Emotions Expressed and Aroused by Music
Philosophical Perspectives
This chapter begins by outlining the nature of academic philosophy. It then discusses the ways in which music's expression of emotions is philosophically problematic, theories of the emotions, constraints on the theory, and the qualified listener.
Keywords: music, emotion, philosophy, listener
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .