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Writing, Performance, and Authority in Augustan Rome$
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Michele Lowrie

Print publication date: 2009

Print ISBN-13: 9780199545674

Published to Oxford Scholarship Online: February 2010

DOI: 10.1093/acprof:oso/9780199545674.001.0001

The Pragmatics of Literature: Ovid

Chapter:
(p. 360 ) 16 The Pragmatics of Literature: Ovid
Source:
Writing, Performance, and Authority in Augustan Rome
Author(s):

Michèle Lowrie (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199545674.003.0016

In Tristia 2, Ovid makes a case to Augustus for his return from exile. The poem's pragmatic aim ostensibly failed and the poet was never recalled. But Ovid does more than try to change his fate. His systematic punning on lex and legere invites comparison between the powerlessness of his own written discourse to the power of Augustus' ability to determine the law. But we should not end with a picture of powerful orality versus impotent writing. The end of the Metamorphoses makes it clear that the poet wins out in the end. He is the one to control Augustus' representation in his poetry — even against the emperor's will — and a future readership will retain the freedom of interpretation. Ovid's strong claim about the power of reading and writing to resist the anger of the powerful despite its pragmatic force is a fitting conclusion to this book.

Keywords:   Ovid, Tristia 2, Metamorphoses, Augustus, law, reading, writing, freedom of interpretation

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