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Theatres of OppositionEmpire, Revolution, and Richard Brinsley Sheridan$
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David Francis Taylor

Print publication date: 2012

Print ISBN-13: 9780199642847

Published to Oxford Scholarship Online: May 2012

DOI: 10.1093/acprof:oso/9780199642847.001.0001

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‘Gross Deceptions’

‘Gross Deceptions’

Newspapers, Theatre, and the Propaganda War

Chapter:
(p.33) 2 ‘Gross Deceptions’
Source:
Theatres of Opposition
Author(s):

David Francis Taylor

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199642847.003.0003

This chapter considers the way in which both Sheridan’s writing for and editorship of the opposition newspaper The Englishman (March–June 1779) and his metatheatrical comedy The Critic (October 1779) were equally concerned with ways in which both the military events of and the parliamentary opposition to the American War of Independence were being deliberately misrepresented by government-controlled media. It contends that Sheridan’s political journalism and satirical drama—in which a government penman rehearses his new loyalist tragedy at Drury Lane—both sought to negotiate a radical patriotism that combined opposition to Britain’s repression of the rebelling American colonies and support for its military effort against the forces of France and Spain

Keywords:   newspapers, propaganda, Sheridan, The Critic, America, revolution, patriotism, satire, misrepresentation

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