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Accented AmericaThe Cultural Politics of Multilingual Modernism$
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Joshua L. Miller

Print publication date: 2011

Print ISBN-13: 9780195336993

Published to Oxford Scholarship Online: May 2011

DOI: 10.1093/acprof:oso/9780195336993.001.0001

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Translating “Englitch”

Translating “Englitch”

Chapter:
(p.227) 5 Translating “Englitch”
Source:
Accented America
Author(s):

Joshua L. Miller (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195336993.003.0006

Diasporic Jewish culture has been multilingual by definition for more than two thousand years of statelessness—until the twentieth century, that is. This chapter juxtaposes two sharply different textual and intellectual trajectories for multilingual Jewish cultures. Henry Roth and Lionel Trilling were each engaged in projects of representing U.S. Jewish life in the 1920s and '30s, the former in his novel Call It Sleep (1934) and the latter in contributions to the Menorah Journal, his later occasional writings on Jewish culture, and, perhaps counterintuitively, his first scholarly book, Matthew Arnold (1939). While Roth's linguistically defamiliarizing novel depicted multilingual invention within Jewish, modernist, and multiethnic proletarian milieux, Trilling moved from particularist Jewish expression to Arnoldian definitions of culture and modernity that quietly enfolded Jewish ethics and aesthetics within a broader program for cultural institutions.

Keywords:   Jewish culture, Henry Roth, Lionel Trilling, Jewish life, Jewish expression, Jewish ethics

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