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Reading the RhythmThe Poetics of French Free Verse 1910-1930$
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Clive Scott

Print publication date: 1993

Print ISBN-13: 9780198158820

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198158820.001.0001

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Pierre Reverdy, Sources Du Vent(1929)

Pierre Reverdy, Sources Du Vent(1929)

The Prosody of Cubism

Chapter:
(p.216) 8 Pierre Reverdy, Sources Du Vent(1929)
Source:
Reading the Rhythm
Author(s):

Clive Scott

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198158820.003.0009

This chapter discusses Pierre Reverdy, his poem Gravitations, and his opinion and reflections of the reading of verses, of the aesthetic principles of Cubism, and of the experimental approach of calligrammes. This chapter largely focuses on the rhythmic, metric, and prosodic features of Reverdy's poems. In this chapter, the Cubist principles which were the source of meaning in Reverdy's poems, which are structural in relationships rather than in content, and which are more abstract and conceptual rather than concrete and autobiographical are discussed and analyzed.

Keywords:   Pierre Reverdy, poem, Gravitations, verses, Cubism, calligrammes, rhythmic, metric, prosodic, Cubist principles

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