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Reforming HollywoodHow American Protestants Fought for Freedom at the Movies$
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William D. Romanowski

Print publication date: 2012

Print ISBN-13: 9780195387841

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780195387841.001.0001

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Introduction

Introduction

Chapter:
(p.3) Introduction
Source:
Reforming Hollywood
Author(s):

William D. Romanowski

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195387841.003.0000

This introduction outlines the book’s central themes and also counters misinterpretations of the role of Protestants in film history. While Protestants are routinely dismissed collectively as ardent proponents of movie censorship, it is argued here that they characteristically sought a measure of harmony between individual liberty, artistic freedom, and the common good in their efforts to establish a fitting role for the cinema. A crucial distinction is made between “pietist” and “structural” traditions, providing a framework for understanding divergent strategies for movie reform. Constituting the central thread in this narrative, around which all the others—dissenting Protestant and Catholic alike—are entwined, are the activities of the Federal (later National) Council of the Churches, which represented the foremost Protestant denominations of the day.

Keywords:   Protestants, film history, movie censorship, individual liberty, artistic freedom, common good, pietist traditions, structuralist traditions

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