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Musical ImaginationsMultidisciplinary perspectives on creativity, performance and perception$
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David Hargreaves, Dorothy Miell, and Raymond MacDonald

Print publication date: 2011

Print ISBN-13: 9780199568086

Published to Oxford Scholarship Online: May 2012

DOI: 10.1093/acprof:oso/9780199568086.001.0001

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Composers’ creative process: The role of life-events, emotion and reason

Composers’ creative process: The role of life-events, emotion and reason

Chapter:
(p.141) Chapter 9 Composers’ creative process: The role of life-events, emotion and reason
Source:
Musical Imaginations
Author(s):

Vladimir J. Koneˇcni

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199568086.003.0009

This chapter presents reflections about an important and much discussed aspect of art-music composers' creative process, namely, the role — if any — that emotions, and specifically acute emotional states induced by life-events, play in that process. In contrast to the emotivist attitude, it argues for the paramount importance of contemplation, analytical and technical skills, problem-solving, and planning — in short, reason — as the key features of art-music composers' daily work, especially when developing large-scale pieces. It is also proposed that when emotions are experienced by composers in response to others' and their own music of very high quality, these are likely to be the states of being moved and aesthetic awe — which are very rare and have different phenomenological characteristics and evolutionary origin than the emotions with which psychologists and biologists are usually concerned.

Keywords:   art-music composers, creative process, musical creativity, emotions, emotional states, reason

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