Television programming and the audience
Why is television programming all about sex and crime, and why are we, as an audience, so addicted to this? In this chapter we explain how television shows, as modern artifacts, trigger our stone-aged emotions that evolved to deal with real-life situations. Mediated visual information emerged about 200 years ago, which in evolutionary terms is a blink of the eye. As a result, what we eye-witness is somehow processed, at a subconscious level, as reality eliciting feeling as if we are part of the observed scene (I-witness). Next, if what, and especially who, we see on screen reappears at a regular basis, it is no surprise that the repetitive activation of our old emotional responses to modern artifacts leads to the establishment of friendships, and other social relations, between audience members and onscreen characters. In addition, we also start to talk about these onscreen characters with real life friends, colleagues and vague acquaintance. Television stars have become the ‘mutual friend’ we share with everyone else in our increasingly scattered societies. And, from an evolutionary perspective, this addition to and gossip about the private lives of onscreen characters, is not much different from the storytelling tradition that is deeply embedded in our evolutionary history. The fact that we can vicariously learn how to deal with life-threatening and life-saving situations at a quick and cheap paste, explains why we are attracted to programs that deal with topics as sex and crime – that continue to top the list of most popular television shows.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.