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Yeats and Violence$
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Michael Wood

Print publication date: 2010

Print ISBN-13: 9780199557660

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780199557660.001.0001

The Temptation of Form

Chapter:
(p. 87 ) 3 The Temptation of Form
Source:
Yeats and Violence
Author(s):

Michael Wood

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199557660.003.0004

This chapter is about what is snared and not snared by form in ‘Nineteen Hundred and Nineteen’, and the last part of the poem is especially suggestive in this respect, brilliantly failing and succeeding in complicated proportions. The chapter suggests that the turbulence of the poem — its turbulent contents, so to speak, first ironically denied, then filtered through images of dancing, poetic ambition, and snarling anger, and finally pictured as a shabby but unforgettable apocalypse — are mirrored in the idioms and metres of the work, deflected and tamed by much of its art, but also stalked by a second turbulence, a new strain concentrated almost entirely in the form, the ringing of this poem's uneasy music in our heads, all the troubling residue of the triumph of failure.

Keywords:   W. B. Yeats, Nineteen Hundred and Nineteen, poem, formalism, formal properties, turbulence

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