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Shakespeare’s Hamlet and the Controversies of Self$
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John Lee

Print publication date: 2000

Print ISBN-13: 9780198185048

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198185048.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Shakespeare’s Hamlet and the Controversies of Self
Author(s):

John Lee

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198185048.003.0001

This introductory chapter first sets out the focus of the book, which is to search for an answer to a critical issue: does Prince Hamlet have a self-constituting sense of self? It then presents an overview of the three parts of the book. Part I unfolds the contemporary academic drama surrounding the critical issue. Part II is set in the more distant past, its players drawn from Shakespearian critics of the 17th, 18th, and early 19th centuries. Part III opens with a sense of the high stakes and long vistas that lie behind the controversies of self. Hamlet, the Prince, and Hamlet, the play, now take centre stage.

Keywords:   Hamlet, Prince Hamlet, sense of self

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