Jump to ContentJump to Main Navigation
The Theatrical Cast of AthensInteractions between Ancient Greek Drama and Society$

Edith Hall

Print publication date: 2006

Print ISBN-13: 9780199298891

Published to Oxford Scholarship Online: January 2010

DOI: 10.1093/acprof:oso/9780199298891.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 23 October 2017

Consolidated Bibliography

Consolidated Bibliography

Source:
The Theatrical Cast of Athens
Publisher:
Oxford University Press

Bibliography references:

(p.400) ABDEL-MALEK, ANOUAR (1963), ‘Orientalism in crisis’, Diogenes 44, 104–12, reproduced in Macfie (2000), 47–56.

ABEL, LIONEL (1963), Metatheatre: A New View of Dramatic Form. New York.

Adams, Alice E. (1994), Images of Childbirth in Science, Feminist Theory, and Literature. Ithaca and London.

ADRADOS, FRANCISCO R. (1972), ‘Los coros de la “Paz” y los “Dictiulcos” y sus precedentes rituales’, Studi classici in honor di Quintino Cataudella i. 173–236. Catania.

AITCHISON, JEAN (1994), Words in the Mind: An Introduction to the Mental Lexicon (second edition). Oxford.

ALBINI, U. (1952), ‘Lysia narratore’, Maia 5, 182–90.

——— (1964) (ed.), Andocide, De Pace, Introduzione e Commento. Florence.

ALCOCK, SUSAN E. , CHERRY, JOHN F. , and ELSNER, JAS (2001) (eds.), Pausanias: Travel and Memory in Roman Greece. Oxford.

ALLEN, KATARZYNA HAGEMAJER (2003), ‘Becoming the “Other”: attitudes and practices at Attic cemeteries’, in Dougherty and Kurke (2003), 207–36.

ALLEN, W.SIDNEY (1968), Vox Graeca. Cambridge.

ANDERSON, W.D. (1966), Ethos and Education in Greek Music (Cambridge, Mass.).

(1982), ‘Euripides’ Auge and Menander's Epitrepontes’, GRBS 23, 165–77.

——— (1994), Music and Musicians in Ancient Greece. Ithaca, NY, and London.

ANDREASSI, MARIO (2001) (ed.), Mimi greci in Egitto. Charition e Moicheutria. Bari.

ANTONACCIO, CARLA (2003), ‘Hybridity and the cultures within ancient Greek culture’, in Dougherty and Kurke (2003), 57–74.

APTE, MAHADEV L. (1985), Humor and Laughter: an Anthropological Approach. Ithaca, NY.

ARAFAT, K. W. (1996), Pausanias’ Greece: Ancient Artists and Roman Rulers. Cambridge.

Arnold, Thomas (1874), The History of the Peloponnesian War. 8th edn. Oxford.

(p.401) ARNOTT, W.GEOFFREY (1996) (ed.), Alexis: The Fragments. Cambridge.

——— (2000) (ed. and trans.), Menander, vol. iii. Cambridge, Mass. and London.

ARNOULD, DOMINIQUE (1981), Guerre et paix dans la poesie grecque de Callinos a Pindare. New York.

ARROWSMITH, W. (1968), ‘Conversion in Euripides’, in J. R. Wilson (ed.), Twentieth Century Interpretations of Euripides’ Alcestis, 31–6. Englewood Cliffs, NJ.

ARTHUR, MARILYN (1973), ‘Early Greece: the origins of the western attitude toward women’, Arethusa 6, 1–58.

ASSOUN, PAUL-LAURENT (2002), ‘Eros et Polemos: la comédie de la paix’, in Rochefort-Guillouet (2002), 107–14.

AUSTIN, C. , and DOUGLAS OLSON, S. (2004) (eds.), Aristophanes' Thesmophoriazusae. Oxford.

AUSTIN, M. , and VIDAL-NAQUET, P. (1977 [1973]), Economic and Social History of Ancient Greece. An Introduction. Eng. trans. of French 2nd edn. London.

BABBITT, FRANK COLE (1936, trans.), Plutarch's Moralia, vol. iv. Cambridge, Mass. and London.

BÄBLER, B. (1998), Fleissige Thrakerinnen und wehrhafte Skythen. Nicthgriechen im Klassichen Athen und ihre archäologische Hinterlassenschaft. Stuttgart and Leipzig.

BACKHAUS, W. (1976), ‘Der Hellenen-Barbaren-Gegensatz und die hippokratische Schrift peri aeron hydaton topon’, Historia 25, 170–85.

Baier, Thomas (1999a), ‘“On ne peut faillir en l'imitant”: Rotrous Sosies, eine Nachgestaltung des plautinischen Amphitruo’, in Baier (1999b), 203–37.

——(1999b) (ed.), Studien zu Plautus’ Amphitruo. Ta¨bingen.

BAKEWELL, GEOFF (1997), review of E. HALL (ed. 1996), Aeschylus’ Persians, Bryn Mawr Classical Review 8.9, 849.

Bakola, Emmanuela (2005), ‘Old Comedy disguised as satyr play: a new reading of Cratinus’ Dionysalexandros (P.Oxy. 663)’, ZPE 154, 46–58.

BALDWIN, C. S. (1924), Ancient Rhetoric and Poetic. New York.

BALLAIRA, GUGLIELMO (1974) (ed.), ‘Seneca’. Ottavia. Turin.

Banton, Michael (1965), Roles: an Introduction to the Study of Social Relations. New York.

BARKER, ANDREW (2004), ‘Transforming the nightingale: aspects of Athenian musical discourse in the late fifth century’, in Murray and Wilson (2004), 185–204.

Barker, F. (1985) (ed.), Europe and its Others: Proceedings of the Essex Conference on the Sociology of Literature. Colchester.

(p.402) BARLOW, SHIRLEY (1982), ‘Structure and dramatic realism in Euripides' Herakles’, G&R 29, 115–25.

——— (1986a), The Imagery of Euripides. 2nd edn. Bristol.

——— (1986b), ‘The language of Euripides’ monodies’, in J.H. Betts, J. T. Hooker, and J.R. Green (eds.), Studies in Honour of T.B.L. Webster vol. i, 10–22. Bristol.

BARON, DENNIS (1986), Grammar and Gender. New Haven and London.

BARNER, WILFRIED (1971), ‘Die Monodie’, in Jens (1971), 277–320.

BARRETT, W.S. (1964) (ed.), Euripides, Hippolytos. Oxford.

BARTHES, R. (1973), Mythologies (Eng. trans.). London.

BASINGER, JEANINE (2003), The World War II Combat Film: Anatomy of a Genre. Middletown, Conn.

BASLEZ, M.-F. (1986), ‘Le péril barbare, une invention des Grecs?’, in C. Mossé (ed.), La Grèce ancienne, 284–99. Paris.

BASSETT, S. E. (1931), ‘The place and date of the first performance of the Persians of Timotheus’, CP 26, 153–65.

BASSI, KAREN (1998); Acting Like Men: Gender, Drama and Nostalgia in Ancient Greece. Ann Arbor, Mich.

BATES, WILLIAM NICKERSON (1930), Euripides: A Student of Human Nature. New York.

BAUCHHENSS-THÜRIEDL, CHRISTA (1986), ‘Auge’, LIMC iii.1, 45–51. Zurich and Munich.

BAUMAN, R. A. (1990), Political Trials in Ancient Greece. London and New York.

BEKKER, I. (1824–5) (ed.), Photii Bibliotheca. 2 vols. Berlin.

BENOIT, W. L. , and WELLS, W. T. (1996). Candidates in Conflict: Persuasive Attack and Defense in the 1992 Presidential Debates. Tuscaloosa, Ala.

BENOIT, W. L. , HANSEN, G. J. , and TILLERY, R. M. (2003), ‘A meta-analysis of the effects of viewing presidential debates’. Communication Monographs 70, 335–50.

BENTLEY, ERIC (1964), The Life of the Drama. New York.

BENVENISTE, E. (1932), ‘Le sens du mot κολοσσός et les noms grecs de la statue’, Rev. Phil. 6, 118–35.

Benz, Lore (1999), ‘Dramenbearbeitung und Dramenparodie im antiken Mimus und im plautinischen Amphitruo’, in Baier (1999b), 51–91.

Berger-Doer, Gratia (1990), ‘Kanake’, LIMC V.1, 950–1. Zurich and Munich.

Bergk, Theodore (1838), Commentationum de reliquiis comoediae atticae antiquae libri duo. Leipzig.

Bernal, Martin (1987), Black Athena: The Afroasiatic Roots of Classical Civilization. The Fabrication of Ancient Greece, 1785–1985. London.

(p.403) BERS, V. (1985), ‘Dikastic thorubos’, in Paul Cartledge and David Harvey (eds.), Crux: Essays in Greek History presented to G. E. M. de Ste. Croix, 1–15. London.

——— (1994), ‘Tragedy and rhetoric’, in Worthington (1994), 176–95.

——— (1997), Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama & Oratory. Lanham, Md., Boulder, Colo., New York, and London.

——— (2003) (trans.), Demosthenes, Speeches 50–59. Austin, Tex.

BEVERLEY, E.JANE (1997), ‘The dramatic function of actors’ monody in later Euripides’. D.Phil thesis, Oxford.

BIERL, ANTON (1990), ‘Dionysus, wine, and tragic poetry: a metatheatrical reading of P. Köln VI 242a = TgrF II F646a’, GRBS 31, 353–403.

BIRT, T. (1907), Die Buchrolle in der Kunst. Leipzig.

BIZZARO, FERRUCIO CONTI (1999), Poetica e Critica Letteraria nei Frammenti dei Poeti Comici Graeci [ = Speculum 21]. Naples.

BLISTEIN, ADAM D. (1980), ‘The nature and significance of the protagonists in the fifth-century comedies of Aristophanes’, Ph.D. Thesis, Yale.

BLUM, H. (1969), Die antike Mnemotechnik (= Spudasmata 15). New York.

BOADEN, JAMES (1831–2) (ed.), The private correspondence of David Garrick: with the most celebrated persons of his time and now first published from the originals and illustrated with notes and a new bibliographical memoir of Garrick. 2 vol. London.

BOARDMAN, JOHN (2004), ‘Unnatural conception and birth in Greek mythology’, in Dasen (2004), 147–58.

BOAS, F. (1914), University Drama in the Tudor Age. Oxford.

BOBRICK, ELIZABETH (1991), ‘Iphigenia revisited: Thesmophoriazusae 1160–1225’, Arethusa 24, 67–76.

——— (1997), ‘The tyranny of roles: playacting and privilege in Aristophanes’ Thesmophoriazusae’, in Dobrov (1997), 177–9 7.

BOEDEKER, D. (2002), ‘Paths to heroization at Plataea’, in Boedeker and Sider (2002), 148–63.

BOEDEKER, D. and SIDER, D. (2002) (eds.), The New Simonides: Contexts of Praise and Desire. Oxford.

BOEGEHOLD, ALAN (1995), The Lawcourts at Athens: Sites, Buildings, Equip ment, Procedure, and Testimonia [ = The Athenian Agora vol. xxviii]. Princeton, NJ.

BOGREN, L. Y. (1989), ‘Pregnancy symptoms in the expectant male’, Journal of Psychometric Obstetrics and Gynaecology, suppl. 10.

BOLGAR, R. R. (1969), ‘The training of elites in Greek education’, in R. Wilkinson (1969), Governing Elites: Studies in Training and Selection, 23–49. New York.

(p.404) BONANNO, MARIA GRAZIA (1973–4), ‘Aristoph. Pax 1301’, Mus. Crit. 8–9, 191–3.

BONNER, R. J. (1922), ‘Wit and humour in Athenian courts’, CP 17, 97–103.

——— and SMITH, G. (1938), The Administration of Justice from Homer to Aristotle. Chicago.

BORCHHARDT, J. (1983), ‘Bildnisse Achaimenidischer Herrscher’, in H. Koch and D.N. Mackenzie (eds.), Kunst, Kultur, und Geschichte der Achämenidenzeit unr ihr Fortleben, 207–23. Berlin.

BORNSTEIN, M. , HAYNES, O. , PASCUAL, L. , PAINTER, K. , and GALPERIN, C. (1999), ‘Play in two societies: pervasiveness of process, specificity of structure’, Child Development, 70, 317–31.

Bovon, A. (1963), ‘La representation des guerres perses et la notion de barbare dans la lè moitié du Ve siècle’, BCH 87, 579–602.

BOWIE, ANGUS (1993), Aristophanes: Myth, Ritual and Comedy. Cambridge.

BRADLEY, KEITH (2000), ‘Animalizing the slaves: the truth of fiction’, JRS 90, 110–25.

BRADLEY, S. A. J. (1982) (trans.), Anglo-SaxonPoetry. London and Melbourne.

BRANHAM, R.BRACHT (2001) (ed.), Bakhtin and the Classics. Evanston, Ill.

BRATTON, J. S. , CAVE, R. A. , Gregory, B., Holder, H., and Pickering, M. (1991), Acts of Supremacy: The British Empire and the Stage, 1790–1930. Manchester and New York.

BRAUND, D. (1993), ‘Dionysiac tragedy in Plutarch, Crassus’, CQ 43, 468–74.

——— (2005) (ed.) Scythians and Greeks: Cultural Interactions in Scythia, Athens and the Early Roman Empire. Exeter.

BREMMER, J. (1983), ‘The importance of the maternal uncle and grandfather in archaic and classical Greece and early Byzantium’, ZPE 50, 173–86.

——— (1991), ‘Walking, standing, and sitting in ancient Greek culture’, in Bremmer and Roodenburg (1991), 15–35.

——— and ROODENBURG, H. (1991), (eds.), A Cultural History of Gesture. Oxford and Cambridge.

Briant, Pierre (1996), Histoire de l'Empire perse de Cyrus á Alexandre. Paris,

translated into English by PETER T. DANIELS as From Cyrus to Alexander: A History of the Persian Empire. Winona Lake, Ind. 2002.

——— (2002), ‘The Greeks and Persian decadence’, in T. Harrison (2002), 193–210.

Originally published in 1989 as ‘Histoire et idéologie: les Grecs et la “décadence perse”’, in M.-M. Mactou and E. Geny (eds.), Mélanges P. Léve∩que, ii. 33–47. Bésançon.

BRIDGES, EMMA , HALL, EDITH , and RHODES, P. J. (2007) (eds.), Cultural Responses to the Persian Wars: Antiquity to the Third Millennium. Oxford.

BRIXHE, C. (1988), ‘La langue de l’étrange non grec chez Aristophane’, in R. Lonis (ed.), L’Étranger dans le monde grec, 113–38. Nancy.

(p.405) BROADHEAD, H. D. (1960) (ed.), The Persae of Aeschylus. Cambridge.

BROMMER, F. (1937), Satyroi (Wärzburg).

——— (1959), Das Satyrspiele (Berlin).

Bronfen, E. (1992), Over her Dead Body: Death, Femininity, and the Aesthetic. Manchester.

BROWNING, ROBERT (1963), ‘A Byzantine treatise on tragedy’, in L. Varcl and R. F. Willetts (eds.), Geras: Studies Presented to George Thomson on the Occasion of his 60th Birthday, 67–81. Prague.

——— (2002), ‘Greek and others: from antiquity to the Renaissance’, in T. Harrison (2002), 257–77.

Originally published as ch. 2 of Robert Browning, History, Language and Literacy in the Byzantine World. Northampton, 1989.

BROWNMILLER, S. (1973), Againstourfiill:Men, Women, and Rape. New York.

BRYSON, NORMAN (1981), Word and Image: French Painting of the Ancien Régime. Cambridge.

BUBEL, FRANK (1991) (ed.), Euripides, Andromeda [ = Palingenesia 34]. Stuttgart.

BURKE, KENNETH (1965), ‘On Human Behavior Considered Dramatistically,’ in his Permanence and Change, 274–94. Indianapolis.

BURKERT, W. (1979), Structure and History in Greek Mythology and Ritual. Berkeley, Los Angeles, and London.

——— (1985), Greek Religion (Eng. trans.). Oxford.

BURNETT, A. P. (1971), Catastrophe Survived: Euripides. Oxford.

BURNS, ALFRED (1981), ‘Athenian literacy in the Wfth century BC’, Journal of the History of Ideas 42, 371–87.

BURNS, E. (1972), Theatricality: A Study of Convention in the Theatre and in Social Life. London.

BURTT, J. O. (1954) (trans.), Minor Attic Orators, vol. ii. London.

BUTRICA, JAMES (2001), ‘The lost Thesmophoriazusae of Aristophanes’, The Phoenix 55, 44–76.

BUXTON, RICHARD (1982), Persuasion in Greek Tragedy: A Study of Peitho. Cambridge.

CALAME, CLAUDE (1986), ‘Facing otherness: the tragic mask in ancient Greece’, History of Religions 26, 125–42.

——— (2004), ‘Choral forms in Aristophanic comedy: musical mimesis and dramatic performance in classical Athens’, in Murray and Wilson (eds.), 157–84.

CAMPBELL, JOSEPH (1968), The Masks of God: Creative Mythology. London.

CAMPO, LUIGI (1940), I Drammi satireschi della Grecia antica. Milan.

CAREY, C. (2000), ‘Observers of speech and hearers of action: the Athenian orators’, in Taplin (2000), 192–216.

(p.406) CAREY, C. and REID, R. A. (1985), (eds.), Demosthenes: Selected Private Speeches. Cambridge.

CARPENTER, THOMAS H. (1986), Dionysian Imagery in Archaic Greek Art. Oxford.

CARR, H. (1985), ‘Woman / Indian: the American and his others’, in Barker (1985), ii. 46–60.

CARRADICE, IAN (1995), Greek Coins. London.

CARTER, D. M. (2004), ‘Was Attic tragedy democratic’, Polis 21, 1–24.

CARTER, L. B. (1986), The Quiet Athenian. Oxford.

CARTLEDGE, PAUL (1990), Aristophanes and his Theatre of the Absurd. Bristol.

——— (1993), The Greeks: A Portrait of Self and Others. Oxford.

——— (1997), ‘Deep plays: theatre as process in Greek civic life’, in Easterling (1997), 3–35.

— MILLETT, P. , and TODD, S. (1990) (eds.), NOMOS: Essays on Athenian Law, Politics and Society. Cambridge.

CASARI, JACQUES (2002), ‘La lutte pour la paix dans le théâtre d'Aristophane’, in Rochefort-Guillouet (2002), 36–45.

CASAUBON, I. (1605), De Satyrica Graecorum poesi, & Romanorum satira libri duo (Paris), reproduced in facsimile with an introduction by P. E. Medine, New York 1973.

CASE, SUE-ELLEN (1985), ‘Classic drag: the Greek creation of female parts’, Theatre Journal 37, 317–27.

CASSIO, A. C. (1985), Commedia e Partecipazione: la Pace di Aristofane. Naples.

—(2002), ‘The language of Doric comedy’, in Willi (2002), 51–83.

CAVALLI, MARINA (1999), ‘La Rane di Aristofane: modelli tradizionali dell'agone fra Eschilo ed Euripide’, in F. Conca (ed.), Ricordando Raffaele Cantarella. Miscellanea di Studi, 83–105. Bologna.

CAVELL, STANLEY (1969), Must We Mean What We Say? New York.

CHALK, H. (1962), ‘Arete and bia in Euripides’ Herakles’, JHS 82, 7–18.

CHAMBERS, E. K. (1930), William Shakespeare: A Study of Facts and Problems. Oxford.

CHAPIN, CHESTER (1955), Personification in Eighteenth-Century Poetry. New York.

CHARITONIDIS, S. , KAHIL, L. , and GINOUVÈS, R. (1970), Les Mosaïques de la maison du Ménandre a Mytilène. Bern.

CHIASSON, CH. C. (1984), ‘Pseudartabas and his eunuchs. Acharnians 91–122’, CP 79, 131–6.

CHRIST, WILHELM (1875), ‘Die Parakataloge im griechischen und römischen Drama’, Abhandlungen der philosophisch-philologischen Classe der königlichen bayerischen Akademie der Wissenschaften 13.3, 153–222 (Munich).

(p.407) CIPOLLA, PAOLO (2003) (ed.), Poeti minori del dramma satiresco, testo critico, traduzione e commento [ = Supplementi di Lexis, XXIII.]. Amsterdam.

CLINTON, KEVIN (1996), ‘The Thesmophorion in central Athens and the celebration of the Thesmophoria in Attica’, in Robin Hägg (ed.), The Role of Religion in the Early Greek Polis, 111–25. Stockholm.

CLOUGH, E. (2004), ‘In search of Xerxes: images of the Persian King’, Ph.D. Diss., Durham.

COCKLE, W. E. H. (1975), ‘The odes of Epagathus the choral flautist: some documentary evidence for dramatic representations in Roman Egypt’, Proceedings of the XIVth International Congress of Papyrologists, 59–65. London.

——— (1983), ‘Restoring and conserving papyri’, BICS 30, 147–65.

——— (1987) (ed.), Euripides, Hypsipyle. Text and Annotation based on a Re-Examination of the Papyri. Rome.

CODELL, JULIE F., and MACLEOD, DIANNE SACHKO (1998) (eds.), Orientalism Transposed: The Impact of the Colonies on British Culture. Aldershot and Brookfield, Vt.

COHEN, B. (2000) (ed.), Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden.

——— (2001), ‘Ethnic identity in democratic Athens and the visual vocabulary of male costume’, in Malkin (2001), 235–74.

COLE, SUSAN GUETTEL (1993), ‘Procession and celebration at the Dionysia, in Ruth Scodel (ed.), Theater and Society in the Classical World, 25–38. Ann Arbor, Mich.

COLE, THOMAS (1988), Epiploke: Rhythmical Continuity and Poetic Structure in Greek Lyric. Cambridge, Mass., and London.

COLES, R. A. (1968), ‘A new fragment of post-classical tragedy from Oxyrhynchus’, BICS 15, 110–18.

COLLARD, C. (1970), ‘On the tragedian Chaeremon’, JHS 90, 22–34.

——— (1975) (ed.), Euripides’ Supplices. Groningen.

——— (1991) (ed.), Euripides’ Hecuba. Warminster.

——— CROPP, M. J., and LEE, K. H. LEE (1995) (eds.), Euripides: Selected Fragmentary Plays, vol. i. Warminster, Wilts.

——— and GIBERT, J. (2004) (eds.), Euripides: Selected Fragmentary Plays, vol. ii. Oxford.

COLLEY, LINDA (1992), Britons: Forging the Nation, 1707–1837. New Haven, Conn., and London.

COLLINGE, N. E. (1958–9), ‘Some reflections on satyr-plays’, PCPS 185, 28–35.

(p.408) COLLINS, DEREK (2001), ‘Improvisation in rhapsodic performance’, Helios 28, 11–27.

COLONNA, ARISTIDE (1983) (ed.), Opere di Esiodo. Turin.

COLVIN, S. (1999), Dialect in Aristophanes and the Politics of Language in Ancient Greek Literature. Oxford.

——— (2000), ‘The language of non-Athenians in Old Comedy’, in Harvey and Wilkins (2000), 285–98.

COMOTTI, GIOVANNI (1989), Music in Greek and Roman Culture (Eng. trans. of original 1979 Italian edn.). Baltimore and London.

COMPTON-ENGLE, GWENDOLYN (1999), ‘Aristophanes’ Peace 1265–1304: food, poetry and the comic genre’, CP 94, 324–8.

CONOLLY, JOY (2001), ‘Reclaiming the theatrical in the second sophistic’, Helios 28, 75–96.

CONOMIS, N. (1961), ‘Notes on the fragments of Lycurgus’, Klio 39, 72–152.

——— (1975) (ed.), Orationes Dinarchi cum fragmentis. Leipzig.

COOPER, CRAIG (1995), ‘Hyperides and the trial of Phryne’, The Phoenix 49, 303–18.

CORBATO, CARLO (1975), ‘Una ripresa Eschilea nella Pace di Aristofane’, in Studi Triestini di Antichità in Onore di Luigia Achillea Stella, 323–35. Trieste.

CORNFORD, FRANCIS MACDONALD (1907), Thucydides Mythistoricus. London.

COUCH, H. N. (1933–4), ‘Swimming among the Greeks and barbarians’, CJ 29, 609–12.

——— (1945–6), ‘Swimmers in warfare’, Classical Weekly 39, 34–5.

COULON, VICTOR ET VAN DAELE , HILAIRE (1946) (eds.), Aristophane, vol. iv. Paris.

COYNE, MICHAEL (1998), The Crowded Prairie: American National Identity in the Hollywood Western. London.

COZZOLI, ADELE-TERESA (2001) (ed.), Cretesi / Euripide; introduzione, testimonianze, testo critico, traduzione e commento. Pisa.

CRANE, MARY THOMAS (2001), ‘Male pregnancy and cognitive permeability in Measure for Measure’, in Shakespeare's Brain: Reading with Cognitive Theory, 156–77. Princeton and Oxford.

CROISET, MAURICE (1903), ‘Observations sur Les Perses de Timothée de Milet’, REG 16, 323–48.

CROPP, MARTIN (1986), ‘Heracles, Electra and the Odyssey’, in Martin Cropp, Elaine Fantham, and S. E. Scully (eds.), Greek tragedy and its legacy: essays presented to D.J. Conacher, 187–99. Calgary.

CSAPO, ERIC (1997), ‘Riding the phallus for Dionysus: iconology, ritual, and gender-role de/construction’, Phoenix 51, 253–95.

(p.409) ——— (2002),‘Kallipides on the floor-sweepings: the limits of realism in classical acting and performance styles’, in Easterling and Hall (2002), 127–47.

——— (2004a), ‘Some social and economic conditions behind the rise of the acting profession in the fifth and fourth centuries BC’, in C. Hugoniot, F. Hurlet, and S. Milanezi (eds.), Le statut de l'acteur dans l'Antiquité grecque et romaine, 53–76[ = Collection Perspectives Historiques 9]. Tours.

——— (2004b), ‘The politics of the new music’, in Murray and Wilson (2004), 207–48.

——— (forthcoming), Actors, Icons and Entrepeneurs. Oxford.

——— and SLATER, W. J. (1995), The Context of Ancient Drama. Ann Arbor, Mich.

CUNNINGHAM, I. C. (1987) (ed.), Herodas: Mimiambi. Leipzig.

DAHRENDORF, RALF (1998), ‘Homo sociologicus: on the history, significance and limits of the category of social role’, in Uta Gerhadt (ed.), German Sociology, 128–49. New York

[Eng. trans. of his ‘Homo Sociologicus: Versuch zur Geschichte, Bedeutung und Kritik der Kategorie der sozialen Rolle’, in Dahrendorf (ed.), Pfade aus Utopia. Arbeiten zur Theorie und Methode der Soziologie, 128–83. Munich, 1958].

DALE, A. M. (1954) (ed.), Euripides’ Alcestis. Oxford.

DAME, MARK (1989), ‘Actor and character in Greek tragedy’, Theatre Journal 41, 316–40.

——— (1990), ‘Electra's monody and the role of the chorus in Euripides’ Orestes 960–1012’, TAPA 120, 133–45.

DANIEL, NORMAN (1960), Islam and the West: The Making of an Image. Edinburgh.

——— (1966), Islam, Europe and Empire. Edinburgh.

DASEN, VÉRONIQUE (2004) (ed.), Naissance et petite enfance dans l'Antiquité. Actes du colloque de Fribourg, 28 novembre-1er décembre 2001 [ = Orbis Biblicus et Orientalis 203]. Fribourg.

DAVIDSON, JOHN (2003), ‘Carcinus and the temple: a problem in the Athenian theatre’, Classical Philology 98, 109–22.

DAVIES, J. K. (1971), Athenian Propertied Families. Oxford.

DAVIES, MARK I. (1980), ‘Commodes and cuirasses: Aristophanes’ Peace and a Polygnotan painting’ (abstract of paper delivered at 81st meeting of the AIA), AJA 84, 203.

DAVIS, NATALIE ZEMON (2000), Slaves on Screen: Film and Historical Vision. Cambridge, Mass.

DAVIS, TRACY C., and POSTLEWAIT, THOMAS (2003) (eds.), Theatricality. Cambridge.

DE JONG, IRENE (1991), Narrative in Drama: The Art of the Euripidean Messenger Speech [ = Mnemosyne suppl. 117]. Leiden.

(p.410) DE JONG, IRENE (2001), A Narratological Commentary on the Odyssey. Cambridge.

——— NÜNLIST, R., and BOWIE, A. (2004) (eds.), Narrators, Narratees, and Narratives in Ancient Greek Literature, vol. i [ = Mnemosyne suppl. 257]. Leiden.

DE KERCKHOVE, DERRICK (1979), ‘Sur la fonction du théâtre comme agent d'intériorisation des effets de l'alphabet phonétique à Athénes au Vé siécle’, Les Imaginaires II, 10/18, 345–68.

DE LAURETIS, TERESA (1987), Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington and Indianapolis.

DE MAN, PAUL (1984), The Rhetoric of Romanticism. New York.

DE VRIES, K. (2000), ‘The nearly other: the Attic vision of Phrygians and Lydians’, in Cohen (2000), 338–63.

DE WITTAK, Th. M. (1968), ‘The function of obscenity in Aristophanes’ Thesmophoriazusae and Ecclesiazusae’, Mnemosyne 21, 357–65.

DEAN-JONES, LESLEY ANN (1994), Women's Bodies in Classical Greek Science. Oxford.

DEARDEN, C. W. (1976), The Stage of Aristophanes. London.

DÉCHARME, P. (1889), ‘Le drame satyrique sans satyres’, REG 12, 290–9.

——— (1893), Euripides et l'esprit de son théâtre. Paris.

DEDOUSSI, CHRISTINA (1965) (ed.), MENANDROU SAMIA. Athens.

DEMAND, NANCY (1994), Birth, Death and Motherhood in Classical Greece. Baltimore and London.

DEUBNER, L. (1959), Attische Feste. Hildesheim.

DEVRIES, W. (1892), Ethopoiia: A Rhetorical Study of the Types of Character in the Orations of Lysias. Baltimore.

DIHLE, A. (1981), Der Prolog der ‘Bacchen'und dieantike Überlieferungsphase des Euripides-Textes. Heidelberg.

DILLON, MATTHEW (1999), ‘Post-nuptial sacrifices on Kos (Segre, ED 178) and ancient Greek marriage rites’, ZPE 124, 63–80.

——— (2002), Girls and Women in Classical Greek Religion. London and New York.

DINDORF, L. (1880–1) (ed.), Historici Graeci Minores. Leipzig.

DITTENBERGER, G. (1960), Sylloge Inscriptionum Graecarum, 4th edn. Hildesheim.

DOBROV, GREGORY (1995) (ed.), Beyond Aristophanes: Transition and Diversity in Greek Comedy. Atlanta.

——— (1997) (ed.), The City as Comedy: Society and Representation in Athen ian Drama. Chapel Hill, NC, and London.

——— and Urios-Aparisi, Eduardo (1995), ‘The maculate muse: gender, genre and the Chiron of Pherecrates’, in Dobrov (1995), 139–74.

(p.411) DONOVAN, BRUCE E. (1969), Euripides Papyri, vol. i, Texts from Oxyrhynchus [ = American Studies in Papyrology 5]. New Haven and Toronto.

DORJAHN, A. P. (1927), ‘Poetry in Athenian courts’, CP 32, 85–93.

——— (1935), ‘Anticipation of arguments in Athenian courts’, TAPA 66, 274–95.

DOUGHERTY, CAROL (1993), The Poetics of Colonization: From City to Text in Archaic Greece. Oxford.

——— (1998), ‘Sowing the seeds of violence: rape, women, and the land’, in Wyke, 267–84.

——— and KURKE, L. (2003) (eds.), The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge.

DOUGLAS, MARY (1975), ‘Couvade and menstruation’, in her Implicit Meanings: Essays in Anthropology, 60–72. London.

DOVE, RITA (1989), Grace Notes: Poems. New York and London.

DOVER, K. J. (1963), ‘Notes on Aristophanes’ Acharnians’, Maia 15, 6–25.

——— (1966) (ed.), Aristophanes’ Clouds. Oxford.

——— (1968), Lysias and the Corpus Lysianicum. Berkeley and Los Angeles.

——— (1972), Aristophanic Comedy. London.

——— (1978), Greek Homosexuality. London.

——— (1992) (ed.), Aristophanes’ Frogs. Oxford.

Du Cann, Richard (1980), The Art of the Advocate, rev. edn. Harmondsworth.

DUBOIS, LAURENT (1996), Inscriptions Grecques Dialectales d'Olbia du Pont. Geneva.

DUBOIS, PAGE (1982), Centaurs and Amazons: Women and the Pre-History of the Great Chain of Being. Ann Arbor, Mich.

——— (1988), Sowing the Body: Psychoanalysis and Ancient Representations of Gender. Chicago.

——— (2003), Slaves and Other Objects. Chicago and London.

DUCAT, J. (1976), ‘Fonctions de la statue dans la Grèce archaïque: kouros et kolossos’, BCH 100, 239–51.

DUCHEMIN, J. (1960), ‘Aspects pastoraux de la Poésie homérique: les comparaisons dans l'Iliade’, REG 73, 362–415.

——— (1968), L'AGŌN dans la tragédie grecque, 2nd edn. Paris.

DUNN, FRANCIS (1997), ‘Ends and means in Euripides’ Heracles’, in D. H. Roberts, Francis M. Dunn, and Don Fowler (eds.), Classical Closure: Reading the End in Greek and Latin Literature, 83–111. Princeton.

DURAND, RÉGIS (1977), ‘The disposition of the voice’, in M. Benamour and C. Caramello (eds.), Performance in Postmodern Culture, 99–110. Milwaukee and Madison, Wis. Repr. in Timothy Murray (1997), 301–10.

(p.412) DURVYE, CATHERINE (2002), ‘Le rire et la paix’, in Rochefort-Guillouet (2002), 75–85.

EAGLETON, TERRY (2003), Sweet Violence: the Idea of the Tragic. Oxford.

Easterling, H. J., and Easterling, P. E. (1962) (trans.), The Clouds of Aristophanes. Cambridge.

EASTERLING, P. E. (1982) (ed.), Sophocles’ Trachiniae. Cambridge.

——— (1985), ‘Anachronism in Greek tragedy’, JHS 105, 1–10.

——— (1997a) (ed.), The Cambridge Companion to Greek Tragedy. Cambridge.

——— (1997b), ‘A Show for Dionysos’, in Easterling (ed.), 36–53.

——— (1997c), ‘Form and performance’, in Easterling (ed.), 151–77.

——— (1997d), ‘From repertoire to canon’, in Easterling (1997a), 211–27.

——— (1999), ‘Actors and voices: reading between the lines in Aeschines and Demsothenes’, in Goldhill and Osborne (1999), 154–66.

——— (2002), ‘Actor as icon’, in Easterling and Hall (2002), 327–41.

——— and HALL, E. (2002) (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge.

EBELING, HERMAN LOUIS (1925), ‘The Persians of Timotheus’, AJP 46, 317–31.

EBENER, D. (1966) (ed.), Rhesos. Tragödie eines unbekannten Dichters. Berlin.

EDEN, K. (1980), ‘The influence of legal procedure on the development of tragic structure’, Diss. Stanford.

——— (1986), Poetic and Legal Fiction in the Aristotelian Tradition. Princeton.

EDMONDS, J. M. (1927) (ed.), Lyra Graeca vol. iii. London and New York.

EDMUNDS, LOWELL (1980), Edmunds, ‘Aristophanes’ Acharnians’, in J. Henderson (ed.), Aristophanes: Essays in Interpretation, 1–39 [ = YCS 26].

EDWARDS, CATHARINE (2002), ‘Acting and self-actualisation in imperial Rome’, in Easterling and Hall (2002), 377–94.

EHRENBERG, V. (1951), The People of Aristophanes, 2nd edn. Oxford.

EITREM, S., AMUNDSEN, L., and WINNINGTON-INGRAM, R. P. (1955) (eds.), ‘Fragments of unknown Greek tragic texts with musical notation (P. Oslo inv. no. 1413)’, SO 31, 1–87.

EL CHEIKH, NADIA MARIA (2004), Byzantium Viewed by the Arabs [ = Harvard Middle Eastern Monographs, 36]. Cambridge, Mass.

ELDERWICK, DAVID (1987), Captain Webb: Channel Swimmer. Studley.

ELLIS, HAVELOCK (1929), Man and Woman, 2nd edn. Boston.

ELSE, GERALD F. (1957), ‘The origin of ÔæƪøØäØÆ’, Hermes 85, 17–46.

——— (1958), ‘“Imitation” in the fifth century’, CP 53, 73–90.

——— (1959), ‘àÜïŌΥΠΟΚΡΙΤΗΣâ’, WS 72, 75–107.

ENK, P. J. (1953) (ed.), Plauti Truculentus, 2 vols. Leiden.

(p.413) ——— (1964) ‘Plautus’ Truculentus’, in C. Henderson (ed.), Classical, Mediaeval and Renaissance Studies in Honour of Berthold Louis Ullman, i. 49–65. Rome.

ERDMAN, HARLEY (1997), Staging the Jew: The Performance of an American Ethnicity. New Brunswick, NJ.

ERIKSON, ERIK H. (1963), Childhood and Society, 2nd edn. New York.

EVERSON, T. (2004), Warfare in Ancient Greece: Arms and Armour from the Heroes of Homer to Alexander the Great. Stroud.

FANON, FRANTZ (1997), ‘Algeria unveiled’, in Timothy Murray (1997), 259–73. First published in English in the translation of Haakon Chevalier in A Dying Colonialism, 35–67. New York 1967.

FANTHAM, ELAINE (1982) (ed.), Seneca's Troades. A Literary Introduction with Text, Translation and Commentary. Princeton.

FARAONE, C. A. (1985), ‘Aeschylus’ humnos desmios [ Eum. 306] and Attic judicial tablets’, JHS 105, 150–4.

FARIOLI, MARCELLA (2001), Mundus alter. Utopie e distopie nella commedia greca antica. Milan.

FARRELL, JOSEPH , and SCUDERI, ANTONIO (2000) (eds.), Dario Fo: Stage, Text, and Tradition. Carbondale and Edwardsville, Ill.

FAVORINI, ATTILIO (2003), ‘History, collective memory, and Aeschylus’ The Persians’, Theatre Journal 55.1 [ = Special Issue on Ancient Theatre], 99–111.

FEENEY, D. (1993), ‘Towards an account of the ancient world's concepts of fictive belief’, in C. Gill and T. P. Wiseman (eds.), Lies and Fiction in the Ancient World, 230–44. Exeter.

FESTA, N. (1902) (ed.), Mythographi Graeci. Leipzig.

FIGES, KATE (1998), Life after Birth: What Even your Friends Won't Tell You about Motherhood. London.

FINKELBERG, MARGALIT (1998), The Birth of Literary Fiction in Ancient Greece. Oxford and New York.

FINLEY, J. H. (1967), Three Essays on Thucydides. Cambridge, Mass.

FINLEY, M. I. (1962), ‘The Black Sea and Danubian regions and the slave trade in antiquity’, Klio 40, 51–9.

FITZGERALD, W. (2000), Slavery and the Roman Literary Imagination. Cambridge.

FLASHAR, HELLMUT (1967) (trans.), Aristoteles Problemata Physica. Berlin.

FLORY, S. (1980), ‘Who read Herodotus’ Histories?’, AJP 101, 12–28.

FLOYD-WILSON, MARY (2003), English Ethnicity and Race in Early Modern Drama. Cambridge.

FO, DARIO (1974), ‘Culture populaire et travail militant: Dario Fo et le collectif La Commune’, Cahiers du cineéma 250, 11–25.

FOLEY, HELENE P. (1981a), ‘The conception of women in Athenian drama’, in Foley (1981b), 127–67.

(p.414) FOLEY, HELENE P. (1981b) (ed.), Reflections of Women in Antiquity. London and New York.

——— (1985), Ritual Irony: Poetry and Sacrifice in Euripides. Ithaca, NY.

——— (1988), ‘Tragedy and politics in Aristophanes’ Acharnians’, JHS 108, 33–47.

——— (1993), ‘The politics of tragic lamentation’, in Sommersteinet al. (1993), 101–43.

——— (1994) (ed.), The Homeric Hymn to Demeter. Princeton.

——— (2001), Female Acts in Greek Tragedy. Princeton and Oxford.

——— (2003a), ‘Mothers and daughters’, in Neils and Oakley, 113–37.

——— (2003b), ‘Choral identity in Greek tragedy’, CP 98, 1–30.

FORD, ANDREW (1999), ‘Reading Homer from the rostrum: poems and laws in Aeschines’ Against Timarchus’, in Goldhill and Osborne (1999), 231–56.

——— (2002), The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton.

FORTENBAUGH, W. W. (1986), ‘Aristotle's Platonic attitude towards delivery’, Philosophy and Rhetoric 19, 242–54.

——— et al. (1992) (eds.), Theophrastus of Eresus:Sources for his Life, Writings, Thought and Influence, vol. ii. Leiden.

FOWLER, BARBARA HUGHES (1989), The Hellenistic Aesthetic. Bristol.

FOWLER, ROBERT (1998), ‘Genealogical thinking, Hesiod's Catalogue, and the creation of the Hellenes’, PCPS 44, 1–20.

FOXHALL, LIN (1996), ‘The law and the lady: women and legal proceedings in classical Athens’, in L. Foxhall and A. D. E. Lewis (eds.), Greek Law in its Political Setting: Justifications not Justice, 133–52. Oxford.

——— and SALMON, JOHN (1998) (eds.), Thinking Men: Masculinity and SelfRepresentation in the Classical Tradition. London and New York.

——— and STEARS, KAREN (2000), ‘Redressing the balance: dedications of clothing to Artemis and the order of life stages’, in Moira Donald and Linda Hurcombe (eds.), Studies in Gender and Material Culture, 3–16. Basingstoke.

FRAENKEL, E. (1950) (ed.), Aeschylus’ Agamemnon. Oxford.

FRANKO, GEORGE FREDRIC (1996), ‘The Characterization of Hanno in Plautus’ Poenulus’, AJP 117, 425–52.

FRAZER, J. G. (1913), Pausanias's Description of Greece, 2nd edn., vol. ii. London.

FRIEDRICH, J. (1919), ‘Das Attische im Munde von Ausländern bei Aristophanes’, Philologus 75 (ns 29), 274–303.

FRONTISI-DUCROUX, F. (1984), ‘A miroir du masque’, in C. Bérard and J.-P. Vernant, La citédes images: Religion et société en Grèce antique, 147–61. Lausanne and Paris.

(p.415) ——— (1995), Du masque au visage: aspects de l'identitéen Grèce ancienne. Paris.

——— (1996), ‘Eros, desire, and the gaze’, Eng. trans. by Nancy Kline, in Kampen (1996), 81–100.

FROST, FRANK J. (1964), ‘Pericles and Dracontides’, JHS 84, 69–72.

FRYE, NORTHROP (1957), Anatomy of Criticism: Four Essays. Princeton.

——— (1965), A Natural Perspective: the Development of Shakespearean Comedy. New York and London.

——— (1976), The Secular Scripture: A Study of the Structure of Romance. Cambridge, Mass.

GABELMANN, H. (1984), Antike Audienz- und Tribunalszenen. Darmstadt.

GAGARIN, MICHAEL (1996), ‘The Torture of Slaves in Athenian Law’, CP, 1–18.

——— (1997) (ed.), Antiphon: The Speeches. Cambridge.

——— (2002), Antiphon the Athenian: Oratory, Law and Justice in the Age of the Sophists. Austin, Tex.

——— and MACDOWELL, D. M. (1998) (trans.), Antiphon and Andocides. Austin, Tex.

GAMEL, MARY-KAY (2002a) (ed.), Performing/Transforming Aristophanes’ Thesmophoriazousai’[ = AJP Special Issue 123.3]. Baltimore.

——— (2002b), ‘From Thesmphoriazousai to The Julie Thesmo Show: adaptation, performance, reception’, in Gamel (2002a), 465–99.

GARDINER, E. NORMAN (1930), Athletics of the Ancient World. Oxford.

GARDINER, S. (1606), A booke of angling, or fishing: Wherein is shewed, by conference with scriptures, the agreement betweene the fishermen, fishes, fishing of both natures temporall, and spirituall. London.

GARDNER, JARED (1998), Master Plots: Race and the Foundation of an American Literature, 1787–1845. Baltimore and London.

GARNER, R. (1987), Law and Society in Classical Athens. London and Sydney.

GARTON, C. (1972), Personal Aspects of the Roman Theatre. Toronto.

GARVIE, A. (1969), Aeschylus’ Suppliants: Play and Trilogy. Cambridge.

GATES, HENRY LOUIS (1987), Figures in Black: Words, Signs, and the Racial Self. New York and Oxford.

GELLRICH, MICHELLE (2002), ‘Medea hypokrites’, Arethusa 35, 315–37.

GENTILI, BRUNO (1979), Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theatre. Amsterdam and Uithoorn.

——— (1983), ‘Oralità e scrittura in Grecia’, in M. Vegetti (ed.), Oralità Scrittura Spettacolo, 30–52. Turin.

GEORGES, PERICLES (1994), Barbarian Asia and the Greek Experience. Baltimore.

(p.416) GERA, D. L. (1996), ‘Porters, Paidagogoi, Jailers, and Attendants: Some Slaves in Plato,’ SCI 15, 90–101.

GERNET, L. (1917), Recherches sur la développement de la pensée juridique et morale en Grèce. Paris.

——— (1981a), The Anthropology of Ancient Greece. Eng. trans. by J. Hamilton, S. J. Nagy and B. Nagy. Baltimore.

——— (1981b), ‘“Value” in Greek myth’, in R. L. Gordon (ed.), Myth, Religion and Society: Structuralist Essays, 111–46. Cambridge.

GEVAERT, F. A. (1875–81), ‘La musique dans le drame grec’, in his Histoire et théorie de la musique dans l'antiquité. Ghent.

——— and VOLLGRAFF, J. C. (1901–3) (eds.), Les Problèmes musicaux d'Aristote. Ghent.

GHIRON-BISTAGNE, PAULETTE (1973), ‘Un calembour méconnu d'Aristophane’, REG 86, 285–91.

——— (1976), Recherches sur les acteurs dans la Grèce antique. Paris.

GIDE, ANDREÉ (1996), Journal, vol. i (1887–1925) ed. Éric Marty. Paris.

GILDERSLEEVE, BASIL (1903), ‘The PERSAI of Timotheos’, AJP 24, 222–36.

GILL, C. (1988), ‘Personhood and personality: the four personae theory in Cicero, De Officiis I’, Oxford Studies in Ancient Philosophy 6, 169–99.

GILMAN, C. P. (1911), The Man-made World; or, Our Androcentric Culture. New York.

GILULA, D. (1996), ‘A singularly gifted actor’, Quaderni di Storia 44 (1996), 159–64.

GINOUVÉS, R. (1962), Balaneutiké: Recherches sur le bain dans l'antiquité grecque. Paris.

GLEASON, M. (1990), ‘The semiotics of gender: physiognomy and selffashioning in the second century C.E.’, in Halperin, Winkler, and Zeitlin (1990), 398–415.

GOEBEL, G. H. (1983), ‘Early Greek Rhetorical Theory and Practice: Proof and Arrangement in the Speeches of Antiphon and Euripides’, Ph.D Diss. Univ. of Wisconsin (Madison).

GOFF, BARBARA E. (2005) (ed.), Classics and Colonialism. London.

GOFFMAN, ERVING (1959), The Presentation of Self in Everyday Life. Garden City, NY.

GOLDEN, MARK (1986), ‘Names and naming at Athens: three studies’, ECM NS5, 245–69.

GOLDER, HERBERT (1992), ‘Visual meaning in Greek drama: Sophocles’ Ajax and the art of dying’, in Fernando Poyatos (ed.), Advances in Non verbal Communication: Sociocultural, Clinical, Esthetic, and Literary Per spectives, 323–60. Amsterdam.

(p.417) GOLDHILL, SIMON (1984), Language, Sexuality, Narrative: the Oresteia. Cambridge.

——— (1986), Reading Greek Tragedy. Cambridge.

——— (1987), ‘The Great Dionysia and civic ideology’, JHS 107, 58–76.

——— (1994), ‘Representing Democracy: Women at the Great Dionysia,’ in Osborne and Hornblower (1994), 347–69.

——— (1998), ‘The seductions of the gaze: Socrates and his girlfriends’, in Cartledge, Millet, and von Reden (1998), 105–24.

——— (2004), Aeschylus. The Oresteia, 2nd edn. Cambridge.

——— and OSBORNE, ROBIN (1994) (eds.), Art and text in Ancient Greek Culture. Cambridge.

GOLDING, WILLIAM (1956), Pincher Martin. London.

GOLDMAN, MICHAEL (1975), The Actor's Freedom: Toward a Theory of Drama. New York.

——— (2000), On Drama: Boundaries of Genre, Borders of Self. Ann Arbor, Mich.

GOLDMAN, L. R. (1998), Child's Play: Myth, Mimesis, and Make-Believe. Oxford and New York.

GOMME, A. W., and SANDBACH, F. H. (1973), Menander. A Commentary. Oxford.

GORDON, R. L. (1981) (ed.), Myth, Religion and Society: Structuralist Essays. Cambridge.

GOW, A. S. F., and PAGE, D. L. (1965) (eds.), The Greek Anthology: Hellenistic Epigrams, 2 vols. Cambridge.

——— (1968) (eds.), The Greek Anthology: The Garland of Philip, vol. i. Cambridge

GRAF, F. (1991), ‘Gestures and conventions: the gestures of Roman actors and orators’, in Bremmer and Roodenburg (1991), 36–58.

GRANT, M. A. (1924), The Ancient Rhetorical Theories of the Laughable. Madison, Wis.

GRATWICK, A. S. (1971), ‘Hanno's Punic speech in the Poenulus of Plautus’, Hermes 99, 25–45.

GRAZIOSI, BARBARA (2001), ‘Competition in wisdom’, in Felix Budelmann and Pantelis Michelakis (eds.), Homer, Tragedy and Beyond: Essays in Honour of P.E. Easterling, 57–74. London.

GREEN, J. R. (1990), ‘Carcinus and the temple: a lesson in the staging of tragedy’, GRBS 31, 281–5.

——— (1994), Theatre in Ancient Greek Society. London.

——— (1995a), ‘Oral tragedies? A question from St. Petersburg’, QUCC NS 51, 77–86.

(p.418) GREEN, J. R. (1995b), ‘Theatrical motifs in non-theatrical contexts on vases of the later fifth and fourth centuries’, in Alan Griffiths (ed.), Stage Directions: Essays in Ancient Drama in Honour of E.W. Handley, 93–121. London.

——— and ERIC HANDLEY (1995), Images of the Greek Theatre. London.

GREEN, PETER (1973), A Concise History of Ancient Greece to the Close of the Classical Era. London.

——— (2004), From Ikaria to the Stars: Classical Mythification, Ancient and Modern. Austin, Tex.

GREEN, R. L. (1957), Two Satyr Plays. Euripides’ Cyclops and Sophocles’ Ichneutai, trans. with introd. Harmondsworth.

GREENWOOD, L. H. G. (1953), Aspects of Euripidean Tragedy. Cambridge.

GREGORY, JUSTINA (1999), Euripides’ Hecuba: Introduction, Text & Commentary. Atlanta.

GRENFELL, B. P., and HUNT, A. S. (1903) (eds.), ‘Rhetorical treatise’, The Oxyrhynchus Papyri no. 410, iii. 26–31.

——— (1906 eds.), The Hibeh Papyri. London.

GRIFFITH, MARK (1995) ‘Brilliant dynasts: power and politics in the Oresteia’. CA 14, 62–129.

——— (1998), ‘The King and eye: the rule of the father in Greek tragedy’, PCPS 44, 20–84.

——— (2002), ‘Slaves of Dionysos: satyrs, audience, and the ends of the Oresteia’, CA 195–258.

GROSRICHARD, ALAIN (1998), The Sultan's Court: European Fantasies of the East, trans. Liz Heron with an introd. by Mladen Dolar. London and New York.

Originally published in 1979 as Structure du sérial: La Fiction du despotisme Asiatique dans l'Occident classique. Paris.

GRUEN, E. (2001), ‘Jewish perspectives on Greek culture and ethnicity’, in Malkin (2001), 347–73.

GUM, COBURN (1969), The Aristophanic Comedies of Ben Jonson: A Comparative Study of Jonson and Aristophanes. The Hague and Paris.

GUNDERSON, E. (1998), ‘Discovering the body in Roman oratory’, in Wyke (1998), 169–89.

GURD, SEAN ALEXANDER (2005), Iphigeneias at Aulis: Textual Multiplicity, Radical Philology. Ithaca, NY.

GUTZWILLER, KATHRYN (2000), ‘The tragic mask of comedy: metatheatricality in Menander’, CA 19, 102–37.

HAGEMAJER ALLEN, K. (2003), ‘The cultures within’, in C. Dougherty & L. Kurke (eds.), Ancient Greek Culture: Context, Conflict, Collaboration, 207–36. Cambridge.

HAIGH, A. E. (1889), The Attic Theatre. Oxford.

(p.419) HAIGHT, W., WANG, K., FUNG, H., WILLIAMS, K., and MINTZ, J. (1999), ‘Universal, developmental and variable aspects of young children's play: a cross-cultural comparison of pretending at home’, Child Development, 70, 1477–88.

HALDANE, J. A. (1965), ‘A scene in the Thesmophoriazusae’, Philologus 109, 39–46.

HALL, EDITH (1989), Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford.

——— (1990), ‘The changing face of Oedipus and the mask of Dionysus’, Cambridge Review 111, 70–4.

——— (1992), review of Laurence Boswell's production of Euripides’ Hecuba at the Gate, Notting Hill, TLS 4668, 20.

——— (1993), ‘Asia unmanned; images of victory in classical Athens’, in J. Rich and G. Shipley (eds.), War and Society in the Greek World, 107–33. London.

——— (1995), ‘The ass with double vision: politicizing an ancient Greek novel’, in D. Margolies and M. Ioannou (eds.), Heart of a Heartless World: Essays in Cultural Resistance in Honour of Margot Heinemann, 47–59. London.

——— (1996a) (ed.), Aeschylus’ Persians: Edited with Introduction, Translation and Commentary. Warminster, Wilts.

——— (1996b), ‘Is there a polis in Aristotle's Poetics?’, in M. Silk (1996), 295–309.

——— (1997a), ‘Electra's baby in Euripides’, Omnibus 33, 17–20.

——— (1997b), ‘The sociology of Athenian tragedy’, in Easterling (1997), 9–126.

——— (1998), ‘Literature and performance’, in Paul Cartledge (ed.), The Cambridge Illustrated History of Ancient Greece, 219–49. Cambridge.

——— (2002a), ‘The singing actors of antiquity’, in Easterling and Hall (2002), 3–38.

——— (2002b), ‘The ancient actor's presence since the Renaissance’, in Easterling and Hall (2002), 419–34.

——— (2004), ‘Towards a theory of performance reception’, Arion 12, 51–89.

——— (2006), ‘Aeschylus’ Persians via the Ottoman Empire to Saddam Hus sein’, in Bridges, Hall, and Rhodes (2006).

——— (forthcominga), ‘Tragedy personified’, in J. Elsner, S. Goldhill, H. Foley, and C. S. Kraus (eds.), Visualising Tragedy. Oxford.

——— (forthcomingb), ‘Greek Tragedy 430–380 BC’, in R. Osborne (ed.), Anatomy of Cultural Revolution.

——— and MACINTOSH, F. (2005), Greek Tragedy and the British Theatre 1660–1914. Oxford.

——— and TAPLIN, O. (2000) (eds.), Medea in Performance 1500–2000. Oxford.

(p.420) ——— and WRIGLEY, A. (2004) (eds.), Dionysus since 69: Greek Tragedy at the Dawn of the Third Millennium. Oxford.

HALL, JONATHAN M. (1999) Hellenicity: Between Ethnicity and Culture. Chicago and London.

——— (2001), ‘Contested ethnicities: perceptions of Macedonia within evolving definitions of Greek identity’, in Malkin (2001), 159–86.

HALLAM, E., and STREET, B. V. (2000) (eds.), Cultural Encounters: Represent ing Otherness. London.

HALLIWELL, S. (1990), ‘The sounds of the voice in Old Comedy’, in E. M. Craik (ed.), ‘Owls to Athens’: Essays on Classical Subjects Presented to Sir Kenneth Dover, 69–79. Oxford.

——— (1991), ‘The uses of laughter in Greek culture’, CQ 41, 279–96.

——— (1993), ‘The function and aesthetics of the Greek tragic mask’, Drama 2 [ = N. W. Slater and B. Zimmermann (eds.), Intertextualität in der grie chisch-römischen Komödie], 195–211. Stuttgart.

——— (1997), ‘Between public and private: tragedy and Athenian experience of rhetoric’, in Pelling (ed.), 121–41.

HALPERIN, D. M. (1990a), ‘Why is Diotima a woman?’, in Halperin, Winkler and Zeitlin (1990), 257–308.

——— (1990b), One Hundred Years of Homosexuality and Other Essays on Greek Love. New York and London.

——— WINKLER, J. J., and ZEITLIN, F. I. (1990) (eds.), Before Sexuality: The Construction ofthe Erotic Experience intheAncient Greekfiorld. Princeton.

HAMILTON, R. (1984), ‘Sources for the Athenian amphidromia’, GRBS 25, 243–51.

——— (1992), Choes and Anthesteria: Athenian Iconography and Ritual. Ann Arbor.

HANDLEY, ERIC (1965) (ed.), The Dyskolos of Menander. London.

HANSEN, H. (1976), ‘Aristophanes’ Thesmophoriazusae: theme, structure, and production’, Philologus 120, 165–85.

HANSEN, M. H. (1991), The Athenian Democracy in the Age of Demosthenes. Oxford.

HANSEN, O. (1984), ‘On the date and place of the first performance of Timotheus’ Persae’, Philologus 128, 135–8.

HANSON, A. E. (1990), ‘The medical writers’ woman’, in Halperin, Winkler and Zeitlin (1990), 309–38.

——— (1991), ‘Continuity and change: three case studies in Hippocratic gynecological therapy and theory’, in Sarah B. Pomeroy (ed.), Women's History and Ancient History, 73–110. Chapel Hill, NC, and London.

——— (1994), ‘A division of labor: roles for men in Greek and Roman births’, Thamyris 1, 157–202.

(p.421) HANSON, A., and ARMSTRONG, D. (1986), ‘The virgin's voice and neck: Aeschylus, Agamemnon 245 and other texts’, BICS 33, 97–100.

HARDER, A. (1985) (ed.), Euripides’ Kresphontes and Archelaos [ = Mnemosyne suppl. 87]. Leiden.

HARDIE, ALEX (2004), ‘Muses and mysteries’, in Murray and Wilson (2004), 11–37.

HARDING, P. (1994), ‘Comedy and rhetoric’, in Worthington (1994), 196–221.

HARDWICK, LORNA (2005), ‘The comic in the tragic: parody and critique in modern productions of Euripides’ Hecuba’, in Mieke Kolk (ed.), The Performance of the Comic in Arabic Theater, 306–15. Amsterdam.

HARRIOTT, ROSEMARY (1986), Aristophanes: Poet and Dramatist. London and Sydney.

HARRIS, EDWARD M. (2004), ‘Notes on a lead letter from the Athenian agora’, HSCP 102, 157–70.

HARRIS, EDWARD M., and RUBINSTEIN, LENE (2004) (eds.), The Law and the Courts in Ancient Greece. London.

HARRIS, H. A. (1972), Sport in Greece and Rome. London.

HARRISON, A. R. W. (1968), The Law of Athens, vol. i. Oxford.

HARRISON, THOMAS (2000), The Emptiness of Asia: Aeschylus’ Persians and the History of the Fifth Century. London.

——— (2002) (ed.), Greeks and Barbarians. Edinburgh.

HARRISON, TONY (1991), The Trackers of Oxyrhynchus, 2nd edn. London.

HARTOG, F. (1988), The Mirror of Herodotus: The Representation of the Other in the Writing of History. Berkeley, C. Eng. trans. of original French version (1980).

HARVEY, DAVID (2000), ‘Phrynichos and his Muses’, in Harvey and Wilkins (2000), 91–134.

——— and WILKINS, JOHN (2000) (eds.), The Rivals of Aristophanes: Studies in Athenian Old Comedy. London and Swansea.

HAUBOLD, JOHANNES (forthcoming a), ‘Xerxes’ Homer’, in Bridges, Hall, and Rhodes.

——— (forthcomingb), ‘Beyond the bitter river: Xerxes, the Greeks, and the bridging of the Hellespont’.

HAUSMAN, CARL R. (1989), Metaphor and Art. Cambridge.

HAUVETTE, A. (1886), ‘Un épisode de la seconde guerre médique’, RPh 10, 132–42.

HAVELOCK, CHRISTINE MITCHELL (1995), The Aphrodite of Knidos and her Successors: A Historical Review of the Female Nude in Greek Art. Ann Arbor, Mich.

HAVELOCK, ERIC A. (1982), The Literate Revolution in Greece and its Cultural Consequences. Princeton.

(p.422) HEANEY, SEAMUS (1975), North. London.

HEAP, A. (1998), ‘Understanding the young men in Menander’, in Foxhall and Salmon (1998), 115–29.

——— (2002–3), ‘The baby as hero: the role of the infant in Menander’, BICS 46, 77–123.

HEDREEN, G. M. (1992), Silens in Attic Black-figure Vase-Painting. Ann Arbor.

HELMHOLTZ, HERMANN L. F. (1885), On the Sensations of Tone as a Physiological Basis for the Theory of Music, 2nd Eng. edn. London.

HELTZEL, V. B. (1962)(ed.) Henry Peacha: The Complete Gentleman, The Truth of Our Times and The Art of Living in London. Ithaca, NY.

HENDERSON, J. (1990), ‘The dēmos and comic competition’, in Winkler and Zeitlin (1990), 271–313.

——— (1991 [1975]), The Maculate Muse: Obscene Language in Attic Comedy, 2nd edn. New York and Oxford.

HENDERSON, L. D. J. (1976), ‘Sophocles’ Trachiniae 878–92 and a principle of Paul Maas’, Maia 28, 19–24.

HENRICHS, A. (1994–5), ‘Why should I dance? Choral self-referentiality in tragedy’, Arion 3, 56–111.

HERFORD, C. H., SIMPSON, PERCY , and SIMPSON, EVELYN (1941) (eds.), Ben Jonson, vol. vii. Oxford.

HERINGTON, JOHN (1985), Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley, Los Angeles, and London.

HERRICK, B. M. T. (1955), Tragicomedy. Urbana, Ill.

HERZFELD, M. (1985), The Poetics of Manhood: Contest and Identity in a Cretan Mountain Village. Princeton.

HESK, JONATHAN (1999), ‘The rhetoric of anti-rhetoric in Athenian oratory’, in Goldhill and Osborne (1999), 201–30.

——— (2000), Deception and Democracy in Classical Athens. Cambridge.

——— (2003), Sophocles: Ajax [Duckworth companions to Greek and Roman tragedy]. London.

HESS, KONRAD (1961), Der Agon zwischen Homer und Hesiod, seine Entstehung und kulturgeschichtliche Stellung. Basel.

HIGGINS, R. A. (1954), Catalogue of the Terracottas [British Museum Pub lications]. London.

HILGARD, A. (1991) (ed.), Scholia in Dionysii Thracis Artem Grammaticum (= Grammatici Graeci Part 1 vol. iii). Leipzig.

HILLMAN, J. (1983), Healing Fiction. Tarrytown, NY.

HOFFMANN, HERBERT (1977), ‘Sexual and asexual pursuit: a structuralist approach to Greek vase-painting’, Royal Anthropolological Institute of Great Britain and Ireland Occasional Paper 34. London.

(p.423) HOMAN, SIDNEY (1981), When the Theater Turns to Itself: The Aesthetic Metaphor in Shakespeare. Lewisburg, London, and Toronto.

HORDERN, JAMES (2002) (ed.), The Fragments of Timotheus of Miletus. Oxford.

HORN, H. (1972), Mysteriensymbolik auf dem Kölner Dionysosmosaik. Bonn.

HORNBY, RICHARD (1986), Drama, Metadrama, and Perception. London and Toronto.

HOSE, MARTIN (1994), ‘Response’ to Hall (1993), in H. A. Khan (ed.), The Birth of the European Identity: The Europe–Asia Contrast in Greek Thought, 490–332 B.C. Nottingham Classical Literature Studies, v. 2.

——— (1996), ‘Fiktionalität und Läge: Ü ber einen Unterschied zwischen römischer und griechischer Terminologie’, Poetica 29, 257–74.

HOWE, T. P. (1959), ‘The style of Aeschylus as satyr-playwright’, G&R 6, 150–65.

HUBBARD, T. K. (1991), The Mask of Comedy: Aristophanes and the Intertextual Parabasis. Ithaca, NY.

HUDDILSTON, JOHN H. (1898), The Attitude of the Greek Tragedians towards Art. London.

HUEFFNER, F. (1894), De Plauti Comoediarum Exemplis Atticis. Göttingen.

HUGONIOT, C., HURLET, F., and MILANEZI, S. (2004) (eds.), Le Statut de le'actuer dans l'Antiquitägrecque et romaine. Tours.

HUIZINGA, JOHAN (1938), Homo Ludens. Haarlem.

HULME, P. (1985), ‘Polytropic man: tropes of sexuality and mobility in early colonial discourse’, in Barker (1985), ii. 17–32.

HULTZSCH, E. (1904), ‘Zum papyrus 413 aus Oxyrhynhus’, Hermes 39, 307–11.

HUMPHREYS, S. C. (1985a), The Discourse of Law (= History and Anthro pology 1.2). London.

——— (1985b), ‘Law as discourse’, in Humphreys (1985a), 241–64.

——— (1985c), ‘Social relations on stage: witnesses in classical Athens’, in Humphreys (1985a), 313–69.

HUNNINGHER, B. (1956), Acoustics and Acting in the Theatre of Dionysus Eleuthereus (= Mededelinger der koninklijke Nederlandse Akademie van Wetenschappen, afd. Letterkunde 19.9). Amsterdam.

HUNT, E. L. (1961), ‘plato and aristotle on rhetoric and rhetoricians’, in R. F. Howes (ed.), Historical Studies on Rhetoric and Rhetoricians, 19–70. Ithaca, NY.

HUNT, PETER (2001), ‘The slaves and the generals of Arginusae’, AJP 122, 359–80.

——— (1998), Slaves, Warfare, and Ideology in the Greek Historians. Cambridge.

HUNTER, RICHARD (1979), ‘The comic chorus in the fourth century’ ZPE 36, 23–38.

——— (1983) (ed.), Eubulus: The Fragments. Cambridge.

(p.424) HUNTER, VIRGINIA (1994), Policing Athens: Social Control in the Attic Law suits, 420–320 B.C. Princeton.

——— (1997), ‘The prison of Athens: a comparative perspective’, The Phoenix 51, 296–326.

HUYS, MARC (1995), The Tale of the Hero who was Exposed at Birth in Euripidean Tragedy. Leuven.

IGNATIEFF, MICHAEL (1998), The Warrior's Honor: Ethnic War and the Modern Conscience. New York.

IMMERWAHR, HENRY R. (1964), ‘Book rolls on Attic vases’, in C. Henderson (ed.), Classical, Mediaeval and Renaissance Studies in Honour of Berthold Louis Ullman, i. 17–48.

——— (1973), ‘More book rolls on Attic vases’, Antike Kunst 16, 143–7.

IOANNIDI, H. (1973), ‘A propos de l'article ci-dessus “un calembour méconnu d'Aristophane”’ [by P. Ghiron-Bistagne] REG 86, 292–3.

JACOB, O. (1928), Les Esclaves publics à Athénes. Paris.

JAKOBSON, ROMAN (1987), ‘The statue in Pushkin's poetic mythology’, Eng. trans. by John Burbank (of an essay originally published in Czech in 1937), in K. Pomorska and S. Rudy (eds.), Jakobson's Language and Literature, 318–67. Cambridge, Mass. and London.

JAMESON, F. (1971), Marxism and Form: Twentieth-Century Dialectical The ories of Literature. Princeton.

——— (1981), The Political Unconscious: Narrative as a Socially Symbolic Act. London.

——— (1990), Signatures of the Visible. New York and London.

JANKO, RICHARD (1981), ‘The structure of the Homeric hymns: a study in genre’, Hermes 109, 9–24.

JANOV, ARTHUR (1983), Imprints: The Lifelong Effects of the Birth Experience. New York.

JANSSEN, T. H. (1984) (ed.), Timotheus’ Persae. Amsterdam. Eng. trans. of original Dutch edn. (1976).

JENKYNS, RICHARD (1993), review of Sprawson (1992), in The New Yorker,5 April 104–7.

JENS, W. (1971) (ed.), Die Bauformen der griechischen Tragödie. Munich.

JOHANSEN, H. Friis, and WHITTLE, EDWARD W. (1980) (eds.), Aeschylus, The Suppliants. Copenhagen.

JOHNSTON, SARAH ILES (1995), ‘Defining the dreadful: remarks on the Greek child-killing demon’, in M. Meyer amd P. Mirecki (eds.), Ancient Magic and Ritual Power, 361–87. Leiden.

——— (1997), ‘Corinthian Medea and the cult of Hera Akraia’, in James J. Clauss and Sarah Iles Johnston (eds.), Medea, 44–70. Princeton.

(p.425) JONES, C. P. (1991), ‘Dinner Theater’, in William Slater (ed.), Dining in a Classical Context, 185–97. Ann Arbor, Mich.

JONES, GAVIN (1999), Strange Talk: The Politics of Dialect Literature in Gilded Age America. Berkeley and London.

Jones, Gwyn, and JONES, THOMAS (1949), The Mabinogion. London.

JONES, NICHOLAS F. (2004), Rural Athens under the Democracy. Philadelphia.

JONES, W. H. S. (1909), Malaria and Greek History. Manchester.

JOSHEL, SANDRA R., and Murnaghan, Sheila (1998) (eds.), Women and Slaves in Greco-Roman Culture. London.

JOUAN, F. (1981), ‘Réflexions sur le roˆle du protagoniste tragique’, Théâtre et Spectacles dans l'Antiquité, 63–80. (Actes du colloque de Strasbourg). Amsterdam.

JOUANNA, P. (1981), ‘Les causes de la défaite des barbares chez Eschyle, Hérodote, et Hippocrate’, Ktema 6, 3–15.

KABBANI, RANA (1986), Europe's Myths of Orient: Devise and Rule. London.

KAHIL, L. (1988), ‘Harpyiai’, LIMC iv.1, 445–50.

——— (1994), ‘Phineus I’, LIMC vii.1, 387–91.

KAMPEN, NATALIE BOYMEL (1996) (ed.), Sexuality in Ancient Art. Cambridge.

KASHIMA, YOSHIHISA , FODDY, MARGARET , and PLATOW, MICHAEL J. (2002) (eds.), Self and Identity: Personal, Social, and Symbolic. Mahwah, NJ, and London.

KASSEL, R. (1983), ‘Dialoge mit Statuen’, ZPE 51, 1–12.

KATSOURIS, ANDREAS G. (1975), Tragic Patterns in Menander. Athens.

KEIL, BRUNO (1913), ‘Zu den Persern des Timotheos’, Hermes 48, 88–140.

KEITH, A. M. (2000), Engendering Rome: Women in Latin Epic. Cambridge.

KENNEDY, G. (1963), The Art of Persuasion in Greece. Princeton.

KENYON, F. G. (1919), ‘Greek papyri and their contribution to classical literature’, JHS 39, 1–15.

KERAMOPOULLOS, A. D. (1923), Ho Apotumpanismos. Athens.

Kern, Otto (1922) (ed.), Orphicorum Fragmenta. Berlin.

KEULS, EVA C. (1975), ‘Skiagraphia once again’, AJA 79, 1–16,

reproduced in her Painter and Poet in Ancient Greece (Stuttgart and Leipzig, 1997), 107–44.

——— (1978), Plato and Greek Painting. Leiden.

——— (1985), The Reign of the Phallus: Sexual Politics in Ancient Athens. Berkeley, Los Angeles and London.

KONSTAN, DAVID (1990), ‘The anthropology of Euripides Kyklōps’, in Winkler and Zeitlin (1990), 207–27.

——— (1993), ‘Premarital sex, illegitimacy, and male anxiety in Menander and Athens’, in Alan Boegehold and Adele Scafuro (eds.), Athenian Identity and Civic Ideology (Baltimore 1993), pp. 217–35;

adapted version in David Konstan, Greek Comedy and Ideology (New York, and Oxford, 1995), 141–52.

KIERKEGAARD, SØREN (1987). Either/Or, Part I, ed. and trans. Howard V. Hong and Edna H. Hong [= Kierkegaard's Writings, iii] (Princeton);

originally published as Enten/Eller: Et Livs-Fragment udgivet af Victor Eremita (Copenhagen, 1843).

(p.426) KING, HELEN (1983), ‘Bound to bleed: Artemis and Greek Women’, in A. Cameron and A. Kuhrt (eds.), Images of Women in Antiquity, 109–27. London and Sydney.

KING, HELEN (1998), Hippocrates’ Woman: Reading the Female Body in Ancient Greece. London, and New York.

KINKEL, G. (1872), Euripides und die bildende Kunst. Berlin.

KIRCHNER, J. (1901–3), Prosopographia Attica. Berlin.

KLEIN, CHRISTINA (2003), Cold War Orientalism: Asia in the Middlebrow Imagination, 1945–1961. Berkeley, Los Angeles, and London.

KLIMEK-WINTER, RAINER (1993) (ed.), Andromedatragödien. Sophokles, Euripides, Livius Andronikos, Ennius, Accius; Text, Einleitung und Kommentar. Stuttgart.

Knox, Peter E. (1995) (ed.), Ovid, Heroides: Select Epistles. Cambridge.

KOCYBALA, A. X. (1978), ‘Greek Colonization on the North Shore of the Black Sea in the Archaic Period’. Diss. Pensylvania.

KOEHNEN, L. (1969), ‘Eine Hypothesis zur Auge des Euripides und Tegeatische Plynterien’, ZPE 4, 7–18.

Kogan, Stephen (1986), The Hieroglyphic King: Wisdom and Idolatry in the Seventeenth-Century Masque. London and Toronto.

KOLLER, HERMANN (1963), Musik und Dichtung im alten Griechenland. Bern and Munich.

KOLODNY, A. (1973), ‘The land as woman: literary convention and latent psychological content’, Women's Studies 1, 167–82.

KONSTAN, DAVID (1990), ‘The anthropology of Euripides Kyklōps’, in Winkler and Zeitlin (1990), 207–27.

——— (1993), ‘Premarital sex, illegitimacy, and male anxiety in Menander and Athens’, in Alan Boegehold and Adele Scafuro (eds.), Athenian Identity and Civic Ideology (Baltimore 1993), pp. 217–35;

adapted version in David Konstan, Greek Comedy and Ideology (New York, and Oxford, 1995), 141–52.

KÖRTE, A. (1935), ‘Euripides' Skyrier’, Hermes 69, 1–12.

KOSSATZ-DEISSMANN, A. (1997), ‘Tragoidia’, LIMC 8.1, 48–50.

KOVACS, D. (1994), Euripidea. Mnem. Suppl. 132. Leiden, New York and Cologne.

KÖVES-ZULAUF, THOMAS (1990), Römische Geburtsriten. Munich [= Zetemata 87].

KRANZ, W. (1933), Stasimon: Untersuchung zu Form und Gehalt der griechischen Tragödie. Berlin.

KRAUS, C. S. (1998), ‘Dangerous supplements: etymology and genealogy in Euripides’ Heracles’, PCPS 44, 137–57.

(p.427) KRUMBACHER, A. (1924), ‘The Voice Training of Orators in Antiquity up to the Time of Quintilian’ (Eng. trans.). Diss. Cornell.

KRUMEICH, RALF , PECHSTEIN, N., and SEIDENSTICKER, B. (1999) (eds.), Das griechische Satyrspiel. Darmstadt.

KUHNS, RICHARD (1991), Tragedy: Contradiction and Repression. Chicago and London.

KUHRT, AMÉLIE (2002), ‘“Greeks” and “Greece” in Mesopotamian and Persian Perspectives’, [= The Twenty-First J. L. Myres Memorial Lecture]. Oxford.

KUNSEMÜLLER, O. (1935), De Herkunft der platonischen Kardinaltugenden. Diss. Erlangen, repr. New York (1979).

KURKE, LESLIE (1991), The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca, NY.

KURZON, DENNIS (1986), It is Hereby Performed: Explorations in Legal Speech Acts. Amsterdam.

LADA-RICHARDS, ISMENE (2002), ‘The subjectivity of Greek performance’, in Easterling and Hall (2002), 395–418.

——— (2003), ‘“A worthless feminine thing”? Lucian and the “optic intoxication” of pantomime dancing’, Helios 30, 21–75.

LÄMMLI, F. (1938), Das attische Prozessverfahren in seiner Wirkung auf die Gerichtsrede. Paderborn.

LANATA, G. (1963), Poetica Preplatonica. Florence.

LANDY, ROBERT J. (1993), Persona and Performance: The Meaning of Role in Drama, Therapy, and Everyday Life. New York and London.

LANG, MABEL , and ELIOT, C. W. J. (1976), The Athenian Agora: A Guide to the Excavation and the Museum, 3rd edn. rev. H. A. Thompson. Athens.

LANNI, ADRIAAN (1997), ‘Spectator sport or serious politics? Hoi periestēkotes and the Athenian lawcourts’, JHS 117, 183–9.

——— (2004), ‘Arguing from ‘precedent’: modern perspectives on Athenian practice’, in Harris and Rubinstein (2004), 159–71.

LAPE, SUSAN (2004), Reproducing Athens: Menander's Comedy, Democratic Culture, and the Hellenistic City. Princeton and Oxford.

LARSON, JENNIFER (1995), Greek Heroine Cults. Madison, Wis.

LASSERE, F. (1973), ‘Le drame satyrique’, RFIC 101, 273–301.

LAVELLE, B. M. (1992), ‘Herodotos, Skythian archers, and the doryphoroi of the Peisistratids’, Klio 74, 78–97.

LAVENCY, M. (1964), Aspects de la logographie judiciaire attique. Louvain.

LE GUEN, B. (2001), Les Associations de technites dionysiaques à l’époque héllenistique, 2 vols. Nancy.

LEFKOWITZ, MARY (1981), The Lives of the Greek Poets. London.

LEFKOWITZ, MARY R. and FANT, MAUREEN B. (1992), Women's Life in Greece and Rome: A Source-book in Translation, 2nd edn. London.

(p.428) LEHMANN, W. P. (1962), Historical Linguistics. An Introduction. New York.

LEITAO, DAVID D. (1998), ‘Male pregnancy rituals in the Greco-Roman world’ Humanities Magazine 16, 117–37.

LENDERING, JONA (2004), Alexander de Grote. De Ondergang van het Perzische Rijk. Amsterdam.

LEONARD, MIRIAM (2005), Athens in Paris: Ancient Greece and the Political in Postwar French Thought. Oxford.

LESSING, GOTTHOLD EPHRAIM (1836 [1766]), Laocoon; or, The Limits of Poetry and Painting, Eng. trans. by W. Ross. London.

L'ESTRANGE, ROGER (1692), Fables, of Æsop and other eminent mythologists: with morals and reflexions. London.

LEURINI, L. (1992) (ed.), Ionis Chii: Testimonia et Fragmenta. Amsterdam.

Leutsch, E. L., and Schneidewin, F. G. (1839) (eds.), Paroemiographi Graeci. Göttingen.

LEVINE, MOLLY (1992), ‘Multiculturalism and the Classics’, Arethusa 25, 215–20.

LÉVY, E. (1981), ‘Les origines du mirage scythe’, Ktema 6, 57–68.

LEWIS, D. M. (1968), ‘Dedications of phialai at Athens’, Hesperia 37, 368–80.

LEWIS, SIAN (1998–9) ‘Slaves as viewers and users of Athenian pottery,’ Hephaistos 16–17, 71–90.

LIDONNICI, LYNN R. (1995), The Epidaurian Miracle Inscriptions. Atlanta.

LIGHTFOOT, JANE (2002), ‘Nothing to do with the technitai of Dionysus?’, in Easterling and Hall (2002), 209–37.

LINDBERGER, ÖRJAN (1956), The Transformations of Amphitryon. Stockholm.

LINDERS, T. (1972), Studies in the Treasure Records of Artemis Brauronia found in Athens. Stockholm.

LINDSAY, A. D. (1976) (trans.), Plato: The Republic. London.

Linke, K. (1977) (ed.), Die Fragmente des Grammatikers Dionysios Thrax, in Sammlung griechischer und lateinischer Grammatiker, vol. iii. Berlin and New York.

LIPPELT, O. (1910), ‘Die griechischen Leichtbewaffneten bis auf Alexander den Grossen’, Diss. Jena.

LISSARRAGUE, FRANÇOIS (1987), Un flot d'images: une esthétique du banquet grec. Paris.

——— (1990a), ‘The sexual life of satyrs’, Halperin, Winkler, and Zeitlin (1990), 53–81.

——— (1990b) ‘Why satyrs are good to represent’, in J. J. Winkler and F. I. Zeitlin (eds.), Nothing to do with Dionysos?, 228–3. Princeton.

——— (1990c), L'Autre Guerrier: archers, peltastes, cavaliers dans l'imagerie attique. Paris and Rome.

(p.429) ——— (2002), ‘L'immagine dello straniero ad Atene’, in S. Settis (ed.), I Greci, vol. ii [= Definizione], 938–58.

Translated into English as ‘The Athenian image of the foreigner’, in T. Harrison (2002) 101–24.

——— (2003), ‘Satiri tra le donne’, in Paul Veyne, François Lissarrague, and Françoise Frontisi-Ducroux, I misteri del gineceo, 171–90.

Editori Laterza, Rome and Bari. [Translation by Barbara Gregori of original French edition, Les Mystères du gynécée, Éditions Gallimard (1998).]

LLOYD, G. E. R. (1966), Polarity and Analogy: Two Types of Argumentation in Early Greek Thought. Cambridge.

LLOYD-JONES, HUGH (1979), Aeschylus: Oresteia. Agamemnon, ed. with trans. and notes. London and Dallas, Tex.

——— (1981), ‘Notes on P. Turner 4 (Aristophanes, Poiesis)’, ZPE 42, 23–5.

——— (1983) (ed.) ‘Appendix: fragments published since 1930’, in Herbert Weir Smyth (trans.), Aeschylus vol. ii. Cambridge, Mass., and London.

Lobel, E. (1941), ‘No. 2161, Aeschylus, Diktuoulkoi’, The Oxyrhynchus Papyri 18, 9–13.

LONG, TIMOTHY (1986), Barbarians in Greek Comedy. Carbondale and Edwardsville, Ill.

LONSDALE, STEVEN H. (1993), Dance and Ritual Play in Greek Religion. Baltimore and London.

LORAUX, NICOLE (1981), Les Enfants d'Athéna. Paris.

——— (1995), The Experiences of Tiresias: The Feminine and the Greek Man, trans. Paula Wissing. Princeton.

Lovejoy, O., and BOAS, G. (1935), Primitivism and Related Ideas in Antiquity. Baltimore.

LOWE, LISA (1991), Critical Terrains: French and British Orientalisms. Ithaca, NY.

LUCAS, D. W. (1950), The Greek Tragic Poets. London.

LUMPKIN, K. (1933), The Family. A Study of Member Roles. Chapel Hill, NC.

LUPPE, W. (1966), ‘Die Hypothese zu Kratinos’ Dionysalexandros’, Philologus 110, 169–93.

——— (1972), ‘Die Zahl der Konkurrenten an den komischen Agonen zur Zeit. des Peloponnesischen Krieges’, Philologus 116, 53–75.

LYONS, DEBORAH (1997), Gender and Immortality: Heroines in Ancient Greek Myth and Cult. Princeton.

MAAS, P. (1929), Griechische Metrik, = A. Gercke and E. Norden (eds.), Einleitung in die Altertumswissenschaft vol. 1.7 (Leipzig and Berlin).

Translated into English as Greek Metre by Hugh Lloyd-Jones (Oxford, 1962).

MACCARY, W. THOMAS (1973), ‘The comic tradition and comic structure in Diphilos’ Kleroumenoi’, Hermes 101, 194–208.

(p.430) MACDONALD, SHARON (1987), ‘Drawing the Lines—Gender, Peace and War: an introduction’, in S. Macdonald, Pat Holden and Shirley Ardener (eds.), Images of Women in Peace and War: Cross-cultural and Historical Perspectives, 1–26. Basingstoke.

MACDOWELL, D. M. (1971) (ed.), Aristophanes’ Wasps. Oxford.

——— (1978), The Law in Classical Athens. London.

——— (1990) (ed.), Demosthenes, Against Meidias. Oxford.

MACFIE, A. L. (2000) (ed.), Orientalism: A Reader. Edinburgh.

MACINTOSH, FIONA (1992), ‘When Gael joins Greek’, Books Ireland, October, 189–91.

——— (2000), ‘Introduction: the performer in performance’, in Hall, Macintosh, and Taplin (2000), 1–31.

Mack, Rainer (2002), ‘Facing down Medusa (an aetiology of the gaze)’, Art History 25, 571–604.

MACKENZIE, JOHN (1995), Orientalism: History, Theory and the Arts. Manchester.

MACLEOD, C. W. (1982), ‘Thucydides and Tragedy’, Classicum 8, 1–10.

——— , ‘Euripides’ rags’, in Collected Essays, 233–4. Oxford.

MACRAN, HENRY (1912) (ed.), The Harmonics of Aristoxenus. Oxford.

MAIDMENT, K. (1941), Minor Attic Orators. Cambridge, Mass.

MALKIN, IRAD (2001) (ed.), Ancient Perceptions of Greek Ethnicity. Cambridge, Mass., and London.

MANAKIDOU, FLORA (1993), Beschreibung von Kunstwerken in der hellenistischen Dichtung: ein Beitrag zur hellenistischen Poetik. Stuttgart.

MANCHESTER, WILLIAM (1979), Goodbye, Darkness: A Memoir of the Pacific. New York.

MANUEL, F. E., and MANUEL, F. P. (1972), ‘Sketch for a natural history of paradise’, Daedalus (Winter), 84–90.

MARENGHI, G. (1959), ‘Tra cruces ed emendationes’, Maia 11, 320–5.

MARESCA, THOMAS (1993), ‘Personification versus allegory’, in Kevin L. Cope (ed.), Enlightening Allegory, 21–39. New York.

MARQUART, R. (1912), ‘Die Datierung des euripideischen Kylops’, Diss. Halle.

MARRANCA, BONNIE , and DASGUPTA, GAUTAM (1999) (eds.), Conversations on Art and Performance. Baltimore.

MARSHALL, C. W. (1994), ‘The rule of three actors in practice’, Text & Presentation 15, 53–61.

——— (1999), ‘Some fifth-century masking conventions’, G&R 46, 188–202.

——— (2001), ‘The costume of Hecuba's attendants’, Acta Classica 54, 127–36.

——— (2004), ‘Alcestis and the ancient rehearsal process (P. Oxy. 4546)’, Arion 11.3, 27–45.

(p.431) MARTIN, RICHARD (1989), The Language of Heroes: Speech and Performance in the Iliad. Ithaca, NY and London.

MARX, F. (1933), ‘Musik aus der griechischen Tragoädie’, Rhein. Mus.82, 230–46.

MARX, KARL , and ENGELS, FRIEDRICH (1956–68), Werke, 40 vols. Berlin.

MASQUERAY, PAUL (1895), Theéorie des formes lyriques de la trageédie grecque. Paris.

MASTROMARCO, G. (1975), ‘Guerra peloponnesiaca e agoni comici in Atene’, Belfagor 30, 469–73.

MASTRONARDE, DONALD (1990), ‘Actors on high: the skene roof, the crane and the gods in Attic drama’, CA 9, 247–94.

MATTHIESSEN, KJELD (1964), Elektra, Taurische Iphigenie und Helena and Untersuchungen zur Chronologie und zur dramatischen Form im Spaätwerk des Euripides [= Hypomnemata 4]. Goättingen.

MATSEN, P. P. (1990), ‘Alcidamas, Concerning those who write written speeches, or Concerning Sophists’, in P. P. Matsen, P. Rollinson and M. Sousa (eds.), Readings From Classical Rhetoric, 38–42. New York.

MAURIZIO, LISA (2001), ‘Performance, hysteria, and democratic identities in the Anthesteria’, Helios 28, 29–41.

MAUSS, MARCEL (1985), ‘A category of the human mind: The notion ofperson; the notion of self’, in M. Carrithers, S. Collins and S. Lukes (eds.),The Category of the Person, 1–25. New York & Cambridge.

Eng. trans. of an essay first published in 1938 and available as ‘Une cateégorie de l'esprit humain: La notion de personne, celle de ‘‘Moi’’’, Mauss, Sociologie et anthropologie (Paris, 1950).

MAXWELL-STUART, P. G. (1975), ‘Three words of abusive slang in Aeschines’, AJP 96, 7–12.

MCARDLE, PAUL (2001), ‘Children's play’, Child: Care, Health and Development 27.6, 509–14.

MCCARTHY, KATHLEEN (2000), Slaves, Masters & The Art of Authority in Plautine Comedy. Princeton.

MCGLEW, JAMES F. (2001), ‘Identity and ideology: the farmer chorus of Aristophanes’ Peace’, Syllecta Classica 12, 74–97.

——— (2002), Citizens on Stage: Comedy and Political Culture in the Athenian Democracy. Ann Arbor, Mich.

MCLEISH, K. (1980), The Theatre of Aristophanes. London.

MEAD, G. H. (1913), ‘The social self’, Journal of Philosophy, Psychology and Scientific Methods 10, 374–80.

MEHL, E. (1931), ‘Schwimmen’, RE suppl. 5, 847–64. Stuttgart.

MEIJERING, R. (1987), Literary and Rhetorical Theories in Greek Scholia. Groningen.

(p.432) MEILLET, A. (1962), Introduction a l'eétude comparative des langues indo europeéennes, 8th edn. Paris.

MERIANI, ANGELO (2003), Sulla Musica Greca Antica:Studi e Ricerche. Salerno.

MERRIAM, ALAN (1964), The Anthropology of Music. Chicago.

METLITZKI, DOROTHEE (1977), The Matter of Araby in Medieval England. New Haven and London.

MEYER, E. (1884–1902), Geschichte des Alterthums. Stuttgart and Berlin.

MICHAELIDES, SOLON (1978), The Music of Ancient Greece: An Encyclopaedia. London.

MICHELAKIS, PANTELIS (2002a), Achilles in Greek Tragedy. Cambridge.

——— (2002b), ‘Mise en scène de La Paix d'Aristophane’, in RochefortGuillouet (2002), 115–17.

MILLER, HAROLD W. (1946), ‘Some tragic influences in the Thesmophoriazusae of Aristophanes’, TAPA 77 (1946), 171–82.

MILLER, MARGARET (1988), ‘Midas as the Great King in Attic fifth-century vase painting’, Antike Kunst 31, 79–88.

——— (1997), Athenians and Persians in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge.

——— (2000), ‘The myth of Bousiris: ethnicity and art,’ in Cohen (2000), 413–42.

Miller, P., and Garvey, C. (1984), ‘Mother-baby role play: its origins in social support’, in I. Bretherton (ed.), Symbolic Play: The Development of Social Understanding, 101–30. New York.

MINNS, E. H. (1913), Scythians and Greeks. Cambridge.

MISSIOU, A. (1992), The Subversive Oratory of Andokides. Cambridge.

MONRO, D. B. (1894), The Modes of Ancient Greek Music. Oxford.

MOORE, TIMOTHY J. (1998), The Theater of Plautus: Playing to the Audience. Austin, Tex.

MOORE-GILBERT, B. J. (1986), Kipling and Orientalism. London.

Moraw, Susanne (2002), Die Geburt des Theaters in der griechischen Antike. Mainz.

MORENO, J. L. (1946), Psychodrama, vol. i. Beacon, NY.

MORFORD, M. P. O. (1966), ‘Ethopoiia and character-assassination in the Conon of Demosthenes’, Mnemosyne 19, 241–8.

MORIZOT, YVETTE (2004), ‘Offrandes à Arteémis pour une naissance. Autour du relief d'Achinos’, in Dasen (2004), 159–70.

Mossman, Judith (1991), ‘Plutarch's use of statues’, in M. A. Flower and M. Toher (eds.), Georgica: Studies in Honour of George Cawkwell (= BICS suppl. 58), 98–119. London.

——— (1995), Wild Justice: a Study in Euripides’ Hecuba. Oxford.

(p.433) MOST, G. W. (2000), ‘Generating genres: the idea of the tragic’, in Mary Depew and Dirk Obbink (eds.), Matrices of Genre: Authors, Canons, Society, 15–35. Cambridge, Mass., and London.

MOULTON, CARROLL (1981), Aristophanic Poetry (= Hypomnemata 68). Goättingen.

MOUTSOPOULOS, E. (1962), ‘Euripide et la philosophie de la musique’, REG 75, 396–452.

MOYER, IAN S. (2002), ‘Herodotus and an Egyptian mirage: the geneaologies of the Athenian priests’, JHS 122, 70–90.

MUECKE, FRANCES (1982), ‘A portrait of the artist as a young woman’, CQ 32, 41–55.

MÜLLER, CARL WERNER , SIER, KURT , and Werner, Jürgen (1992) (eds.), Zum Umgang mid fremden Sprachen in der griechish-roämischen Antike [= Palingenesia 36]. Stuttgart.

MÜLLER, DIETRAM (1974), Handwerk und Sprache: Die sprachlichen Bilder aus dem Bereich des Handwerks in der griechischen Literatur bis 400 v. Chr. Meisenheim am Glan.

MULVEY, LAURA (1975), ‘Visual pleasure and narrative cinema’, Screen 16.3, 6–18.

——— (1989), Visual and Other Pleasures. Basingstoke and London.

MURPHY, C. T.(1935), summary of ‘Quae Ratio inter fabulas satyricas et comoediam antiquam intercedat’, Diss. Harvard, in HSCP 46, 206–9.

——— (1938), ‘Aristophanes and the art of rhetoric’, HSCP 49, 69–114.

MURRAY, GILBERT (1936), Greek Poetry and Life: Essays Presented to Gilbert Murray on his Seventieth Birthday. Oxford.

MURRAY, PENELOPE (1996) (ed.), Plato on Poetry. Cambridge.

Murray, Penelope, and Wilson, Peter (2004) (eds.), Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City. Oxford.

Murray, Timothy (1997) (ed.), Mimesis, Masochism, & Mime: The Politics of Theatricality in Contemporary French Thought. Ann Arbor, Mich.

NAGY, G. (1989), ‘Early Greek views of poets and poetry’, in George A. Kennedy (ed.), The Cambridge History of Literary Criticism, i. 1–77. Cambridge.

——— (1996), Poetry as Performance: Homer and Beyond. Cambridge.

NAIDEN, F. S.(2004), ‘Supplication and the law’, in Harris and Rubinstein (2004), 71–91.

Nauck, A. (1889) (ed.), Tragicorum graecorum fragmenta. 2nd edn. Leipzig.

NØDONCELLE, M.(1948), ‘Prosopon et persona dans l'antiquiteé classique’, Revue des Sciences Religieuses 22, 277–9.

NEILS, JENIFER (2003), ‘Children and Greek religion’, in Neils and Oakley (2003), 138–61.

(p.434) Neils, Jenifer and Oakley, John H. (2003), Coming of Age inAncient Greece: Images of Childhood from the Classical Past. New Haven and London.

NESSELRATH, H.-G. (1995), ‘Myth, parody, and comic plots: the birth of gods and Middle Comedy’, in G. W. Dobrov (ed.), Beyond Aristophanes:Transition and Diversity in Greek Comedy, 1–27. Atlanta.

NEWIGER, HANS-JOACHIM (1957), Metafer und Allegorie: Studien zu Aristophanes. Munich.

——— (1980), ‘War and peace in the comedy of Aristophanes’, in J. Henderson (ed.), Aristophanes: Essays in Interpretation, 219–327 [= YCS 26].

NEWSOM, ROBERT (1994), ‘Doing duality once more’, Narrative 2.2, 140–51.

Nielsen, Inge (2002), Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity. Aarhus.

NIETZSCHE, F. (1972 [1872]), Die Geburt der Tragoädie, in Nietzsche. Werke, ed. G. Colli and M. Montinari, Part III vol. i, 5–152. Berlin and New York.

NIGHTINGALE, ANDREA WILSON (1995), Genres in Dialogue: Plato and the Construct of Philosophy. Cambridge.

NIPPEL, WILFRIED (2002), ‘The construction of the “Other”’, in T. Harrison (2002), 278–310. Originally published in S. Setti (ed.), I Greci, vol. i [= Noi e I Greci], 165–96. Turin.

NIXON, P. 1938) (trans.), Plautus, vol. v (Loeb Classical Library). Cambridge, Mass.

NOLLÉ, J., and WENNINGER, A. (2001), ‘Themistokles und Archepolis: eine griechische Dynastie im Perserreich and ihre Maänzpraägung’, Jahrbuch faär Numismatik und Geldgeschichte 48/9 [1998/9], 29–70.

NORTH, H. (1952), ‘The use of poetry in the training of the ancient orator’, Traditio 8, 1–33.

OBBINK, DIRK (2001), ‘Euripides, Alcestis 344–82 with omissions’, The Oxyrhynchus Papyri 67, 19–22 and pl. 2.

Ober, J., and Strauss, B. (1990), ‘Drama, political rhetoric, and the discourse of Athenian democracy’, in Winkler and Zeitlin (1990), 237–70.

O'HIGGINS, LAURIE (2003), Women and Humour in Classical Greece. Cambridge.

OLMOS, RICARDO (1986), ‘Eileithyia’, LIMC 3.1, 685–99. Zurich and Munich.

OLSON, S. DOUGLAS (1998) (ed.), Aristophanes’ Peace. Oxford.

——— (2002) (ed.), Aristophanes’ Acharnians. Oxford.

ORME, NICHOLAS (1983), Early British Swimming, 55 BC–AD 1719. Exeter.

OSBORNE, M. J. (1981–3), Naturalization in Athens, 4 vols. Brussels.

——— and Byrne, S. (1994) (eds.), A Lexicon of Greek Personal Names (general editors P. M. Fraser and E. Matthews), vol. ii, Attica. Oxford.

(p.435) ——— (1996), The Foreign Residents of Athens: An Annex to the Lexicon of Greek Personal Names: Attica (= Studia Hellenistica 33). Leuven.

OSBORNE, R. (1985), ‘Law in action in classical Athens’, JHS 105, 40–58.

——— (1993), ‘Competitive festivals and the polis: a context for dramatic festivals at Athens’, in Sommerstein et al. (1993), 21–37.

——— (1994), ‘Looking on—Greek style. Does the sculpted girl speak to women too?’, in I. Morris (ed.), Classical Greece: Ancient Histories and Modern Archaeologies, 81–96. Cambridge.

——— (1996), ‘Desiring women on Athenian pottery’, in Kampen (1996), 65–80.

——— (2004), ‘Images of a warrior on a group of Athenian vases and their public’, in Clemente Marconi (ed.), Greek Vases: Images, Contexts, and Controversies, 41–54. Brill, Leiden and Boston.

Osborne, R., and Hornblower, S. (1994) (eds.), Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis. Oxford.

Østerud, Svein (1970), ‘Who sings the monody 669–79 in Euripides’ Hippolytus?’, GRBS 11 (1970), 307–20.

O'Sullivan, Neil (1992), Alcidamas, Aristophanes and the Beginnings of Greek Stylistic Theory [ = Hermes Einzelschr. 60]. Stuttgart.

——— (1996), ‘Written and spoken in the first sophistic’, in Worthington (1996), 115–27.

OWEN, A. S. (1936), ‘The date of Sophocles’ Electra’, in Gilbert Murray (1936), 145–57.

PACHE , CORINNE ONDINE (2004), Baby and Child Heroes in Ancient Greece. Urbana, Ill., Chicago.

Page, D. L. (1936), ‘The elegiacs in Euripides’ Andromache’, in Gilbert Murray (1936), 206–30.

——— (1942) (ed.), Greek Literary Papyri, vol. i (Cambridge, Mass., and London).

PALEY, F. A. (1873) (ed.), The “Peace” of Aristophanes. Cambridge.

PALFREY , SIMON , and STERN , TIFFANY (forthcoming), Shakespeare in Parts. Oxford.

PALMER , CHRISTOPHER (1975), Miklós Rózsa: A Sketch of his Life and Work. London and Wiesbaden.

PALSSON, H. and EDWARDS, P. (1976) (trans.), Egil's Saga. Harmondsworth.

PANAGOPOULOS , ANDREAS (1985), ‘Aristophanes and Euripides on the victims of war’, BICS 32, 51–62.

PAPAZOGLU , FANULA (1978), The Central Balkan Tribes in Pre-Roman Times. Amsterdam [ = trans. of original Serbo-Croatian edn., Sarajevo (1969)].

PARK , ROY (1969), ‘“Ut pictura poesis”: the nineteenth-century aftermath’, Journal of Aesthetics and Art Criticism 28.2, 155–65.

PARKER, L. P. E. (1997), The Songs of Aristophanes (Oxford).

(p.436) PARKER , ROBERT (1983), Miasma: Pollution and Purification in Early Greek Religion. Oxford.

PARSONS , PETER (1992) (ed.), ‘Simonides, Elegies’, Oxyrhynchus Papyri 59, 4–50.

PAVLOSKIS , ZOJA (1977), ‘The voice of the actor in Greek tragedy’, CW 71, 113–23.

PAXSON , JAMES (1994), The Poetics of Personification. Cambridge.

PEACHAM , HENRY (1622), The Compleat Gentleman. London.

PEARSON, A. C. (1917) (ed.), The Fragments of Sophocles. Cambridge.

PEARSON, L. (1962), Popular Ethics in Ancient Greece. Stanford, Calif.

——— (1975a), ‘Hiatus and its purposes in Attic oratory’, AJP 96, 138–59.

——— (1975b), ‘The virtuoso passages in Demosthenes’ speeches’, The Phoenix 29, 214–30.

——— (1990) (ed.), Aristoxenus. Elementa Rhythmica. Oxford.

PELLEGRINI, A. D., and BOYD, B. (1993), ‘The role of play in early childhood development and education: Issues in definition and function’, in B. Spodek (ed.), Handbook of Research on the Education of Young Children, 105‐21. New York.

PELLEGRINI, A. D., and PERLMUTTER, J. C. (1989), ‘Classroom contextual effects on children's play’, Developmental Psychology, 25.2, 289–96.

PELLING, C. B. R. (1989), ‘Plutarch: Roman heroes and Greek culture’, in M. Griffin and J. Barnes (eds.), Philosophia Togata: Essays on Philosophy and Roman Society, 199–232. Oxford.

——— (1997) (ed.), Greek Tragedy and the Historian. Oxford.

——— (2000), Literary Texts and the Greek Historian. London.

——— (2005), ‘Tragedy, rhetoric, and performance culture’, in Justina Gregory (ed.), A Companion to Greek Tragedy, 83–102. Oxford.

PELLIZER , EZIO (1990), ‘Sympotic entertainment’, in O. Murray (ed.), Sym potica: A Symposium on the Symposium, 177–84. Oxford.

PENDER, E. E. (1992), ‘Spiritual pregnancy in Plato's Symposium’, CQ 42, 72–86.

PETERSEN , LEIVA (1939), Zur Geschichte der Personifikation in griechischer Dichtung und bildender Kunst. Wärzburg.

PERETTI , AURELIO (1939), Epirrema e tragedia. Florence.

PERLMAN, S. (1963), ‘The politicians in the Athenian democracy of the fourth century BC’, Athenaeum NS 41, 327–55.

——— (1964), ‘Quotations from poetry in Attic orators of the fourth century BC’, AJP 85, 155–72.

——— (1976), ‘Panhellenism, the polis, and imperialism’, Historia 25, 1–30.

PERRIN, B. (1917), Plutarch's Lives, vol.v. Loeb edn. Cambridge, Mass., and London.

——— (1921), Plutarch's Lives, vol. x. Loeb edn. Cambridge, Mass., and London.

(p.437) PERTUSI, A. (1959), ‘Selezione teatrale e scelta erudite nella tradizione del testo di Euripide’, Dioniso 19, 111–41.

PETERSEN, E. (1911), ‘Zu Aischylos’ Agamemnon’, Rheinisches Museum 76, 1–37.

PETERSEN , LEIVA (1939), Zur Geschichte der Personifikation in griechischer Dichtung und bildender Kunst. Wärzburg.

PHILIPP , HANNA (1968), Tektonon Daidala: Der bildende Kaänstler und sein Werk im vorplatonischen Schrifttum. Berlin.

PHILLIPS , JANE E. (1985), ‘Alcumena in the Amphitruo of Plautus: a pregnant lady joke’, CJ 80, 121–6.

PICKARD-CAMBRIDGE, A.W. (1988), The Dramatic Festivals of Athens, 3rd edn., rev. with suppl. by J. Gould and D. M. Lewis. Oxford.

PIERCE , Karen F. (1998), ‘Ideals of masculinity in New Comedy’, in Foxhall and Salmon, 130–47.

PIAGET, J. (1967), Six Psychological Studies. New York.

PINGIATOGLOU , SEMELI (1981), Eileithyia. Wärzburg.

PINTACUDA , MARIO (1978), La Musica nella tragedia Greca (Maggio).

PIRENNE-DELFORGE, V. (2004), ‘Qui est la Kourotrophos athénienne?’, in Dasen (2004), 171–85.

PITCHER , LUKE (2005), ‘Narrative technique in The Lives of the Ten Orators’, Classical Quarterly 55, 217–34.

PLASSART, A. (1913), ‘Les archers d'Athènes’, REG 26, 151–23.

PODLECKI, A. J. (1999), The Political Background of Aeschylean tragedy. 2nd ed. London.

POE , EDGAR ALLAN (1846), ‘The philosophy of composition’, Graham's Magazine, April, reprinted in James A. Harrison (1965) (ed.), The Complete Works of Edgar Allan Poe, vol. 14, 193–208. New York.

POHLENZ, M. (1954), Die griechische Tragö;die, vol. i, 2nd edn. Göttingen.

POLLITT, J. J. (1974), The Ancient View of Greek Art. New Haven and London.

POPP , HANSJÜRGEN (1971), ‘Die Amoibaion’, in Jens (1971) 221–75.

POPPO, E. F., and STAHL, J. M. (1883) (eds.), Thucydides, De bello peloponnesiaco libri octo. 2nd edn. Lepizig.

PORTER, R. (1986), ‘Rape—does it have a historical meaning’, in Tomaselli and Porter (1986), 216–36.

POSTLEWAIT, T., and DAVIS , TRACY C. (2003), ‘Theatricality: an introduction’, in Davis and Postlewait (2003), 1–39.

PÖTSCHER, W. (1959), ‘Die Funktion der Anapästpartien in der Tragödien des Aischylos’, Eranos 57, 79–98.

PRÉAUX, C. (1957), ‘Meénandre et la société athénienne’, CE 32.63, 84–100.

PRESS , MURIEL (1964) (trans.), The Laxdale Saga. London.

PRETAGOSTINI , ROBERTO (1995), ‘L'esametro nel dramma attico del V secolo: problemi di ‘‘resa’’ e di “riconoscimento”’, in Marco Fantuzzi and Roberto Pretagostini (eds.), Struttura e storia dell'esametro Greco, 163–91. Rome.

(p.438) PROPP , VLADIMIR (1958), Morphology of the Folktale, ed. with introd. by S. Pirkova-Jakobson, trans. by L. Scott. Bloomington, Ind.

PUCCI, P. (1961), Aristofane ed Euripide. Ricerche metriche e stilistiche. Rome.

——— (1977), ‘Euripides: the monument and the sacrifice’, Arethusa 10, 165–95.

PUCHNER , MARTIN (2003) (ed.), Tragedy and Metatheatre. New York.

RÄCK, W. (1981), Zum Barbarenbild in der Kunst Athens im 6. und 5. Jahrhundert v. Chr. Bonn.

RAJAK , TESSA (2000), The Jewish Dialogue with Greece and Rome: Studies in Cultural and Social Interaction [ = Arbeiten zur Geschichte des antiken Judentums und des Urchristentums, vol. 48]. Leiden.

RAVEN, D. S. (1968), Greek Metre: an Introduction, 2nd edn. London.

RAU , PETER (1967), Paratragodia: Untersuchung einer komischen Form des Aristophanes (Zetemata 45). Munich.

——— (1975), ‘Das Tragödienspiel in den ‘Thesmophoriazusen’, in H.-J. Newiger (ed.), Aristophanes und die alte Komödie, 339–56. Darmstadt.

RAWSON , BERYL (2003), Children and Childhood in Roman Italy. Oxford.

REBER , ARTHUR S., and EMILY REBER (2001), The Penguin Dictionary of Psychology, 3rd edn. London and New York.

RECKFORD , KENNETH J. (1987), Aristophanes’ Old-and-New Comedy, vol. i. Chapel Hill, NC.

REESON , JAMES (2001) (ed.), Ovid's Heroides 11, 13 and 14: A Commentary [Mnem. Suppl. 221]. Leiden, Boston and Cologne.

REHM , RUSH (1994), Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton.

REIN, M. J. (1996), ‘Phrygian matar: emergence of an iconographic type’, in E. N. Lane (ed.), Cybele, Attis and Related Cults: Essays in Memory of J.J. Vermaseren, 223–37. Leiden, New York, and Cologne.

REINACH, T. (1903), ‘Les Perses de Timothée’, REG 16, 62–83.

RENNIE, W. (1909) (ed.), The Acharnians of Aristophanes. London.

REVEL-MOUROZ , MARIANNE (2002), ‘La puissance créatrice de la poésie de la paix’, in Rochefort-Guillouet (2002), 98–106.

REVERMANN , MARTIN (1999–2000), ‘Euripides, tragedy and Macedon: some conditions of reception’, ICS 24–5, 451–67.

——— (forthcoming), ‘The competence of theatre audiences’, JHS.

REY , ALAIN (1995) (ed.), Dictionnaire historique de la langue Française. 2nd edn., 2 vols. Paris.

RHODES, P. J. (2003), ‘Nothing to do with democracy: Athenian drama and the polis’, JHS 123, 104–19.

(p.439) ——— (2004a), ‘Aristophanes and the Athenian Assembly’, in D. L. Cairns and R. A. Knox (eds.), Law, Rhetoric and Comedy in Classical Athens [Studs. D. M. MacDowell], 223–7.

——— (2004b), ‘Keeping to the point’, in Harris and Rubinstein (2004), 137–58.

RHODES, P. J., and OSBORNE , ROBIN (2003) (eds.), Greek Historical Inscriptions, 404–323 BC, Edited with Introduction, Translations, and Commentaries. Oxford.

RICCIARDELLI, G. (2000), ‘Mito e Performance nelle associazioni Dionisiache’, in M. Tororelli Ghidini, A. Storchi Marino, and A. Visconti (eds.), Tra Orfeo e Pitagora, 265–84. Naples.

RICHARDSON, N. J. (1981), ‘The contest of Homer and Hesiod and Alcidamas’ Mouseion’, CQ 31, 1–10.

RIEDEL, V. (1984), Antikerezeption in der Literatur der deutschen demokra tischen Republik. Berlin.

RIEDWEG, C. (1990), ‘The ‘Atheistic’ Fragment from Euripides’ Bellerophontes (286 N2),’ ICS 15, 39–53.

RIGHTER , ANNE (1962), Shakespeare and the Idea of the Play. London

RILEY , KATHLEEN (2001), review of Simon Armitage's Mister Heracles, Oxford Magazine 189, 11–12.

——— (2003), ‘Browning's Versions: Robert Browning, Greek Tragedy and the Victorian Translation Debate’, Literature and Aesthetics, 13, 51–66.

——— (2004), ‘Reasoning Madness: The Reception and Performance of Euripides’ Herakles’. D.Phil. thesis. Oxford.

RINGER , MARK (1998), Electra and the Empty Urn: Metatheater and Role Playing in Sophocles. Chapel Hill, NC, and London.

RITCHIE , WILLIAM (1964), The Authenticity of the Rhesus of Euripides. Cambridge.

ROBB , KEVIN (1994), Literacy and Paideia in Ancient Greece. New York and Oxford.

ROBERTS , DEBORAH (2000), ‘The drunk and the policeman: Arrowsmith, convention, and the changing context of twentieth-century translations’, Paper delivered at PAMLA.

ROCHEBLAVE-SPENLEÉ , ANNE-MARIE (1962), La notion de rôle en psychologie sociale: étude historico-critique. Paris.

ROCHEFORT-GUILLOUET , SOPHIE (2002) (ed.), Analyses & réflexions sur Aristophane, La Paix. Paris.

RODINSON , MAXIME (1987), Europe and the Mystique of Islam, Eng. trans. by Roger Veinus of La fascination de l'Islam. Les étapes du regard occidental sur le monde musulman. Les études arabes et islamiques en Europe (Paris, 1980).

(p.440) ROGERS, B. B. (1902) (ed.), The Frogs of Aristophanes. London.

——— (1904) (ed.), The Thesmophoriazusae of Aristophanes. London.

——— (1915) (ed.), The Wasps of Aristophanes. London.

ROLLER, L. E. (1999), In Search of God the Mother: The Cult of Anatolian Cybele. Berkeley, Los Angeles and London.

ROSE, H. J. (1958), A Commentary on the Surviving Plays of Aeschylus, vol. ii. Amsterdam.

ROSE , PETER (1992), Sons of the Gods, Children of Earth: Ideology and Literary Form in Ancient Greece. Ithaca, NY, and London.

ROSEN , RALPH (1984), ‘The Ionian at Aristophanes Peace 46’, GRBS 25, 389–96.

——— (1997a), ‘The gendered polis in Eupolis’ Cities’, in Dobrov (1997), 149–76.

——— (1997b), ‘Homer and Hesiod’, in Ian Morris and Barry Powell (eds.), A New Companion to Homer, 463–88. Leiden, New York, and Cologne.

——— (2000), ‘Cratinus’ Pytine and the construction of the comic self’, in Harvey and Wilkins (2000), 3–39.

——— (2004), ‘Aristophanes’ Frogs and the Contest of Homer and Hesiod’, TAPA 134, 295–322.

ROSENBLOOM , DAVID (1998), ‘Review of Edith Hall (ed.) Aeschylus: Persians’, Prudentia 30, 35–41.

——— (2002), ‘From Poneros to Pharmakos: Theater, Social Drama and Revolution at Athens, 428–404 BCE’, Classical Antiquity, 21.2, 283–346.

——— (2005), Aeschylus’ Persians [Duckworth Companions to Ancient Tra gedy]. London.

ROSENMEYER , PATRICIA, E. (1991), ‘Simonides’ Danae fragment reconsidered’, Arethusa 24, 5–29.

ROSIVACH , VINCENT J. (1998), When a Young Man Falls in Love: The Sexual Exploitation of Women in New Comedy. London and New York.

ROSTOVTZEFF, M. (1922), Iranians and Greeks in South Russia. Oxford.

ROUGÉ, J. (1970), ‘La colonization greque et les femmes’, Cahiers d'histoire 15, 307–17.

ROUSSEAU, G. S., and PORTER , ROY (1989) (eds.), Exoticism in the Enlight enment. Manchester.

ROUX, G. (1960), ‘Qu'est-ce qu'un κολοσσός?’, REA 62, 5–40.

RUBIN, S., and WOLF, D. (1979), ‘The development of maybe: the evolution of social roles into fantasy roles’, in E. Winner and H. Gardner (eds.), Fact, Fiction and Fantasy in Childhood, 15–28. San Francisco.

RUBINSTEIN , LENE (2000), Litigation and Cooperation: Supporting Speakers in the Courts of Classical Athens [ = Historia Einzelschr. 147]. Stuttgart.

RUCK, C. (1976), ‘Duality and the madness of Herakles’, Arethusa 9, 53–5.

(p.441) RUSSELL, D. A. (1990), ‘Ēthos in oratory and rhetoric’, in C. B. R. Pelling (ed.), Characterization and Individuality in Greek Literature, 197–212. Oxford.

RUSSO , CARLO FERDINANDO , (1994), Aristophanes, an Author for the Stage, rev. and expanded edn., trans. Kevin Wren, of Aristofane, autore di teatro. (Florence 1962).

RUTHERFORD, I. (2002), ‘The new Simonides: towards a commentary’, in Boedeker and Sider (2002), 33–54.

——— (2004), ‘Choros heis ek tēsde tēs poleōs (Xen. Mem. 3.3.12): song-dance and state-pilgrimage at Athens’, in Murray and Wilson (2004), 67–90.

RYMER , THOMAS (1693), A Short View of Tragedy, its Original, Excellency, and Corruption. London.

SAID , EDWARD (1975), ‘Shattered myths’, in Nasser H. Aruri (ed.), Middle East Crucible, 41–7. Wilmette, Ill.

——— (1978), Orientalism. London.

——— (1985), ‘Orientalism reconsidered’, in Barker (1985), i. 14–27.

——— (2003), ‘A window on the world’, The Guardian Review, 2 August, 4–6.

SAÏD , SUZANNE (1984), ‘Grecs et barbares dans les tragedies d'Euripide: le findes difféences’, Ktema 9. 27–53. Eng. trans. in T. Harrison (2002), 62–100.

SALLER , RICHARD P. (1993), ‘The social dynamics of consent to marriage and sexual relations: the evidence of Roman comedy’, in Angeliki E. Laiou (ed.), Consent and Coercion to Sex and Marriage in Ancient and Medieval Societies, 83–104. Washington, DC.

SANCISI-WEERDENBURG, H. (1993), review of E. Hall (1989), Gerion 11, 373–85.

——— (2001), ‘Yaunā by the sea and across the sea’, in Malkin (2001), 323–46.

SANDERS, H. A. (1925), ‘Swimming among the Greeks and Romans’, CJ 20, 566–8.

SATTLER, W. (1957), ‘Concepts of ethos in ancient rhetoric’, Speech Mono graphs 14, 55–68.

SCAFURO , ADELE (1990), ‘Discourses of sexual violation in mythic accounts and dramatic versions of “The Girl's Tragedy”’, Differences 2.1, 126–59.

——— (1997), The Forensic Stage: Settling Disputes in Graeco-Roman New Comedy. Cambridge.

SCHACHTER , ALBERT (1981), Cults of Boiotia, vol. i (BICS suppl. 38.1). London.

SCHADEWALDT , WOLFGANG (1926), Monolog und Selbstgresprach: Untersu chungen zur Formgeschichte der griechischen Tragödie. Berlin.

——— (1942), Legende von Homer den fahrenden Sänger. Leipzig.

(p.442) SCHARFFENBERGER , ELIZABETH (2002), ‘Aristophanes’ Thesmophoriazousai and the challenges of comic translation: the case of William Arrowsmith's Euripides Agonistes’, in Gamel (2002), 429–63.

SCHENKL, H. (1916) (ed.), Epicteti Dissertationes ab Arriano digestae. 2nd edn. Leipzig.

SCHLESINGER , KATHLEEN (1959), Schlesinger, The Greek Aulos: A Study of its Mechanism and of its Relation to the Modal System of Ancient Greek Music. London.

Schmid, W. (1934), ‘Der Hinzutritt des Satyrspiels’, in W. Schmid and O. Stählin, Geschichte der griechischen Literatur vol. i.2, 79–86. Munich.

SCHMIDT , MARGOT (1967), ‘Dionysien’, Antike Kunst 10, 70–81.

——— (1998), ‘Komische arme Teufel und andere Gesellen auf der griechischen Komödienbähne’, Antike Kunst 41, 17–32.

SCHMIZ , THOMAS A. (2000), ‘Plausibility in the Greek orators’, AJP 121, 47–77.

SCHÜNE , ANGELIKA (1987), Der Thiasos: eine Ikonographische Untersuchunga¨ber das Gefolge des Dionysos in der attischen Vasenmalerei des 6. und 5. Jhs v. Chr. Göteborg, Sweden.

SCHRIJVERS, P. H. (1976), ‘O Tragoedia tu labor aeternus: étude sur l'élégie III, 1 des Amores d'Ovide’, in J. M. Bremer, S. L. Radt, C. J. Ruijgh (eds.),Miscellanea Tragica in honorem J.C. Kamerbeek, 405–24. Amsterdam.

SCHULTZ , PETER (2003), ‘The Stoa Poikile, the Nike temple bastion and Cleon's shields from Pylos: A note on Knights 843–859,’ Numismatica e antichità classiche 32, 43–62.

SCOTT , JOAN WALLACH (1986), ‘Gender: A Useful Category of Historical Analysis,’ American Historical Review, 91 (1986), 1053–75.

——— (1988), Gender and the Politics of History. New York.

SCOTT, W. C. (1984), Musical Design in Aeschylean Theater. Hanover and London.

——— (1996), Musical Design in Sophoclean Theater. Hanover and London.

SCUDERI , ANTONIO (2000), ‘Updating antiquity’, in Farrell and Scuderi, 39–64.

SEAFORD , RICHARD (1984) (ed.), Euripides’ Cyclops. Oxford.

——— (1994), Reciprocity and Ritual: Homer and Tragedy in the Developing City-State. Oxford.

——— (2003), ‘Aeschylus and the unity of opposites’, JHS 123, 141–63.

SEALE , DAVID (1982), Vision and Stagecraft in Sophocles. London and Canberra.

SEDGWICK, W. B. (1960) (ed.), Plautus, Amphitruo. Manchester.

SEGAL, C. (1982), ‘Tragédie, oralité, écriture’, Poétique 50, 131–54.

(p.443) ——— (1984), ‘Greek tragedy: writing, truth, and the representation of the self’, in Harold D. Evjen (ed.), Mnemai: Classical Studiesin Memory of Karl K. Hulley, 41–67. Chico, Calif.

——— (1985a), ‘Choral lyric in the fifth century’, in P. E. Easterling and B. M. W. Knox (eds.), The Cambridge History of Classical Literature, i. 222–44. Cambridge.

——— (1985b), ‘Greek tragedy: writing, truth and the representation of the self’, in H. D. Evjen (ed.), Mnemai. Classical Studies in Memory of Karl K. Hulley. 41–67. Chico, Calif.

——— (1986), Pindar's Mythmaking: The Fourth Pythian Ode. Princeton.

——— (1990), ‘Violence and the other: Greek, female and barbarian in Euripides’ Hecuba’, TAPA 120, 109–31.

——— (1993), Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba. Durham, NC, and London.

——— (1994), ‘The gorgon and the nightingale: the voice of female lament and Pindar's twelfth Pythian Ode’, in Leslie C. Dunn and Nancy A.Jones (eds.), Embodied Voices: Female Vocality in Western Culture, 17–34. Cambridge.

——— (1997), ‘On the Wfth stasimon of Euripides’ Medea’, AJP 118, 167–84

SEIDENSTICKER, B. (1979), ‘Das Satyrspiel’, in G. A. Seeck (ed.), Das Griechische. Drama, 204–57. Darmstadt.

——— (2003), ‘The chorus in Greek satyrplay’, in Eric Csapo and Margaret C. Miller (eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, 100–21. Oxford.

SHAPIRO, H. A. (2003), ‘Fathers and sons, men and boys’, in Neils and Oakley (2003), 84–111.

SHARP , THOMAS (1825), A dissertation on the pageants or dramatic mysteries anciently performed at Coventry, by the trading companies of that city. Coventry.

SHARPLEY, H. (1905) (ed.), Aristophanous Eirene = The Peace of Aristopha nes. Edinburgh and London.

SHAW , BRENT D. (2001), ‘Raising and killing children: two Roman myths’, Mnemosyne 54.1, 1–77.

SHAW, P.-J. (2002), ‘Lords of Hellas, old men of the sea’, in Boedeker and Sider (2002), 164–81.

Shipp, G. P. (1979) (ed.), P. Terenti Afri Andria. New York (repr. of edn. originally published in Oxford (1960)).

SIDER, D. (2002), ‘Fragments 1–22 W2: text, apparatus criticus, and translation’, in Boedeker and Sider (2002), 13–29.

SIER , KURT (1992), ‘Die Rolle des Skythen in den Thesmophoriazusen des Aristophanes, in Mäller, Sier and Werner (1992), 63–84.

(p.444) SIFAKIS, G. M. (1967), Studies in the History of Hellenistic Drama. London.

——— (1971a), ‘Aristotle, E.N. IV, 2, 1123a 19–24, and the comic chorus in the fourth century’, AJP 92, 410–32.

——— (1971b), Parabasis and Animal Choruses. London.

——— (1979), ‘Boy actors in New Comedy’, in G. W. Bowersock, W. Burkert and M. J. Putnam (eds.), Arktouros: Hellenic studies presented to Bernard M. W. Knox on the occasion of his 65th birthday, 199–208. New York and Berlin.

SILK , MICHAEL (1993), ‘Aristophanic paratragedy’, in Sommerstein et. al. (1993), 477–504.

——— (1996) (ed.), Tragedy and the Tragic: Greek Theatre and Beyond. Oxford.

SIMON , ERIKA (1986), ‘Eirene’, LIMC iii.1, 700–5. Zurich and Munich.

SLATER , NIALL W. (1985a), ‘Vanished players: two classical reliefs and theatre history’, GRBS 26, 333–44.

——— (1985b), Plautus in Performance. Princeton.

——— (1988), ‘The fictions of patriarchy in Terence's Hecyra’, CW 81.4, 249–60.

——— (1989), ‘Aristophanes’ apprenticeship again’, GRBS 30, 67–82.

——— (1990), ‘The idea of the actor’, in Winkler and Zeitlin (1990), 385–95.

——— (1999), ‘Making the Aristophanic audience’, AJP 120, 351–68.

——— (2000), ‘Dead again: (en)gendering praise in Euripides’ Alcestis’, Helios 27, 105–21.

——— (2002), Spectator Politics: Metatheatre and Performance in Aristophanes. Philadelphia.

SMITH , ERIC (1984), Dictionary of Classical Reference in English Poetry. Woodbridge, Suffolk.

SMITH, R. R. R. (1987), ‘The imperial reliefs from the Sebasteion at Aphrodisias’, JRS 77, 88–138.

SMITH-LOVIN , LYNN (2002), ‘Roles, identities, and emotions: parallel processing and the production of mixed emotions’, in Kashima, Foddy, and Platow (2002), 125–43.

Smyth, H. W. (1957) (trans.), Aeschylus, vol. ii, with an appendix by H. Lloyd-Jones. Cambridge, Mass., and London.

SNELL, B. (1964), Scenes from Greek Drama. Berkeley and Los Angeles.

SOLOMON, A. (1997), Re-Dressing the Canon: Essays on Theatre and Gender. London.

SOLOMOS, A. (1961), Ho Zōntanos Aristophanēs. Apo tēn epochētou ōstēn epochēmas. Athens.

SOMMERSTEIN , ALAN H. (1977), ‘Aristophanes and the events of 411’, JHS 97, 112–26.

(p.445) ——— (1985) (ed.), Aristophanes’ Peace. Warminster.

——— (1994) (ed.), Aristophanes’ Thesmophoriazusae. Warminster.

——— (1996a), Aeschylean tragedy. Bari.

——— (1996b) (ed.), Aristophanes’ Frogs. Warminster.

——— (1998a), review of E. Hall (ed.), Aeschylus: Persians, JHS 118, 211–12.

——— (1998b), ‘Rape and young manhood in Athenian comedy’, in Foxhall and Salmon, 100–14.

——— (2002), Greek Drama and Dramatists. London.

——— Halliwell, Stephen, Henderson, Jeffrey, and Zimmermann, Bernhard (1993) (eds.), Tragedy, Comedy and the Polis: Papers from the Greek Drama Conference, Nottingham, 18–20 July 1990. Bari.

SONKOWSKY, R.P. (1959), ‘An aspect of delivery in ancient rhetorical theory’, TAPA 90, 256–74.

SONTAG , SUSAN (1994), Against Interpretation. Vintage edition of original Dell paperback, with author's preface, published in 1967.

SÖRBOM, G. (1966), Mimesis and Art. Uppsala.

SOURVINOU-INWOOD , CHRISTIANE (1994), ‘Something to do with Athens: tragedy and ritual’, in Osborne and Hornblower (1994), 269–90.

——— (2003), Tragedy and Athenian Religion. Lexington.

Southern, SIR RICHARD WILLIAM (1962), Western Views of Islam in the Middle Ages. Cambridge, Mass.

SPARKES, B. A. (1975), ‘Illustrating Aristophanes’, JHS 95, 122–35.

SPAWFORTH, A. (2001), ‘Shades of Greekness: A Lydian case study’, in Malkin (2001), 375–400.

SPRAWSON , CHARLES (1992), Haunts of the Black Masseur: The Swimmer as Hero. London.

STAFFORD , EMMA (2000), Worshipping Virtues: Personification and the Divine in Ancient Greece. London and Swansea.

STANISLAVSKI , CONSTANTIN (1961), Creating a Role, Eng. trans. Elizabeth Reynolds Hapgood. New York.

Starkie, W. J. M. (1909) (ed.), The Acharnians of Aristophanes. London.

STARKS , JOHN H. (2000), ‘Nullus me est hodie Poenus Poenior: balanced ethnic humor in Plautus’ Poenulus’, Helios 27, 163–86.

STAVRAKIS , YANNIS (1999), Lacan and the Political. London and New York.

STEEDMAN , CHARLES (1867), Manual of Swimming. Melbourne and London.

STEFFEN, W. (1971), ‘The satyr-dramas of Euripides’, Eos 59, 203–26.

STEGGLE, M. (forthcoming), ‘That scurrilous. carping comedian: Aristophanes in the English Renaissance’, in E. Hall and A. Wrigley (eds.), Aristophanes in Performance: Birds, Peace, Frogs. Oxford.

(p.446) STEHLE, EVA (2002), ‘The body and its representations in Aristophanes’ Thesmophoriazousai: where does the costume end?’ AJP 123, 369–406.

——— (2004), ‘Choral prayer in Greek tragedy: euphemia or aischrologia?’, in Murray and Wilson (2004), 121–55.

STEINER, DEBORAH (1994), The Tyrant's Writ: Myths and Images of Writing in Ancient Greece. Princeton.

——— (1995), ‘Eyeless in Argos: a reading of Agamemnon 416–19’, JHS 115, 175–82.

——— (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton and Oxford.

STEINER, WENDY (1982), The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. Chicago.

——— (1988), Pictures of Romance: Form against Content in Painting and Literature. Chicago and London.

STEPHANIS, I. E. (1980), Ho Doulos stis Kōmōdies tou Aristophanē. Thessa loniki.

——— (1988), Dionysiakoi Technitai. Herakleion.

STEPHENS, S. A. (1981), ‘Aristophanes, ïßçóØò’, in Papyri Greek and Egyp tian, edited by Various Hands in Honour of Eric Gardner Turner, 23–5. London.

STEPTO, ROBERT BURNS (1979), From Behind the Veil: A Study of Afro-American Narrative. Urbana, Ill. and London.

STERN, TIFFANY (2000), Rehearsal from Shakespeare to Sheridan. Oxford.

——— (2004), Making Shakespeare: From Stage to Page. London and New York.

STEVEN, M. R. G. (1933), ‘Plato and the art of his time’, CQ 27, 149–55.

STOL, M. (2000), Birth in Babylonia and the Bible: Its Mediterranean Setting [ Cuneiform Monographs 14]. Groningen.

STONE, LAURA M. (1981), Costume in Aristophanic Comedy. New York.

STOREY, I. C. (2003) (ed.), Eupolis. Poet of Old Comedy. Oxford.

STOTHARD, PETER (2005), ‘Hit me here, and here, and here’, Times Literary Supplement 5324, 15 April, 18.

STRAUSS, BARRY S. (1993), Fathers and Sons in Classical Athens: Ideology and Society in the Era of the Peloponnesian War. Princeton.

STUMPF, H. C. (1896), ‘Die pseudo-Aristotelischen Probleme äber Musik’, Abhandlungen der königlichen Akademie der Wissenschaften zu Berlin, no. 3, 1–85.

SÜSS, W. (1910), Ethos: Studien zur älteren griechischen Rhetorik. Leipzig.

SUTTON, D. F. (1974), ‘Aeschylus’ Amymone’, GRBS 15, 193–202.

——— (1980), The Greek Satyr Play. Meisenheim am Glan.

——— (1987), ‘The theatrical families of Athens’, AJP 108, 9–26.

(p.447) SVENBRO, JASPER (1990), ‘‘The interior voice’: on the invention of silent reading, in Winkler and Zeitlin (1990), 366–84.

TAAFFE, LAUREN K. (1993), Aristophanes and Women. London.

TALMER, JEREMY (2003), ‘A new Persians offers insight on new imperialism’, The Villager 73.3 (June 18–24).

TAPLIN, OLIVER (1972), ‘Aeschylean silences and silences in Aeschylus’, HSCP 76, 57–97.

——— (1977), The Stagecraft of Aeschylus. Oxford.

TAPLIN, OLIVER (1978), Greek Tragedy in Action. London.

——— (1983), ‘Tragedy and Trugedy’, CQ 33, 331–33.

——— (1986), ‘Fifth-century tragedy and comedy: a synkrisis’, JHS 106, 163–74.

——— (1991), ‘Auletai and auletrides in Greek comedy and comic vasepaintings’, Quaderni ticinesi di numismatica e antichitàclassiche 20, 31–48.

——— (1993), Comic Angels and Other Approaches to Greek Drama through Vase-Painting. Oxford.

——— (1996), ‘Comedy and the tragic’, in Silk (1996), 188–202.

——— (1999), ‘Spreading the word through performance’, in S. Goldhill, and R. Osborne (eds.), Performance Culture and Athenian Democracy, 33–57. Cambridge.

——— (2000) (ed.), Literature in the Greek and Roman Worlds: A New Perspective. Oxford.

——— and Peter Wilson (1993), ‘The “aetiology” of tragedy in the Oresteia’, PCPS 39, 169–80.

THALMANN, WILLIAM G. (1998), The Swineherd and the Bow: Representations of Class in the Odyssey. Ithaca, NY, and London.

THIERCY, PASCAL (1986), Aristophane:fiction et dramaturgie. Paris.

THOMAS, RALPH (1904), Swimming, 2nd edn. London.

THOMAS, ROSALIND (1989), Oral Tradition and Written Record in Classical Athens. Cambridge.

——— (2000), Herodotus in Context: Ethnography, Science, and the Art of Persuasion. Cambridge.

——— (2001), ‘Ethnicity, genealogy, and Hellenism in Herodotus’, in Malkin (2001), 213–33.

THOMSON, A. D. (1898), Euripides and the Attic Orators: A Comparison. London and New York.

THOMSON, GEORGE (1966) (ed.), The Oresteia of Aeschylus. 2nd edn. Prague.

TODD, S. (1990a), ‘The purpose of evidence in Athenian courts’, in Cartledge, Millett, and Todd (1990), 19–39.

TODD, S. (1990b), ‘The use and abuse of the Attic orators’, G&R 37, 159–78.

——— (1993), The Shape of Athenian Law. Oxford.

(p.448) TODD, S. (2000), ‘How to execute people in fourth-century Athens’, in Virginia Hunter and Jonathan Edmondson (eds.), Law and Social Status in Classics Athens, 32–51. Oxford.

TOMASELLI, S., and R. PORTER (1986) (eds.), Rape: An Historical and Social Enquiry. Oxford.

TRANKLE, HERMANN (1984), ‘Zu drei Stellen von Suetons Augustusvita’, in Filologia e Forme Letterarie 4 (= Studi offerti a Francesco della Corte), 95–104. Urbino.

TRAVLOS, J. (1971), Pictorial Dictionary of Ancient Athens (Eng. trans.). London.

TRENDALL, A. D. and CAMBITOGLOU, A. (1983), The Red-Figured Vases of Apulia suppl. I (= BICS suppl. 42). London.

——— and Webster, T. B. L. (1971), Illustrations of Greek Drama. London and New York.

TRITLE, LARRY (2000), From Melos to My Lai: War and Survival. London.

TUPLIN, C. (1996), Achaemenid Studies (= Historia Einzelschriften xcix). Stuttgart.

Turner, E. G. (1962a), ‘Euripides, Cresphontes’, The Oxyrhynchus Papyri 27, 73–81.

——— (1962b), ‘Hypotheses of Euripides’ Alcestis and Aeolus’, The Oxyrhynchus Papyri 27, no. 2457, 70–3.

TZANETOU, A. (2002), ‘Something to do with Demeter: ritual and performance in Aristophanes’ Women at the Thesmophoria, in Gamel (2002), 329–67.

UHLIG, G. (1983) (ed.), Dionysii Thracis Ars Grammatica (= Grammatici Graeci Part 1 vol. i). Leipzig.

USHER, M. D. (2002), ‘Satyr play in Plato's Symposium’, AJP 123, 205–28.

USHER, S. (1965), ‘Individual characterization in Lysias’, Eranos 63, 99–119.

——— (1976), ‘Lysias and his clients’, GRBS 17, 31–40.

Ussher, R. G. (1960) (ed.), The Characters of Theophrastus. London.

——— (1977), ‘The other Aeschylus: a study of the fragments of Aeschyleansatyr plays’, Phoenix 31, 278–99.

——— (1978) (ed.), Euripides’ Cyclops, Introduction and Commentary. Rome.

Vahlen, J.Vahlen (1903) (ed.), Ennianae Poesis Reliquiae. Leipzig.

VALAKAS, KOSTAS (2002), ‘The use of the body by actors in tragedy and satyrplay’, in P. Easterling and E. Hall (eds.), Greek and Roman Actors:Aspects of an Ancient Profession,69–92.Cambridge.

VALENSI, L. (1990), ‘The making of a political paradigm: the Ottoman state and Oriental despotism’, in A. Grafton and E. Blair (eds.), The Transmis sion of Culture in Early Modern Europe, 173–203. Philadelphia.

VAN ESVELD, W. H. C. (1908), ‘De balneis lavationibus Graecorum’. Diss. Amersfoot.

(p.449) Van Fossen, R. W. (1979) (ed.), Eastward Ho. George Chapman, Ben Jonson, John Marston. Manchester and Baltimore.

VAN HOOK, LARUE (1919), ‘Alcidamas versus Isocrates: the spoken versus the written word’, CW 12, 89–94.

VAN MINNEN, PETER (1997), ‘The performance and readership of the Persai of Timotheus’, Archiv fär Papyrusforschung 43, 246–60.

VAN STEEN, GONDA (2006), ‘Enacting History and Patriotic Myth: Aeschylus’ Persians on the Eve of the Greek War of Independence’, in Bridges, Hall, and Rhodes (2006).

Van Straten, F. T. (1981), ‘Gifts for the gods’, in H. S. Versnel (ed.), Faith, Hope and Worship: Aspects of Religious Mentality in the Ancient World, 65–151. Leiden.

Varadpande, M. L. (1981), Ancient Indian and Indo-Greek Theatre. New Delhi.

VASUNIA, PHIROZE (2001), The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander. Berkeley, Los Angeles and London.

——— (2003), ‘Plutarch and the return of the archaic’, in A. J. Boyle and W. J. Domink (eds.), Flavian Rome: Culture, Image, Text, 369–89. Leiden.

VEDDER, U. (1988), ‘Frauentod-Kriegertod im Spiegel der attischen Grabkunst den 4. Jhr.v.Chr.’, MDAI(A) 103, 161–91.

VERDUCCI, F (1985), Ovid's Toyshop of the Heart: Epistulae Heroidum. Princeton.

VERMEULE, EMILY (1979), Aspects of Death in Early Greek Art and Poetry. Berkeley and London.

VERNANT, J.-P. (1982), ‘La belle mort et le cadavre outragé’, i n G. Gnoli and J.-P. Vernant (eds.), La Mort, les morts dans les sociétés anciennes, 45–76. Cambridge and Paris.

——— (1988), Myth and Society in Ancient Greece, Eng. trans. New York.

——— and Vidal-Naquet, P. (1988), Myth and Tragedy in Ancient Greece, Eng. trans. Janet Lloyd. New York.

VERRALL, A. W. (1905), Essays on Four Plays of Euripides. Cambridge.

VILARDO, MASSIMO (1976), ‘La forma della comicità nella Pace di Aristofane’, Dioniso 47, 54–81.

VINAVER, E. (1947) (ed.), The Works of Thomas Malory, vol. i. Oxford.

VOGT, JOSEPH (1965), Sklaverei und Humanität [Historia Einzelschriften 8]. Wiesbaden.

Von Blumenthal, A. (1939), (ed.), Ion von Chios: die reste seiner Werke. Stuttgart and Berlin.

Von Reden, Sitta And Goldhill, Simon (1999), ‘Plato and the performance of dialogue’, in Simon Goldhill and Robin Osborne (eds.), Performance Culture and Athenian Democracy, 257–89. Cambridge.

(p.450) VON ROTTECK, CARL (1842), Bilder-Gallerie zur allgemeinen Weltgeschichte. Karlsruhe and Freiburg.

VON SCHLEGEL, A. W. (1840), A Course of Lectures on Dramatic Art and Literature, 2nd edn., trans. John Black. London.

Von Wilamowitz-Moellendorff, Ulrich (1893), Aristoteles und Athen. Berlin.

——— (1903) (ed.), Timotheus. Die Perser. Leipzig.

——— (1927) (ed.), Aristophanes Lysistrate. Berlin.

——— (1929), ‘Sepulcri Portuensis imagines’, Stud. Ital. 8, 89–100, rep. in Kleine Schriften vol. 5.1 (1935), 523–32. Berlin.

——— (1930), My Recollections 1848–1914, trans. G. C. Richards. London.

Vos, M. F. (1963), Scythian Archers in Archaic Attic Vase Painting. Groningen.

WÆRN, INGRID (1960), ‘Greek lullabies’, Eranos 58, 1–8.

Walker, R. J. (1919) (ed.), The Ichneutae of Sophocles. London.

Wallace, Robert W. (2004), ‘Damon of Oa: music theorist ostracized?’, in Murray and Wilson (2004), 249–67.

WALTER, BETTYRUTH (1988), The Jury Summation as Speech Genre. Amsterdam.

WALZ, C. (1835) (ed.), Rhetores Graeci, vol. ii. Stuttgart, Täbingen, and London.

WARDY, ROBERT (2002), ‘The unity of opposites in Plato's Symposium’, in David Sedley (ed.), Oxford Studies in Ancient Philosophy, 1–62. Oxford.

WARNER, MARINA (1985), Monuments and Maidens: the Allegory of the Female Form. London.

——— (1986), ‘Images of Peace’, The Listener 15/2957 (24 April), 26.

——— (1987), Monuments and Maidens: the Allegory of the Female Form. London.

WATZINGER, C. (1905), Griechische Holzsarkophage aus der Zeit Alexanders des Grossen. Leipzig.

Webb, Matthew (1875), The Art of Swimming. London.

WEBSTER, T. B. L. (1939), ‘Greek theories of art and literature down to 400 BC’, CQ 33, 166–79.

——— (1956), Art and Literature in Fourth Century Athens. London.

——— (1967), The Tragedies of Euripides. London.

——— (1970), The Greek Chorus. London.

——— Monuments Illustrating New Comedy (1995) 3rd edn., rev. and enlarged by J. R. Green and Axel Seeberg. London.

WEHRLI, FRITZ (1953) (ed.), Herakleides Pontikos [ = Die Schule des Aristoteles, Texte und Kommentar vol. vii]. Basel.

(p.451) ——— (1969) (ed.), Die Schule des Aristoteles, 2nd edn., vol. ix. Basel and Stuttgart.

WEISS, CARINA (1986), ‘Eos’, LIMC iii.1, 747–89.

WELWEI, K.-W. (1974–7), Unfreie im antiken Kriegsdienst. Wiesbaden.

WERNER, JÜRGEN (1992), ‘Bibliographie’, in Mäller, Sier, and Werner (1992), 233–52.

WERRE-DE HAAS, M. (1961) (ed.), Aeschylus’ Dictyulci (Leiden).

WEST, M. L. (1968), ‘Two passages of Aristophanes’, CR NS 18, 5–8.

——— (1971), ‘Stesichorus’, CQ 21, 302–14.

——— (1987a) (ed.), Euripides’ Orestes. Warminster.

——— (1987b), Introduction to Greek Metre. Oxford.

——— (1992a), Ancient Greek Music. Oxford.

——— (1992b), Iambi et Elegi Graeci, vol. ii. 2nd edn. Oxford.

WHATMOUGH, J. (1952), ‘On Triballic in Aristophanes’ (Birds 1615)’, CP 47, 26.

WHINCOP, THOMAS (1747), Scanderbeg, or, Love and liberty: a tragedy; to which are added, a list of all the dramatic authors with some account of their lives, and of all the dramatic pieces ever published in the English language, to the year 1747. London.

WHITBY, M. (1998), ‘An international symposium? Ion of Chios fr. 27 and the margins of the Delian League’, in Edward Dabrowa (ed.), Ancient Iran and the Mediterranean World [ = Uniwessytet Jagiellonski Studies in Ancient History 2, proceedings of an international conference in honour of Professor Joό;zef Wolski], 207–24. Krakow.

WHITE, JOHN WILLIAMS (1912), The verse of Greek Comedy. London.

WHITE, ROBERT J. (1975), Artemidorus, The Interpretation of Dreams: Oneirocritica. Park Ridge, NJ.

WHITEHEAD, DAVID (1977), The Ideology of the Athenian Metic. Cambridge.

——— (1986), The Demes of Attica: A Political and Social Study. Princeton.

——— (2000) (ed.), Hypereides. The Forensic Speeches. Oxford.

WHITMAN, C. (1964), Aristophanes and the Comic Hero. Cambridge, Mass.

WILCOX, S. (1942), ‘The scope of early rhetorical instruction’, HSCP 53, 121–55.

——— (1945), ‘Isocrates’ fellow-rhetoricians’, AJP 66, 171–86.

WILES, DAVID (1991), The Masks of Menander: Sign and Meaning in Greek and Roman Performance. Cambridge.

——— (1997), Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge.

——— (2000), Greek theatre performance: An Introduction. Cambridge.

WILLETTS, R. F. (1958), ‘Cretan Eileithyia’, CQ 8, 221–3.

(p.452) WILLIAMS, GARETH (1992), ‘Ovid's Canace: dramatic irony in Heroides 11’, CQ 42, 201–9.

WILLI, ANDREAS (2002a) (ed.), The Language of Greek Comedy. Oxford.

——— (2002b), ‘Languages on stage: Aristophanic language, cultural history, and Athenian identity’, in Willi (2002a), 111–49.

WILLIAMS, HENRY (1884), The Adventurous Life and Daring Exploits in England and America of Captain Matthew Webb: The Swimming Champion of the World. London.

WILLINK, C. (1989), ‘The reunion duo in Euripides’ Helen’, CQ 39, 45–69.

WILSHIRE, BRUCE (1982), Role Playing and Identity: The Limits of Theater as Metaphor, Bloomington, IA.

WILSON, PETER J. (1996), ‘Tragic rhetoric: the use of tragedy and the tragic in the fourth century’, in Silk (1996), 310–31.

——— (1999–2000), ‘Euripides’ tragic muse’, in Martin Cropp, Kevin Lee and David Sansone (eds.), Euripides and Tragic Theatre in the Late Fifth Century. Special issue of ICS, vols. 24–5, 427–49.

——— (2000a), The Athenian Institution of the Khoregia: The Chorus, the City and the Stage. Cambridge.

——— (2000b), ‘Powers of horror and laughter: the great age of drama’, in Taplin (2000), 88–132.

——— (2002), ‘The musicians among the actors’, in P. Easterling and E. Hall (eds.), Greek and Roman Actors: Aspects of an Ancient Profession, 39–68. Cambridge.

——— (2004), ‘Athenian strings’, in Murray and Wilson (2004), 269–306.

WILSON, W. DANIEL (1985), ‘Turks on the 18th-century operatic stage’, Eighteenth-Century Life 9.2, 79–92.

WILTSHER, A. (1985), Most Dangerous Women: Feminist Peace Campaigners of the Great War. London.

WINKLER, J. J. (1990), ‘The ephebes’ song’, in Winkler and Zeitlin (1990), 20–62.

——— and Zeitlin, F. I. (1990) (eds.), Nothing to do with Dionysos? Athenian Drama in its Social Context. Princeton.

WINNINGTON-INGRAM, R. P. (1963) (ed.), Aristidis Quintiliani de Musica Libri Tres. Leipzig.

WINTER, JOHN GARRETT (1933), Life and Letters in the Papyri. Ann Arbor, Mich.

WISE, JENNIFER (1998), Dionysus Writes: The Invention of Theatre in Ancient Greece. Ithaca, NY.

WISEMAN, T. P. (1988), ‘Satyrs in Rome: The Background to Horace's Ars Poetica’, JRS 78, 1–13.

(p.453) WITSCHEL, CHRISTIAN (2002), ‘Athen im 5. Jh.v.Chr.–Der Historische Kontext’, in Moraw (2002), 5–18.

WOLFF, CHRISTIAN (1992), ‘Euripides’ Iphigeneia among the Taurians: aetiology, ritual, and myth,’ Classical Antiquity 11, 308–34.

WOLFF, H. J. (1944), ‘Marriage, Law and Family Organization in Ancient Athens: A Study in the Interrelation of Public and Private Law in the Greek City’, Traditio 2, 43–96.

WOLFF, JANET (1981), The Social Production of Art. London.

WOOD, MARCUS (1999), Blind Memory: Representations of Slavery in England and America 1780–1865. Manchester.

——— (2002), Slavery, Empathy and Pornography. Oxford.

WORMAN, NANCY (2002), The Cast of Character: Style in Greek Literature. Austin, Tex.

——— (2004), ‘Insults and oral excess in the disputes between Aeschines and Demosthenes’, AJP 125, 1–25.

Worthington, I. (1991), ‘Greek oratory, revision of speeches and the problem of historical reliability’, C&M 42, 55–74.

——— (1994) (ed.), Persuasion:Greek Rhetoric in Action. London and New York.

——— (1996a) (ed.), Word into Text: Orality and Literacy in Ancient Greece [ = Mnemosyne 157]. Leiden, New York, and Cologne.

——— (1996b), ‘Greek oratory and the oral/literate division’, in Worthington (1996a), 165–77.

WRIGHT, M. E. (2005), Euripides’ Escape Tragedies. Oxford.

WÜST, E. (1949), ‘Pantomimus’, RE XVIII 3 (1949), 833–69.

WYKE, MARIA (1998) (ed.), Parchments of Gender: Deciphering the Body in Antiquity. Oxford.

Xanthakis-Karamanos (1980), Studies in Fourth-Century Tragedy. Athens.

YATES, FRANCES A. (1966), The Art of Memory. Chicago and London.

ZAMPAGLIONE, G. (1973), The Idea of Peace in Antiquity, trans. R. Dunn. Notre Dame, Ind.

ZEIGLER, EARLE F. (1968), Problems in the History of Physical Education and Sport. Englewood Cliffs, NJ.

ZEITLIN, FROMA I. (1970), ‘The Argive festival of Hera and Euripides’ Electra,’ TAPA 101, 645–69.

——— (1980), ‘The closet of masks: role-playing and mythmaking in the Orestes of Euripides’, Ramus 9, 51–77.

——— (1981), ‘Travesties of gender and genre in Aristophanes’ Thesmophoriazousae’, in Foley (1981b), 169–217.

——— (1985), ‘Playing the other: theater, theatricality, and the feminine in Greek drama’, Representations 11, 63–94, revised versions in Winkler and Zeitlin (1990), 63–96 and Zeitlin (1996).

(p.454) ZEITLIN, FROMA I. (1986), ‘Configurations of rape in Greek myth’, in Tomaselli and Porter (1986), 122–51.

——— (1991), ‘Euripides’ Hekabe and the somatics of Dionysiac drama’, Ramus 20, 53–94.

——— (1993), ‘Staging Dionysus between Thebes and Athens’, in Thomas H. Carpenter and Christopher A. Faraone (eds.), Masks of Dionysus, 147–82. Ithaca, NY, and London.

——— (1994), ‘The artful eye: vision, ecphrasis and spectacle in Euripidean theatre’, in Goldhill and Osborne 1994, 138–96.

——— (1996), Playing the Other: Gender and Society in Classical Greek Literature. Chicago and London.

——— (2003), ‘The Argive festival of Hera and Euripides’ Electra’, in J. Mossman (ed.), Oxford Readings in Euripides (Oxford 2003), 261–84 (revised version of article originally published in TAPA 101 (1970), 645–69.

ZIMMERMANN, BERNHARD (1985), Untersuchung zur Form und dramatischen Technik der Aristophanischen Komödien, vol. i. Königstein and Ts.

——— (1996), ‘Der Tanz in der griechischen Komödie’, Primeras Jornadas Internacionales de Teatro Griego, 121–32. Universitad de Valencia.

ŽIŽEK, SLAJOV (1994), The Metastases of Enjoyment. Six Essays on Woman and Causality. London.

——— (2002), For they Know Not What They Do: Enjoyment as a Political Factor, 2nd edn. London [Originally published in 1991].

ZWEIG, BELLA (1992), ‘The mute nude female characters in Aristophanes’ plays’, in Amy Richlin (ed.), Pornography and Representation in Greece and Rome, 73–89. Oxford and New York.