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Seeing Fictions in Film$
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George M. Wilson

Print publication date: 2011

Print ISBN-13: 9780199594894

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199594894.001.0001

Narrative and Narration: Some Rudiments

Chapter:
(p. 12 ) 1 Narrative and Narration: Some Rudiments
Source:
Seeing Fictions in Film
Author(s):

George M. Wilson

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199594894.003.0002

This chapter attempts to give an overview of the framework and some of the chief concepts of traditional narratology. However, the chapter also devotes a fair amount of space to raising critical issues about those concepts. This constitutes material the book will subsequently investigate. In particular, it has been widely held that every mode of telling a story, involves a narrative (the story told), a narration (the telling of the story), and a text (the specific medium in which the telling is embodied.) It is widely held in addition that every instance of fictional narration, presupposes a fictional narrator (the agent that fictionally tells the story), although the narrator may be “effaced.” This chapter propounds some questions about both of these assumptions, particularly as they apply to fiction film. These are questions that are discussed at length in later chapters.

Keywords:   narratology, narrative, narration, text, narrator, implied author, point of view

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