Jump to ContentJump to Main Navigation
The Consolation of Boethius as Poetic Liturgy$
Users without a subscription are not able to see the full content.

Stephen Blackwood

Print publication date: 2015

Print ISBN-13: 9780198718314

Published to Oxford Scholarship Online: August 2015

DOI: 10.1093/acprof:oso/9780198718314.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see www.oxfordscholarship.com/page/privacy-policy).date: 18 October 2018

Conclusion to Part I

Conclusion to Part I

Chapter:
(p.79) Conclusion to Part I
Source:
The Consolation of Boethius as Poetic Liturgy
Author(s):

Stephen Blackwood (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198718314.003.0004

In each of the poems of the first book we have observed a dynamic interplay between metre and meaning. At a minimum these poems demonstrate a highly self‐conscious use of poetic form. But we have also seen that each metre bears a particular relationship to the prisoner’s physical or psychological state. If we cast a summarizing glance over the poems of the first book, we have the following:...

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .