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Sounds FrenchGlobalization, Cultural Communities, and Pop Music in France, 1958–1980$
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Jonathyne Briggs

Print publication date: 2015

Print ISBN-13: 9780199377060

Published to Oxford Scholarship Online: March 2015

DOI: 10.1093/acprof:oso/9780199377060.001.0001

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Sounds Traditional

Sounds Traditional

The Chanson as a Site of Globalization

Chapter:
(p.44) Chapter 2 Sounds Traditional
Source:
Sounds French
Author(s):

Jonathyne Briggs

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199377060.003.0003

This chapter investigates the paradoxical process of music critics’ and artists’ sanctioning of the chanson as a distinctly French musical phenomenon just as its aesthetics were changing due to the influx of new foreign influences. The establishment of a canon of chansonniers, built upon the work of Georges Brassens, Jacques Brel, and Leo Ferré, occurred just as French rock and roll became a noisy cultural force in France. The meaning of the chanson was rearticulated in contrast to rock and roll, with critics focusing on its lyrical content and its supposedly unchanging traditional nature. But the musical content of chanson was changing, most strongly evident in the work of Serge Gainsbourg, whose omnivorous cultural tastes brought rock and roll, exotica, and art rock into chanson. This chapter surveys the changing definitions of chanson within musical criticism during the 1950s and 1960s.

Keywords:   chanson, canonization, French identity, cultural legitimacy, music criticism

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