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Teaching StravinskyNadia Boulanger and the Consecration of a Modernist Icon$
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Kimberly A. Francis

Print publication date: 2015

Print ISBN-13: 9780199373697

Published to Oxford Scholarship Online: August 2015

DOI: 10.1093/acprof:oso/9780199373697.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Teaching Stravinsky
Author(s):

Kimberly A. Francis

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199373697.003.0001

The book begins with the first moment Nadia Boulanger heard the music of Igor Stravinsky, at the 1910 premiere of L’Oiseau de feu. This chapter then transports Boulanger and Stravinsky from the end of the dizzying Belle Époque in Paris to the devastated aftermath of World War I and reconstruction. I consider both how Boulanger and Stravinsky fit into the cultural fabric of postwar Paris and the roles they played in supporting the emerging neoclassical aesthetic. The introduction presents the work of Pierre Bourdieu and his notions of cultural capital and the field of cultural production, tying them to Boulanger’s activity as a cultural agent and increasingly fervent supporter of Stravinsky’s music.

Keywords:   World War I, Reconstruction, Paris, L’Oiseau de feu, Bourdieu, Cultural capital, Field of cultural production

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