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Shakespeare in Parts$

Simon Palfrey and Tiffany Stern

Print publication date: 2007

Print ISBN-13: 9780199272051

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780199272051.001.0001

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(p.519) Bibliography

(p.519) Bibliography

Shakespeare in Parts
Oxford University Press

Primary Sources


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Lindley, David, Shakespeare and Music (London: Arden, 2006).

Meagher, John C., ‘Economy and Recognition: Thirteen Shakespearean Puzzles’, Shakespeare Quarterly,35 (1984),7–22.

Menzer, Paul (ed.), Inside Shakespeare: Essays on the Blackfriars Stage (Selinsgrove, Pa.: Susquehanna University Press, 2006).

Nagler, A. M., Sources of Theatrical History (New York: Theatre Annual, Inc., 1952).

Nungezer, Edwin, A Dictionary of Actors (New Haven: Yale University Press, 1929).

Orgel, Stephen, The Authentic Shakespeare, and Other Problems of the Early Modern Stage (New York: Routledge,2002).

Pasternak-Slater, Ann, Shakespeare the Director (Brighton: Harvester, 1982).

Roach, Joseph R., The Player's Passion: Studies in the Science of Acting (Newark, NJ: University of Delaware Press, 1985).

Stern, Tiffany, ‘Behind the Arras: The Prompter's Place in the Shakespearean Theatre’, Theatre Notebook, 55 (2001), 110–18.

——— Making Shakespeare (London and New York: Routledge,2004).

——— ‘Watching as Reading: The Audience and Written Text in the Early Modern Playhouse’, in Laurie Maguire (ed.), How To Do Things with Shakespeare (Oxford: Blackwell, 2007).

Thomson, Peter, Shakespeare's Professional Career (Cambridge: Cambridge University Press, 1992).

Wiggins, Martin, Shakespeare and the Drama of his Time (Oxford: Oxford University Press, 2000).

Worthen, W. B., The Idea of the Actor (Princeton: Princeton University Press, 1984).

——— Shakespeare and the Authority of Performance (Cambridge: Cambridge University Press, 1997).

(p.530) Text

Blayney, Peter W. M., The First Folio of Shakespeare (Washington: Folger Shakespeare Library, 1991).

Bowers, Fredson, ‘The Copy for Shakespeare's Julius Caesar’, South Atlantic Bulletin, 43 (1978), 29–31.

Brooks, Douglas A., From Playhouse to Printing House: Drama and Authorship in Early Modern England (Cambridge: Cambridge University Press,2000).

Clayton, Thomas (ed.), The Hamlet First Published (Q1, 1603): Origins, Form, Intertextualities (Newark, NJ: University of Delaware Press,1992).

Cox, John D., and Kastan, David Scott (eds.), A New History of Early English Drama (New York: Columbia University Press, 1997).

Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge: Cambridge University Press, 2003).

——— and Kidnie, M. J. (eds.), Textual Performances: The Modern Reproduction of Shakespeare's Drama (Cambridge: Cambridge University Press,2003).

Flatter, Richard, Shakespeare's Producing Hand (London: William Heinemann Ltd., 1948).

Gurr, Andrew, ‘Maximal and Minimal Texts: Shakespeare versus the Globe’, Shakespeare Survey,52 (1999),68–87.

Holland, Peter, and Orgel, Stephen, From Performance to Print in Shakespeare's England (Basingstoke: Palgrave,2006).

Honigmann, E. A. J., The Stability of Shakespeare's Texts (Lincoln: University of Nebraska Press, 1965).

Ioppolo, Grace, Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (London and New York: Routledge, 2006).

——— Revising Shakespeare (Cambridge, Mass.: Harvard University Press,1991).

Jones, John, Shakespeare at Work (Oxford: Clarendon Press, 1995).

Kastan, David Scott, Shakespeare and the Book (Cambridge: Cambridge University Press, 2001).

Kirsch, Arthur C., ‘Caroline Commentary on the Drama’, Modern Philology, 66 (1969), 256–61.

Langhans, Edward A., Eighteenth-Century British and Irish Promptbooks: A Descriptive Bibliography (Westport, Conn.: Greenwood Press,1987).

——— Restoration Promptbooks (Carbondale and Edwardsville: Southern Illinois University Press, 1981).

McLeod, Randall (ed.), Crisis of Editing: Texts of the English Renaissance (New York: AMS Press, Inc., 1993).

Orgel, Stephen, and Keilen, Sean (eds.), Shakespeare and the Editorial Tradition (New York and London: Garland Publishing, 1999).

Pollard, A. W., and Redgrave, G. R., A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad 1475–1640,2ndedn., revised and enlarged by W. A. Jackson, F. S. Ferguson, and Katharine F. Pantzer, 3 vols. (London: Bibliographical Society, 1986–91).

(p.531) Taylor, Gary, and Warren, Michael (eds.), The Division of the Kingdoms: Shakespeare's Two Versions of ‘King Lear’ (Oxford: Clarendon Press,1983).

Thompson, Ann, and McMullan, Gordon (eds.), In Arden: Editing Shakespeare (London: Thomson, 2003).

Wells, Stanley, and Taylor, Gary, with John Jowett and William Montgomery, William Shakespeare: A Textual Companion (Oxford: Oxford University Press, 1987).

Werstine, Paul, ‘Editing after the End of Editing’, Shakespeare Studies, 24 (1996), 47–54.

Language, Prosody, and Rhetoric

Adamson, Sylvia, Hunter, Lynette, Magnusson, Lynne, Thompson, Ann, Wales, Katie (eds.), Reading Shakespeare's Dramatic Language—Arden Shakespeare: A Guide (London: Arden,2000).

Attridge, Derek, Well-Weighed Syllables: Elizabethan Verse in Classical Metres (Cambridge: Cambridge University Press, 1974).

Davis, Philip, Shakespeare Thinking (London and New York: Continuum, 2007).

de Grazia, Margreta, ‘Shakespeare and the Craft of Language’, in Margreta de Grazia and Stanley Wells (eds.), The Cambridge Companion to Shakespeare (Cambridge: Cambridge University Press, 2001), 49–64.

Hardison, O. B. jun., Prosody and Purpose in the English Renaissance (Baltimore: Johns Hopkins University Press, 1989).

Hollander, John, Vision and Resonance (Oxford: Oxford University Press, 1975).

Hope, Jonathan, Shakespeare's Grammar (London: Arden, 2003).

Joseph, Sister Miriam, Rhetoric in Shakespeare's Time (New York: Harcourt, Brace and World, 1962).

Kastan, David Scott (ed.), A Companion to Shakespeare, Blackwell Companions to Literature and Culture (Oxford: Blackwell, 1999).

Kermode, Frank, Shakespeare's Language (London: Penguin, 2000).

Mack, Peter (ed.), Renaissance Rhetoric (London: St Martin's Press, 1984).

——— (ed.), Elizabethan Rhetoric: Theory and Practice (Cambridge: Cambridge: Cambridge University Press, 2002).

McDonald, Russ, Shakespeare and the Arts of Language (Oxford: Oxford University Press, 2001).

——— Shakespeare's Late Style (Cambridge: Cambridge University Press,2006).

Murphy, James J., Renaissance Eloquence: Studies in the Theory and Practice of Renaissance Rhetoric (Berkeley and London: University of California Press,1983).

Ong, Walter J., ‘Tudor Writings on Rhetoric’, Studies in the Renaissance, 15 (1968), 39–69.

Orgel, Stephen, The Authentic Shakespeare, and Other Problems of the Early Modern Stage (New York: Routledge,2002).

Palfrey, Simon, Doing Shakespeare (London: Arden Shakespeare, 2005).

——— Late Shakespeare: A New World of Words (Oxford: Clarendon Press,1997).

(p.532) Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context (Chicago: University of Chicago Press, 1996).

Platt, Peter G., ‘Shakespeare and Rhetorical Culture’, in David Scott Kastan (ed.), A Companion to Shakespeare (1999), 277–96.

Poole, William, ‘Unpointed Words: Shakespearean Syntax in Action’, Cambridge Quarterly,32(2003), 27–48.

Prynne, J. H., ‘English Poetry and Emphatical Language’, Proceedings of the British Academy,74(1988),135–69.

Rhodes, Neil, Shakespeare and the Uses of English (Oxford: Oxford University Press, 2004).

Smith, Bruce R., The Acoustic World of Early Modern England (Chicago and London: University of Chicago Press, 1999).

Thorne, Alison, Vision and Rhetoric in Shakespeare: Looking Through Language (New York: St Martin's Press, 2000).

Trousdale, Marion, Shakespeare and the Rhetoricians (Chapel Hill: University of North Carolina Press, 1982).

Vickers, Brian, The Artistry of Shakespeare's Prose (London: Methuen, 1968).

——— In Defence of Rhetoric (Oxford: Oxford University Press,1988).

——— ‘Rhetoric and Poetics’, in Charles B. Schmitt (ed.), The Cambridge History of Renaissance Philosophy (Cambridge: Cambridge University Press, 1988).

Weimann, Robert, Author's Pen and Actor's Voice (Cambridge: Cambridge University Press, 2000).

Wright, George T., Shakespeare's Metrical Art (Berkeley: University of California Press, 1991).