Jump to ContentJump to Main Navigation
Adventures with Iphigenia in TaurisA Cultural History of Euripides' Black Sea Tragedy$
Users without a subscription are not able to see the full content.

Edith Hall

Print publication date: 2012

Print ISBN-13: 9780195392890

Published to Oxford Scholarship Online: January 2013

DOI: 10.1093/acprof:oso/9780195392890.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy).date: 22 November 2017

Escorts of Artemis

Escorts of Artemis

Chapter:
(p.135) VII Escorts of Artemis
Source:
Adventures with Iphigenia in Tauris
Author(s):

Edith Hall

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195392890.003.0007

Religion is the third and most important reason why Iphigenia in Tauris is so evident in diverse ancient sources. The myth it enacts was used by people in many parts of the Hellenistic and Roman worlds as the aetiological charter for their local cults of Artemis, Diana, or other goddesses such as the Lydian Anaitis. From the straits of Messina between Sicily and Italy, to the cult of Diana of the Nemi in the Alban hills near Rome, to Patmos, Lydia, Pontus and the hinterlands of Cappadocia, accounts abound of traditions in which Orestes, sometimes with Iphigenia, brought the image of Artemis or a copy of it from the Taurians and founded a local cult of the goddess. Meanwhile, inhabitants of the Roman Empire of the mid-second century BCE, not only in Italy but in France, Austria and Slovenia, adorned funeral sculptures with scenes from the life of Orestes, especially the experiences he shared with Iphigenia and Pylades in the Black Sea. The reasons for the popularity of the story of the Taurian Artemis in sarcophagus art are similar to those for its prevalence on south Italian vases, with the added factor of the involvement of Orestes and Diana in Roman foundation myths.

Keywords:   Hellenistic, Artemis, Diana, Nemi, Cappadocia, Sicily, cult, Roman Empire, sarcophagus art, foundation myths

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .