- Title Pages
- List of Figures
- List of Contributors
- 1 Believing in Ethiopians
- 2 Black Apollo?
- 3 Greece, India, and Race among the Victorians
- 4 Black Minerva
- 5 Black Athena before <i>Black Athena</i>
- 6 ‘Ethiopia shall stretch forth her hands unto God’
- 7 Between Exodus and Egypt
- 8 Beyond Culture Wars
- 9 Egyptian Athena, African Egypt, Egyptian Africa
- 10 The Afterlives of <i>Black Athena</i>
- 11 In the House of Libya
- 12 Hellenism, Nationalism, Hybridity
- 13 The Idea of Africa in Lucan
- 14 Was Black Beautiful in Vandal Africa?
- 15 Identifying Authority
- 16 John Barclay's ‘Camella’ Poems
- 17 ‘Lay in Egypt's lap each borrowed crown’
- 18 ‘Not Equatorial black, not Mediterranean white’
- 19 Wole Soyinka's Yoruba Tragedy
- 20 Mythopoeia in the Struggle against Slavery, Racism, and Exclusive Afrocentrism
- 21 Dislocating Black Classicism
- 22 The Africanness of Classicism in the Work of Toni Morrison
Antiquity in Antebellum African American History
- (p.71) 4 Black Minerva
- African Athena
- Oxford University Press
This chapter investigates the rhetorical use black and white abolitionists made of antiquity in arguments against slavery. Egypt, they argued, was the source of Greco‐Roman civilizations and American black people were the descendants of the ancient Egyptians. Black and white abolitionists pointed to the glories of ancient Egypt, Ethiopia and Carthage and their influences on Greek and Roman culture as proof that black people were not racially inferior to white people and therefore, contrary to common views, neither were they incapable of emulating and adopting white civilization. The underlying argument in all of these works, I suggest, was that if the venerable ancient civilizations of Africa were the achievement of the black race, as Frederick Douglass and others argued, it followed that African Americans were not inferior by nature to white people.
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