Cinema, Philosophy, Bergman: On Film as Philosophy
Paisley Livingston
Abstract
The first part of this book critically assesses some of the bold claims that have been made about films' contributions to philosophy and defends a balanced perspective on the topic. It argues that in many cases, it is the philosophical commentator and not ‘the film itself’ that is the actual source of the philosophizing attributed to a movie. In some cases, however, it is the film-maker who, by working with a background of specific philosophical sources, creates a work that expresses philosophical ideas. With this possibility in mind, the second part of the book outlines a ‘partial intentional ... More
The first part of this book critically assesses some of the bold claims that have been made about films' contributions to philosophy and defends a balanced perspective on the topic. It argues that in many cases, it is the philosophical commentator and not ‘the film itself’ that is the actual source of the philosophizing attributed to a movie. In some cases, however, it is the film-maker who, by working with a background of specific philosophical sources, creates a work that expresses philosophical ideas. With this possibility in mind, the second part of the book outlines a ‘partial intentionalist’ approach. In response to a series of objections, the book defends underlying assumptions about interpretation, expression, and authorship. The book's partial intentionalist approach is exemplified in the third part of the book, which focuses on the work of Ingmar Bergman. The book argues that Bergman was profoundly influenced by a Finnish philosopher, Eino Kaila. Bergman proclaimed that reading Kaila's book on philosophical psychology a tremendous philosophical experience for him and that he ‘built on this ground’. With reference to unpublished materials in the newly created Ingmar Bergman archive in Stockholm, the book shows how, in works such as Wild Strawberries, Persona, and In the Life of the Marionettes, the Swedish director took up and responded to Kaila's views on motivated irrationality, inauthenticity, ethics, and the problem of self-knowledge.
Keywords:
authorship,
cinema,
Eino Kaila,
Ingmar Bergman,
intentionalism,
irrationality,
philosophical psychology,
philosophy
Bibliographic Information
| Print publication date: 2009 |
Print ISBN-13: 9780199570171 |
| Published to Oxford Scholarship Online: September 2009 |
DOI:10.1093/acprof:oso/9780199570171.001.0001 |