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The Musical Temperament$
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Anthony E. Kemp

Print publication date: 1996

Print ISBN-13: 9780198523628

Published to Oxford Scholarship Online: March 2012

DOI: 10.1093/acprof:oso/9780198523628.001.0001

Orchestral performers

Chapter:
(p. 139 ) Eight: Orchestral performers
Source:
The Musical Temperament
Author(s):

ANTHONY E. KEMP

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198523628.003.0009

This chapter takes a closer look at the different types of orchestral musicians, specifically, string players, woodwind players, and brass players. The study of the personality characteristics of different types of orchestral players occurs within the context of a rich backdrop of folklore that is frequently apparent in musical circles. Gender stereotyping of instruments is first discussed. Certain gender-related qualities are formed in children's minds from a very early age and enhanced once they attend schooling. Pupils tend to perceive string and woodwind instruments as being effeminate, whilst brass instruments and drums are deemed as macho. Based on observations presented in this chapter, string and woodwind players tend to be more introverted, whilst brass players tend to have extraverted qualities. In the latter part of the chapter, each player's personality is discussed in detail.

Keywords:   string players, woodwind players, brass players, orchestral players, gender-related qualities, gender stereotyping, introverted, extraverted

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