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Patrons and PerformanceEarly Tudor Household Revels$
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Suzanne R. Westfall

Print publication date: 1990

Print ISBN-13: 9780198128809

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198128809.001.0001

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Conclusion

Conclusion

Chapter:
(p.200) Conclusion
Source:
Patrons and Performance
Author(s):

Suzanne R. Westfall

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198128809.003.0006

This chapter sums up the key findings of this study on household entertainment in England during the early Tudor period. The study of early Tudor household revels is very challenging because the available documents are very limited and because the techniques of early Tudor performers and performances have changed so drastically that they seem to have disappeared altogether from contemporary theatrical theory. However, their influence was not totally lost. There is now a trend towards the preservation of the connection between minstrel and disguiser in ballet and renewed critical interest in iconography and the interpretations of signs and allegory in semiology.

Keywords:   household entertainment, England, Tudor period, performers, theatrical theory, minstrel, disguiser, ballet, iconography, semiology

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