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Writing, Performance, and Authority in Augustan Rome$
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Michele Lowrie

Print publication date: 2009

Print ISBN-13: 9780199545674

Published to Oxford Scholarship Online: February 2010

DOI: 10.1093/acprof:oso/9780199545674.001.0001

Beyond Performance Envy:

Horace, Epistles 2. 1

Chapter:
(p. 235 ) 9 Beyond Performance Envy:
Source:
Writing, Performance, and Authority in Augustan Rome
Author(s):

Michèle Lowrie (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199545674.003.0009

Horace's literary epistles, contrary to their own written medium, are fascinated with performance. It is not just that the Ars Poetica is a didactic poem on how to write tragedy and Epistles 2.1 focuses mostly on drama in its literary history. Horace is interested in the function of the poet in society. He claims a plenitude for choral lyric and for the archaic poet's role as a founder that is lacking for himself. Although he had already composed the Carmen saeculare by the time of the epistle, he does not line up his own epistolary oeuvre with such plenitude and rather presents the library as a place of refuge for a poet who does not want to be subject to the whims of an audience.

Keywords:   Horace, Ars Poetica, Epistles 2. 1, Carmen saeculare, choral lyric, library, literary history, audience

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