–205.

———. 1970. Virgil’s Pastoral Art: Studies in the Eclogues. Princeton: Princeton University Press.

———. 1979. Virgil’s Poem of the Earth: Studies in the Georgics. Princeton: Princeton University Press.

———. 1998. Virgil’s Epic Designs: Ekphrasis in the Aeneid. New Haven: Yale University Press.

Quenemoen, Caroline K. 2000. “The Architectural Significance of the House of Augustus.” PhD Diss. Yale.

———. 2006. “The Portico of the Danaids: A New Reconstruction.” American Journal of Archaeology 110: 229–50.

Ravenna, Giovanni. 1974. “L’ekphrasis poetica di opere d’arte in latino: temi e problemi.” Quaderni dell’Istituto di filologia latina, Universitàdi Padova 3: 1–52.

Reckford, Kenneth J. 1958. “Some Appearances of the Golden Age.” Classical Journal 54: 79–87.

Reed, Joseph D. 1995. “The Sexuality of Adonis.” Classical Antiquity 14: 317–47.

———. 2000. “Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism.” Transactions of the American Philological Association 130: 319–51.

———. 2007. Virgil’s Gaze: Nation and Poetry in the Aeneid. Princeton: Princeton University Press.

Richardson, Lawrence, Jr., ed. 1977. Propertius: Elegies I–IV. Norman: University of Oklahoma Press.

———. 1992. A New Topographical Dictionary of Ancient Rome. Baltimore: Johns Hopkins University Press.

Richlin, Amy. 1992. The Garden of Priapus: Sexuality and Aggression in Roman Humor. Revised edition. New Haven: Yale University Press.

Ricoeur, Paul. 1981. Hermeneutics and the Human Sciences: Essays on Language, Action, and Interpretation. Ed. and trans. John B. Thompson. Cambridge: Cambridge University Press.

Ridgway, Brunilde S. 2000. Hellenistic Sculpture II: The Styles of ca. 200–100 B.C. Madison: University of Wisconsin Press.

(p.267) Rimell, Victoria. 2002. Petronius and the Anatomy of Fiction. Cambridge: Cambridge University Press.

———. 2008. Martial’s Rome: Empire and the Ideology of Epigram. Cambridge: Cambridge University Press.

Ripoll, François. 1998. La morale héroïque dans lesépopées latines d’époque flavienne: tradition et innovation. Bibliothèque d’études classiques 14. Louvain: Editions Peeters.

Roller, Duane W. 2010. Cleopatra: A Biography. Oxford: Oxford University Press.

Rosati, Gianpiero. 1999. “Form in Motion: Weaving the Text in the Metamorphoses.” In Hardie, Barchiesi, and Hinds, 240–53.

Rosen, Ralph M. 2007. Making Mockery: The Poetics of Ancient Satire. Oxford: Oxford University Press.

Rosivach, Vincent J. 1998. When a Young Man Falls in Love: The Sexual Exploitation of Women in New Comedy. London: Routledge.

Ross, David O., Jr. 1975. Backgrounds to Augustan Poetry: Gallus, Elegy and Rome. Cambridge: Cambridge University Press.

Rouveret, Agnès. 2007. “From Alexandria to Rome: Confrontation of Roman Painting with Augustan Poetics.” Paper presented at seminar on hellenistic aesthetics. University of Cincinnati, September 29.

Saller, Richard P. 1982. Personal Patronage under the Early Empire. Cambridge: Cambridge University Press.

Sandström, C. E. 1878. Studia Critica in Papinium Statium. Upsala: Upsala UniversitetsÅrsskrift.

Saunders, Timothy. 2008. Bucolic Ecology: Virgil’s Eclogues and the Environmental Literary Tradition. London: Duckworth.

Schäfer, Sabine. 1996. Das Weltbild der Vergilischen Georgikain seinem Verhältnis zu De rerum naturades Lukrez. Frankfurt am Main: Peter Lang.

Schlam, Carl C. 1992. The Metamorphoses of Apuleius: On Making an Ass of Oneself. Chapel Hill: University of North Carolina Press.

Schlegel, Catherine M. 2005. Satire and the Threat of Speech: Horace’s Satires, Book 1. Madison: The University of Wisconsin Press.

Schmale, Michaela. 2004. Bilderreigen und Erzähllabyrinth: Catulls Carmen 64. Munich: Saur.

Schmeling, Gareth. 2011. A Commentary on the Satyrica of Petronius. With the collaboration of Aldo Setaioli. Oxford: Oxford University Press.

Schmitzer, Ulrich. 1990. Zeitgeschichte in Ovids Metamorphosen: Mythologische Dichtung unter politischem Anspruch. Stuttgart: Teubner.

Schneider, Werner J. 2001. “ Phidiae putavi: Martial und der Hercules Epitrapezios des Novius Vindex.” Mnemosyne 54: 697–720.

Schneidewin, F. G., ed. 1842. M. Val. Martialis epigrammaton libri. 2 vols. Grimae: Gebhardt.

Schultz, Celia E. 2003. “ Latet anguis in herba: A Reading of Vergil’s Third Eclogue.American Journal of Philology 124: 199–224.

Scivoletto, Nino. 1981. “La città di Roma nella poesia di Properzio.” In Francesco Santucci and Salvatore Vivona, eds., Colloquium Propertianum (Secundum), 27–38. Assisi: Accademia properziana del Subasio.

Scott, Grant F. 1994. The Sculpted Word: Keats, Ekphrasis, and the Visual Arts. Hanover: University Press of New England.

Sebesta, Judith L. 1994. “Mantles of the Gods and Catullus 64.” Syllecta Classica 5: 35–41.

Segal, Charles P. 1965. “ Aeternum per saecula nomen, the Golden Bough and the Tragedy of History: Part I.” Arion 4: 617–57.

———. 1967. “Vergil’s Caelatum Opus: An Interpretation of the Third Eclogue.” American Journal of Philology 88: 279–308.

———. 1981. “Art and the Hero: Participation, Detachment, and Narrative Point of View in Aeneid 1.” Arethusa 14: 67–83.

(p.268) Segal, Erich. 1987. Roman Laughter: The Comedy of Plautus. 2nd edition. Oxford: Oxford University Press.

Selden, Daniel. 1998. “Alibis.” Classical Antiquity 17: 289–420.

Shackleton Bailey, D. R., ed. 1990. M. Valerii Martialis epigrammata post W. Heraeum. Stuttgart: Teubner.

Sharland, Suzanne. 2003. “Priapus’ Magic Marker: Literary Aspects of Horace, Satire 1.8.” Acta Classica 46: 97–109.

Sharrock, Alison. 2009. Reading Roman Comedy: Poetics and Playfulness in Plautus and Terence. Cambridge: Cambridge University Press.

Shumate, Nancy. 1996. Crisis and Conversion in Apuleius’ Metamorphoses. Ann Arbor: University of Michigan Press.

Skinner, Marilyn B. 2001. “Ladies’ Day at the Art Institute: Theocritus, Herodas, and the Gendered Gaze.” In André Lardinois and Laura McClure, eds., Making Silence Speak: Women’s Voices in Greek Literature and Society, 201–22. Princeton: Princeton University Press.

Skutsch, Otto. 1968. Studia Enniana. London: Athlone Press.

———. 1985. The Annals of Q. Ennius. Oxford: Clarendon Press.

Slater, Niall W. 1985. Plautus in Performance: The Theatre of the Mind. Princeton: Princeton University Press.

———. 1990. Reading Petronius. Baltimore: Johns Hopkins University Press.

———. 1998. “Passion and Petrifaction: The Gaze in Apuleius.” Classical Philology 93: 18–48.

———. 2008. “Apuleian Ecphraseis: Depiction at Play.” In Werner Riess, ed., Paideia at Play: Learning and Wit in Apuleius, 235–50. Ancient Narrative, Supplementum 11. Groningen: Barkhuis Publishing& Groningen University Library.

Smith, Louise Pearson. 1994. “Audience Response to Rape: Chaerea in Terence’s Eunuchus.” Helios 21: 21–38.

Smith, Martin S., ed. 1975. Petronii Arbitri Cena Trimalchionis. Oxford: Clarendon Press.

Smith, R. A. 1997. Poetic Allusion and Poetic Embrace in Ovid and Vergil. Ann Arbor: University of Michigan Press.

Solodow, Joseph B. 1988. The World of Ovid’s Metamorphoses. Chapel Hill: University of North Carolina Press.

Southern, Pat. 1997. Domitian: Tragic Tyrant. London: Routledge.

Spence, Sarah. 1991. “Clinching the Text: The Danaids and the End of the Aeneid.” Vergilius 37: 11–19.

Spencer, Diana. 2002. The Roman Alexander: Reading a Cultural Myth. Exeter: University of Exeter Press.

Squire, Michael. 2009. Image and Text in Graeco-Roman Antiquity. Cambridge: Cambridge University Press.

———. 2010. “Making Myron’s Cow Moo? Ecphrastic Epigram and the Poetics of Simulation.” American Journal of Philology 131: 589–634.

Stanley, Keith. 1965. “Irony and Foreshadowing in Aeneid, I, 462.” American Journal of Philology 86: 267–77.

Steiner, Deborah T. 2001. Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton: Princeton University Press.

Stephens, Susan A. 2003. Seeing Double: Intercultural Poetics in Ptolemaic Alexandria. Berkeley: University of California Press.

Stewart, Andrew F. 1990. Greek Sculpture: An Exploration. Vol. 1. New Haven: Yale University Press.

Stewart, Peter C. N. 1997. “Fine Art and Coarse Art: The Image of Roman Priapus.” Art History 20: 575–88.

———. 2003. Statues in Roman Society: Representation and Response. Oxford: Oxford University Press.

(p.269) ———. 2004. Roman Art. Greece& Rome: New Surveys in the Classics 34. Oxford: Oxford University Press.

———. 2008. The Social History of Roman Art. Cambridge: Cambridge University Press.

Strazzulla, Maria J. 1990. Il Principato di Apollo: Mito e propaganda nelle lastre “Campana” dal tempio di Apollo Palatino. Studia Archaeologica 57. Rome: “L’Erma” di Bretschneider.

Strzelecki, Wladyslaw, ed. 1964. Cn. Naevii Belli Punici carminis quae supersunt. Leipzig: Teubner.

Strocka, Volker M. 2008. “Vergil und die Danaiden.” In Stefan Freund and Meinolf Vielberg, eds., Vergil und das antike Epos: Festschrift Hans Jürgen Tschiedel, 41–66. Stuttgart: Franz Steiner Verlag.

Strong, Donald E. 1963. “Some Observations on Early Roman Corinthian.” Journal of Roman Studies 53: 73–84.

———. 1966. Greek and Roman Gold and Silver Plate. London: Methuen.

Stuart Jones, H., ed. 1926. A Catalogue of the Ancient Sculptures Preserved in the Municipal Collections of Rome. The Sculptures of the Palazzo dei Conservatori. Oxford: Clarendon Press. Reprinted, Rome: “L’Erma” di Bretschneider, 1968.

Sullivan, J. P. 1968. The Satyricon of Petronius: A Literary Study. London: Faber and Faber.

———. 1991. Martial: The Unexpected Classic: A Literary and Historical Study. Cambridge: Cambridge University Press.

Swain, Simon. 2009. “Culture and Nature in Philostratus.” In Bowie and Elsner, 33–46.

Syndikus, Hans Peter. 1990. Catull: Eine Interpretation. Vol. 2. Darmstadt: Wissenschaftliche Buchgesellschaft.

Szelest, Hanna. 1966. “Die Originalität der Sog. Beschreibenden Silvae des Statius.” Eos 56: 186–97.

Taplin, Oliver. 1980. “The Shield of Achilles within the Iliad.” Greece and Rome 27: 1–21.

Tarrant, Richard J. 1997. “Poetry and Power: Virgil’s Poetry in Contemporary Context.” In Martindale, 169–87.

Thalmann, William G. 1984. Conventions of Form and Thought in Early Greek Epic Poetry. Baltimore: Johns Hopkins University Press.

Thibodeau, Philip, and Harry Haskell, eds. 2003. Being There Together: Essays in Honor of Michael C. J. Putnam on the Occasion of His Seventieth Birthday. Afton: Afton Historical Society Press.

Thomas, Michael L. 2004. “(Re)locating Domitian’s Horse of Glory: The Equus Domitiani and Flavian Urban Design.” Memoirs of the American Academy in Rome 49: 21–46.

Thomas, Richard F. 1982. “Catullus and the Polemics of Poetic Reference (Poem 64.1–18).” American Journal of Philology 103: 144–64.

———. 1983a. “Virgil’s Ecphrastic Centrepieces.” Harvard Studies in Classical Philology 87: 175–84.

———. 1983b. “Callimachus, the Victoria Berenices, and Roman Poetry.” Classical Quarterly 33: 92–113.

———, ed. 1988. Virgil: Georgics. 2 vols. Cambridge: Cambridge University Press.

———. 1998. “Virgil’s Pindar?” In P. E. Knox and C. Foss, eds., Style and Tradition: Studies in Honor of Wendell Clausen, 99–120. Stuttgart: Teubner.

———. 2001. Virgil and the Augustan Reception. Cambridge: Cambridge University Press.

Thomson, Douglas F. S., ed. 1997. Catullus. Toronto: University of Toronto Press.

Tomei, Maria A. 1990. “Le tre ‘Danaidi’ in nero antico dal Palatino.” Bollettino di archeologia 5–6: 35–48.

Tompkins, Jane P., ed. 1980. Reader-Response Criticism: From Formalism to Post-Structuralism. Baltimore: Johns Hopkins University Press.

Trappes-Lomax, John M. 2007. Catullus: A Textual Reappraisal. Swansea: Classical Press of Wales.

van Mal-Maeder, Danielle, ed. 2001. Apuleius Madaurensis: Metamorphoses, Livre II. Groningen: Egbert Forsten.

(p.270) Vial, Hélène. 2010. La métamorphose dans les Métamorphosesd’Ovide. Paris: Les Belles Lettres.

Völker, Thomas, and Dirk Rohmann. 2011. “ Praenomen Petronii: The Date and Author of the Satyricon Reconsidered.” Classical Quarterly 61: 660–76.

Vollmer, Friedrich., ed. 1898. P. Papinii Statii Silvarum libri. Leipzig: Teubner.

Vout, Caroline. 2007. Power and Eroticism in Imperial Rome. Cambridge: Cambridge University Press.

Wagenvoort, H. 1955. “Ad Statii Silv. I 1 adnotationes.” In Pieter de Jonge et al., eds., Ut Pictura Poesis: Studia Latina Petro Iohanni Enk septuagenario oblata, 195–203. Leiden: Brill.

Wallace-Hadrill, Andrew. 1988. “The Social Structure of the Roman House.” Papers of the British School at Rome 56: 43–97.

———. 1998. “ Horti and Hellenization.” In M. Cima and E. La Rocca, eds., Horti Romani. Atti del Convegno Internazionale, Roma, 4–6 maggio 1995, 1–22. Bullettino della Commissione Archeologica Comunale di Roma, Supplementi 6. Rome: “L’Erma” di Bretschneider.

———. 2008. Rome’s Cultural Revolution. Cambridge: Cambridge University Press.

Walker, Susan, and Peter Higgs, eds. 2001. Cleopatra of Egypt: From History to Myth. Princeton: Princeton University Press.

Walsh, P. G. 1970. The Roman Novel. Cambridge: Cambridge University Press.

Wandhoff, Haiko. 2003. Ekphrasis: Kunstbeschreibungen und virtuelle Räume in der Literatur des Mittelalters. Berlin: Walter de Gruyter.

Watson, Gerard. 1988. Phantasia in Classical Thought. Galway: Galway University Press.

Webb, Ruth. 1999. “Ekphrasis Ancient and Modern: The Invention of a Genre.” Word& Image 15: 7–18.

———. 2006. “The Imagines as a Fictional Text: Ekphrasis, Apatê, and Illusion.” In Michel Costantini, Françoise Graziani, and Stéphane Rolet, eds., Le Défi de l’art: Philostrate, Callistrate et l’image sophistique, 112–36. Rennes: Presses Universitaires de Rennes.

———. 2009. Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Farnham: Ashgate.

Weber, Clifford. 1983. “Two Chronological Contradictions in Catullus 64.” Transactions of the American Philological Association 113: 263–71.

Welch, Tara S. 2001. “ Est locus uni cuique suus: City and Status in Horace’s Satires 1.8 and 1.9.” Classical Antiquity 20: 165–92.

———. 2005. The Elegiac Cityscape: Propertius and the Meaning of Roman Monuments. Columbus: The Ohio State University Press.

Wheeler, Arthur L. 1964. Catullus and the Traditions of Ancient Poetry. Berkeley: University of California Press.

Wheeler, Stephen M. 2000. Narrative Dynamics in Ovid’s Metamorphoses. Classica Monacensia: Münchener Studien zur klassischen Philologie 20. Tübingen: Narr.

White, Peter. 1974. “The Presentation and Dedication of the Silvae and the Epigrams.” Journal of Roman Studies 64: 40–61.

———. 1975. “The Friends of Martial, Statius, and Pliny, and the Dispersal of Patronage.” Harvard Studies in Classical Philology 79: 265–300.

———. 1978. “ Amicitia and the Profession of Poetry in Early Imperial Rome.” Journal of Roman Studies 68: 74–92.

———. 1993. Promised Verse: Poets in the Society of Augustan Rome. Cambridge: Harvard University Press.

Wilkinson, L. P. 1969. The Georgics of Virgil: A Critical Survey. Cambridge: Cambridge University Press.

Williams, Gordon. 1980. Figures of Thought in Roman Poetry. New Haven: Yale University Press.

Williams, R. D. 1981. “The Shield of Aeneas.” Vergilius 27: 8–11.

———. 1990 (1960). “The Pictures on Dido’s Temple (Aeneid I. 450–93).” In Harrison, 37–45. Oxford: Oxford University Press.

(p.271) Wimmel, Walter. 1970. “Vergil und das Atlantenfragment des Naevius.” Wiener Studien 83: 84–100.

Winkler, John J. 1985. Auctor& Actor: A Narratological Reading of Apuleius’s Golden Ass. Berkeley: University of California Press.

Wiseman, T. P. 1985. Catullus and His World: A Reappraisal. Cambridge: Cambridge University Press.

Wormell, D. E. W. 1960. “The Riddles in Virgil’s Third Eclogue.” Classical Quarterly 54: 29–32.

Zanker, Graham. 2003. “New Light on the Literary Category of ‘Ekphrastic Epigram’ in Antiquity: The New Posidippus (col. X 7-XI 19 P. Mil. Vogl. VIII 309).” Zeitschrift für Papyrologie und Epigraphik 143: 59–62.

———. 2004. Modes of Viewing in Hellenistic Poetry and Art. Madison: University of Wisconsin Press.

Zanker, Paul. 1983. “Der Apollontempel auf dem Palatin: Ausstattung und politische Sinnbezüge nach der Schlacht von Actium.” In Kjeld de Fine Licht, ed., Cittàe Architettura nella Roma Imperiale. Analecta Romana Instituti Danici, Supplementum 10, 21–40. Odense: Odense University Press.

———. 1988. The Power of Images in the Age of Augustus. Translated by Alan Shapiro. Ann Arbor: University of Michigan Press.

Zeiner, Noelle K. 2005. Nothing Ordinary Here: Statius as Creator of Distinction in the Silvae. New York: Routledge.

Zeitlin, Froma I. 1971a. “Petronius as Paradox: Anarchy and Artistic Integrity.” Transactions of the American Philological Association 102: 631–84.

———. 1971b. “Romanus Petronius: A Study of the Troiae Halosis and the Bellum Civile.” Latomus 30: 56–82.

———. 1986. “Thebes: Theater of Self and Society in Athenian Drama.” In J. Peter Euben, ed., Greek Tragedy and Political Theory, 101–41. Berkeley: University of California Press.

———. 1994. “The Artful Eye: Vision, Ecphrasis and Spectacle in Euripidean Theatre.” In Goldhill and Osborne, 138–96. Cambridge: Cambridge University Press.

Zetzel, James E. G. 1983. “Catullus, Ennius, and the Poetics of Allusion.” Illinois Classical Studies 8: 251–66.

———. 2002. “Dreaming about Quirinus: Horace’s Satires and the Development of Augustan Poetry.” In Tony Woodman and Dennis Feeney, eds., Traditions and Contexts in the Poetry of Horace, 38–52. Cambridge: Cambridge University Press. (p.272)