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Zen Skin, Zen MarrowWill the Real Zen Buddhism Please Stand Up?$
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Steven Heine

Print publication date: 2008

Print ISBN-13: 9780195326772

Published to Oxford Scholarship Online: January 2008

DOI: 10.1093/acprof:oso/9780195326772.001.0001

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 Zen Writes

 Zen Writes

Fun and Games with Words and Letters

Chapter:
(p.37) 2 Zen Writes
Source:
Zen Skin, Zen Marrow
Author(s):

Steven Heine (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195326772.003.0002

The first issue discussed in Chapter Two is ineffability versus speech, which concerns the role of language and discourse in a tradition that has produced voluminous texts despite an emphasis on being a special transmission without reliance on words and letters. This chapter considers the question of whether Zen literature is primarily used as a heuristic device, as claimed by the traditional view, or represents some kind of gibberish, as charged by critical Buddhism's harshest skeptics, by comparing the wordplay and allusions in Zen commentaries to the “nonsense” writing in Lewis Carroll's Alice in Wonderland and the free‐floating surrealism of T. S. Eliot's The Wasteland. By focusing on several specific kōan case records, the chapter argues that Zen literature is the product of carefully constructed narratives. The narratives are not nonsense in the conventional use of the term, but show the role of bizarre or outrageous personal interactions between masters and disciples that establish the value of radical anti‐structural behavior within the otherwise conservative setting of monastic institutional structure.

Keywords:   special transmission, Kōan, nonsense, narrative, Zen literature

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