A thematically organized, annotated anthology of translations from the Sanskrit, Tamil, and Maharashtri Prakrit devotional poetry of the South Indian Srivaisnava philosopher, sectarian preceptor (Acarya), and saint‐poet Venkatanatha or Venkatesha, also known as Vedantadesika (c. 1268‐1369). The poems collected in this volume, composed out of devotion (bhakti) for one particular Hindu god, Vishnu Devanayaka, the “Lord of Gods” at Tiruvahindrapuram, form a microcosm of the saint‐poet's work. They encompass major themes of Vedantadesika's devotional poetics, from the play of divine absence and pr ... More

A thematically organized, annotated anthology of translations from the Sanskrit, Tamil, and Maharashtri Prakrit devotional poetry of the South Indian Srivaisnava philosopher, sectarian preceptor (Acarya), and saint‐poet Venkatanatha or Venkatesha, also known as Vedantadesika (c. 1268‐1369). The poems collected in this volume, composed out of devotion (bhakti) for one particular Hindu god, Vishnu Devanayaka, the “Lord of Gods” at Tiruvahindrapuram, form a microcosm of the saint‐poet's work. They encompass major themes of Vedantadesika's devotional poetics, from the play of divine absence and presence in the world of religious emotions; the “telescoping” of time past and future in the eternal “present” of the poem; love, human vulnerability and the impassible perfected body of god; to the devotional experience of a “beauty that saves” and to the paradoxical coexistence of asymmetry and intimacy of lover and beloved at the heart of the divine‐human encounter. Moreover, these poems form more than a thematic microcosm, but also embrace all three of the poet's working languages—forming a linguistic one as well. Each translated poem forms a chapter in itself, has its own individual short afterword, along with detailed linguistic and thematic notes and commentary. The volume concludes, for comparative reasons, with a translation of Tirumankaiyalvar's luminous cycle of verses for Devanayaka from the Periyatirumoli. As much an argument as an anthology, this book will be of interest to students and scholars of South Asian studies, comparative religion, and Indian literatures.