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Orpheus in Manhattan$
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Steve Swayne

Print publication date: 2011

Print ISBN-13: 9780195388527

Published to Oxford Scholarship Online: May 2011

DOI: 10.1093/acprof:oso/9780195388527.001.0001

ContentsFRONT MATTER

Twenty-Four. One Nightmare after Another

Chapter:
(p. 358 ) Twenty-Four. One Nightmare after Another
Source:
Orpheus in Manhattan
Author(s):

Steve Swayne (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195388527.003.0025

There were a number of difficulties that emerged in the early years of Schuman's tenure as president of Lincoln Center. One of the most difficult was negotiating with the management of City Center to bring the New York City Opera and the New York City Ballet to Lincoln Center. City and state politicians got involved in the negotiations, and the staff of the Metropolitan Opera was not overly supportive of these new constituents. In attempting to solve some of the challenges Schuman saw at Lincoln Center, he ended up riling his opponents, who tried to get Schuman fired. He survived in the post and saw the battles as positive in the long run. During this period, challenges at home emerged, with the women in his family suffering from physical and psychological setbacks. Despite the challenges, Schuman managed to complete an original work for Martha Graham, The Witch of Endor.

Keywords:   New York City Opera, New York City Ballet, Martha Graham, health issues, Metropolitan Opera, controversy, dance

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