This volume, a sequel to the author's earlier book The Beauty of the Cross, carries the study of Christian soteriology into the Renaissance, Reformation and Counter‐Reformation eras. Drawing on original documents and classic works of art and music, it uses the theology of the passion to exemplify the parallels and the divergences between conceptual and aesthetic theologies of this era, which represented a crucial turning point in both religion and the arts. The book examines the two great revolutionary movements that gave birth to the modern West, the Renaissance and the Protestant Reformation ... More

This volume, a sequel to the author's earlier book The Beauty of the Cross, carries the study of Christian soteriology into the Renaissance, Reformation and Counter‐Reformation eras. Drawing on original documents and classic works of art and music, it uses the theology of the passion to exemplify the parallels and the divergences between conceptual and aesthetic theologies of this era, which represented a crucial turning point in both religion and the arts. The book examines the two great revolutionary movements that gave birth to the modern West, the Renaissance and the Protestant Reformation, showing how they affected each other and transformed Christian thinking and imagination. After an introductory section dealing with a “paradigmatic” artistic portrayal of the Passion, each chapter examines the “theoretical” as well as the “aesthetic” mediations of the theology of the Passion of Christ and its relationship to human salvation. The theologies of Savonarola, Vincent Ferrer, Gabriel Biel and the nominalists, Luther, Calvin, Robert Bellarmine, and the Council of Trent are examined as examples of the early Catholic Reformation, the Protestant Reformation, and the Catholic Counter‐Reformation. These are placed in correlation to the new situation of art in the era of Frà Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In addition to specifically theological themes, the book explores the effects of theology and preaching on the arts, examining the iconoclasm of some of the early Reformers, the use of pictorial art in service of the word in Lutheranism, and the regulation of the arts by the Council of Trent.