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The Other Virgil`Pessimistic' Readings of the Aeneid in Early Modern Culture$
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Craig Kallendorf

Print publication date: 2007

Print ISBN-13: 9780199212361

Published to Oxford Scholarship Online: January 2008

DOI: 10.1093/acprof:oso/9780199212361.001.0001

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Revolution

Revolution

Chapter:
(p.138) 3 Revolution
Source:
The Other Virgil
Author(s):

Craig Kallendorf (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199212361.003.0004

This chapter considers three key assaults on the Ancien Régime: those of Oliver Cromwell in the 17th century; the American colonies at the end of the 18th; and the French citizenry, from the assault on the Bastille to the rise of Napoleon. In each case, an imitation of the Aeneid develops into an effort to come to terms with rapid political and social change. In the case of Paradise Lost, John Milton produced a poem that reveals all the complexities of the Restoration and his efforts to find a place within it, while in the case of the Columbiad, the production and revision of the poem show how Joel Barlow succeeded in creating an epic that articulates the values of a new revolutionary society. The third poem, the little-known Virgile en France of Victor Alexandre Chrétien Le Plat du Temple, makes the Aeneid, traditionally seen as a pro-imperial poem, into an allegory of the establishment of the French republic.

Keywords:   John Milton, Paradise Lost, Joel Barlow, Virgil, American Revolution, Victor Alexandre Chrétien Le Plat du Temple, Virgile en France, Aeneid

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