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The History of Oxford University Press: Volume IBeginnings to 1780$
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Ian Gadd

Print publication date: 2013

Print ISBN-13: 9780199557318

Published to Oxford Scholarship Online: August 2014

DOI: 10.1093/acprof:oso/9780199557318.001.0001

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The Learned Press: History, Languages, Literature, and Music

The Learned Press: History, Languages, Literature, and Music

Chapter:
(p.418) Chapter 14 The Learned Press: History, Languages, Literature, and Music
Source:
The History of Oxford University Press: Volume I
Author(s):

Matthew Kilburn

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199557318.003.0015

Although music was part of the recognized curriculum — the University had awarded degrees in music since the late fifteenth century — history, modern languages, and literature in the vernacular were generally considered supplements to formal university education. Early historical publications included Henry Savile's edition of Tacitus, histories of the university and its collections, and a life of King Alfred; the later publishing programme was dominated by Clarendon's History of the Rebellion and the works of Thomas Hearne. Most of the works printed in Oxford in modern European languages were intended for elementary language teaching. The Press published some modern literature in Latin, but more often in English, notably Robert Burton's Anatomy of Melancholy and Thomas Hanmer's illustrated edition of Shakespeare. The Press published a number of works on music theory, including John Case's Apologia Musices in 1588, but music types for printing scores were only acquired in 1672 and the quantity produced remained small.

Keywords:   Henry Savile, Anthony Wood, Clarendon, Thomas Hearne, Robert Burton, William Shakespeare, poetry, drama, John Case, music theory

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