Jump to ContentJump to Main Navigation
Sounds of the MetropolisThe 19th Century Popular Music Revolution in London, New York, Paris and Vienna$

Derek B. Scott

Print publication date: 2008

Print ISBN-13: 9780195309461

Published to Oxford Scholarship Online: September 2008

DOI: 10.1093/acprof:oso/9780195309461.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 24 February 2017

(p.269) Bibliography

(p.269) Bibliography

Sounds of the Metropolis
Oxford University Press

For reasons of space, this bibliography is confined to material cited in the text.

Bibliography references:

Adorno, Theodor W. Theodor W. Adorno: Über Walter Benjamin (1962). Ed. Rolf Tiedemann. Frankfurt: Suhrkamp Verlag, 1970.

Adorno, Theodor W. Aesthetic Theory (1970). Ed. Gretel Adorno and Rolf Tiedemann. Trans. Robert Hullot-Kentor. London: Continuum, 2004.

Adorno, Theodor W. Dissonanzen. Musik in der verwalteten Welt (1956). In Gesammelte Schriften, vol. 14. Frankfurt: Suhrkamp Verlag, 1973.

Adorno, Theodor W. Einleitung in die Musiksoziologie. Frankfurt: Suhrkamp Verlag, 1962.

Adorno, Theodor W. Introduction to the Sociology of Music (1962). Trans. E. B. Ashton. New York: Continuum, 1989.

Adorno, Theodor W. Philosophie der neuen Musik. Frankfurt: Europäische Verlaganstalt, 1958.

Adorno, Theodor W. Philosophy of Modern Music (1958). Trans. Anne G. Mitchell and Wesley V. Blomster. New York: Seabury Press, 1973.

Aldrich, Elizabeth. From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance. Evanston, Ill.: Northwestern University Press, 1991.

Allen, Francis William, Charles Pickard Ware, and Lucy McKim Garrison. Slave Songs of the United States (1867). New York: Oak, 1965.

Allen, Reginald, ed. and comp. The First Night Gilbert and Sullivan (1958). 2nd ed. London: Chappell, 1976.

Allen, Reginald. The Life and Work of Sir Arthur Sullivan: Composer for Victorian England. New York: Pierpont Morgan Library, 1975.

Althusser, Louis. Lenin and Philosophy and Other Essays. Trans. B. Brewster. London: New Left Books, 1977.

The Ancient Melodies of the Liturgy of the Spanish and Portuguese Jews. Harmonized by Emanuel Aguilar. With an essay by D. A. DeSola. London: Wessel, 1857.

(p.270) Appignanesi, Lisa. The Cabaret (1975). 2nd ed. New Haven, Conn.: Yale University Press, 2004.

Ashby, Arved. “Frank Zappa and the Anti-fetishist Orchestra.” Musical Quarterly 83.4 (1999): 557–606.

Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford: Clarendon Press, 1996.

Attali, Jacques. Noise: The Political Economy of Music (1977). Trans. Brian Massumi. Manchester: Manchester University Press, 1985.

Austin, William W. “Susanna,” “Jeanie,” and “The Old Folks at Home”: The Songs of Stephen C. Foster from His Time to Ours. London: Macmillan, 1975.

Avison, Charles. Essay on Musical Expression. London: Davis, 1752.

Bailey, Peter, ed. “Champagne Charlie: Performance and Ideology in the Music Hall Swell Song.” In Bratton, Music Hall, 49–69.

Bailey, Peter. “A Community of Friends: Business and Good Fellowship in London Music Hall Management c. 1860–1885.” In Bailey, Music Hall, 33–52.

Bailey, Peter. “Conspiracies of Meaning: Music-Hall and the Knowingness of Popular Culture.” Past and Present 144 (Aug. 1994): 138–70.

Bailey, Peter. Leisure and Class in Victorian England: Rational Recreation and the Contest for Control, 1830–1885 (1978). London: Methuen, 1987.

Bailey, Peter. Music Hall: The Business of Pleasure. Milton Keynes, England: Open University Press, 1986.

Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge University Press, 1998.

Baily, Leslie. The Gilbert and Sullivan Book (1952, rev. ed. 1956). London: Spring Books, 1966.

Bakhtin, Mikhail. Rabelais and His World (1968). Trans. Hélène Iswolsky. Bloomington: Indiana University Press, 1984.

Ballstaedt, Andreas. “Die Walzer von Johann Strauss (Sohn)—Gebrauchtmusik oder Werk?” In Finscher and Riethmüller, Johann Strauss, 76–96.

Ballstaedt, Andreas, and Tobias Widmaier. Salonmusik: Zur Geschichte und Funktion einer bürgerlichen Musikpraxis. Stuttgart: Steiner Verlag, 1989.

Bashford, Christina, and Leanne Langley, eds. Music and British Culture, 1785–1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, 2000.

Bass, Michael T. Street Music in the Metropolis. London: John Murray, 1864.

Baudrillard, Jean. Simulations (1983). Excerpted in Antony Easthope and Kate McGowan, A Critical and Cultural Theory Reader, 203–5. Buckingham, England: Open University Press, 1992.

Baudrillard, Jean. “Symbolic Exchange and Death.” In Mark Poster, ed., Selected Writings, 119–48. Cambridge: Polity Press, 1988.

Bauman, Zygmunt. Modernity and Ambivalence. Cambridge: Polity Press, 1991.

Bean, Annemarie, James V. Hatch, and Brooks McNamara, eds. Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Hanover, N.H.: Wesleyan University Press, 1996.

Becker, Howard. Art Worlds. Berkeley: University of California Press, 1982.

Benjamin, Walter. “The Author as Producer” (1934). In Peter Demetz, ed., Reflections: Essays, Aphorisms, Autobiographical Writings. New York: Schocken Books, 1978.

Benjamin, Walter. “Paris: Capital of the Nineteenth Century.” Perspecta 12 (1969): 163–72. Extracted from the incomplete Arcades Project [Passagen-Werk ], 1927–40.

(p.271) Bennett, Joseph. “Observations on Music in America: III.—Orchestral and Choral Music.” Musical Times and Singing Class Circular 26.507 (1 May 1885): 255–57.

Bennett, Joseph. A Story of Ten Hundred Concerts, 1859–87. London: Chappell, 1887.

Berger, Peter L., and Thomas Luckmann. The Social Construction of Reality: A Treatise in the Sociology of Knowledge (1966). New York: Anchor Books, 1967.

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic (1900). Trans. Cloudesley Brereton and Fred Rothwell (1911). New York: Dover, 2005.

Berlin, Edward A. King of Ragtime: Scott Joplin and His Era. New York: Oxford University Press, 1994.

Bessière, Emile. Autour de la Butte: Chansons de Montmartre et d’ailleurs. Paris: Joubert, 1899.

Best, Geoffrey. Mid-Victorian Britain 1851–75 (1971). London: Fontana, 1979.

“The Black Opera.” New York Tribune, 30 Jun. 1855. Reprinted in Musical World 36.32 (7 Aug. 1858): 502–3.

Biau, Patrick. Jules Jouy 1855–1897: Le “poète chourineur.” Paris: Editions Fortin, 1997.

Bledsoe, Robert Terrell. Henry Fothergill Chorley: Victorian Journalist. Aldershot, England: Ashgate, 1998.

“The Blue Danube.” http://en.wikipedia.org/wiki/The_Blue_Danube.

Bohlman, Philip V. World Music: A Very Short Introduction. Oxford: Oxford University Press, 2002.

Bolt, Christine. “Race and the Victorians.” In C. C. Eldridge, ed., British Imperialism in the Nineteenth Century, 126–47. London: Macmillan, 1984.

Boon, Brindley. Play the Music, Play! The Story of Salvation Army Bands (London: Salvationist, 1966.

Boosey, William. Fifty Years of Music. London: Ernest Benn, 1931.

Booth, Charles. Life and Labour of the People in London (1891). 9 vols. London: Macmillan, 1902.

Boukay, Maurice. Preface to Chansons de Montmartre, by Paul Delmet. Paris: Enoch, 1898.

Bourdieu, Pierre. La Distinction. Critique sociale du jugement. Paris: Editions de Minuit, 1979.

Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste (1979). Trans. Richard Nice. London: Routledge, 1989.

Bourdieu, Pierre. The Field of Cultural Production. Ed. Randal Johnson. Trans. Richard Nice et al. Cambridge: Polity Press, 1993.

Bradley, John L., ed. Rogue's Progress: The Autobiography of “Lord Chief Baron” Nicholson. Reprint of the autobiography published in 1865. Boston: Houghton Mifflin, 1965.

Bratton, Jacqueline S. “Jenny Hill: Sex and Sexism in the Victorian Music Hall.” In Bratton, Music Hall, 92–110.

Bratton, Jacqueline S., ed. Music Hall: Performance and Style. Milton Keynes, England: Open University Press, 1986.

Bratton, Jacqueline S. The Victorian Popular Ballad. London: Macmillan, 1975.

Brécy, Robert. La Chanson de la Commune: Chansons et poèmes inspirés par la Commune de 1871. Paris: Éditions Ouvrières, 1991.

Broadwood, Lucy, and J. A. Fuller Maitland. English Country Songs. London: Leadenhall Press, 1893.

Brook, G. L. The Language of Dickens. London: Andre Deutsch, 1970.

(p.272) Brown, James D. Biographical Dictionary of Musicians (1886). Hildesheim: Georg Olms, 1970.

Bruant, Aristide. Dans la rue (1889 and 1895). 2 vols. Paris: Editions d’aujourd’hui, 1976.

Bruant, Aristide. Dans la rue. Vol. 3. Paris: Flammarion, 1897.

Bruant, Aristide. Dans la rue: Poèmes et chansons choisis. New ed. Paris: Eugène Rey, 1924.

Budds, Michael J., ed. Jazz and the Germans. New York: Pendragon Press, 2002.

Buisson, Sylvie, and Christian Parisot. Paris Montmartre: A Mecca of Modern Art 1860–1920. Paris: Editions Terrail, 1996.

Burd, Van Akin, ed. The Winnington Letters. London: Allen and Unwin, 1969.

Bürger, Peter. Theory of the Avant-Garde (1974). Trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.

Burkeman, Oliver. “How Many Hits?” Guardian Weekend, 11 Nov. 2006, 55–61.

Busch, Moritz, comp. Wanderungen zwischen Hudson und Mississippi, 1851 und 1852. Stuttgart: Cotta, 1854.

Byron, George [Horace Hornem, pseud.]. The Waltz: An Apostrophic Hymn (n.p., 1813). London: John Murray, 1816.

Canning, John, ed. The Illustrated Mayhew's London. London: Weidenfeld and Nicolson, 1986.

Caponi, Gena Dagel, ed. Signifyin(g), Sanctifyin’, and Slam Dunking: A Reader in African American Expressive Culture. Amherst: University of Massachusetts Press, 1999.

Caradec, François, and Alain Weill. Le Café-concert. Paris: Hachette, 1980.

Carco, Francis. La Belle Epoque au temps de Bruant. Paris: Editions Gallimard, 1954.

Carter, Alexandra. Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Aldershot, England: Ashgate, 2005.

Cate, Phillip Dennis, and Mary Shaw, eds. The Spirit of Montmartre: Cabarets, Humor, and the Avant-Garde, 1875–1905. Exhibition catalogue. New Brunswick, N.J.: Jane Voorhees Zimmerli Art Museum, Rutgers University, 1996.

A Century and a Half in Soho: A Short History of the Firm of Novello. London: Novello, 1961.

Chappell, William. Popular Music of the Olden Time. 2 vols. London: Chappell, 1855–59.

Chorley, Henry Fothergill. “Depths and Heights of Modern Opera.” All the Year Round 9 Oct. 1869: 450–54.

“Chronique—Le Café-concert.” Le Réveil, 29 Sep. 1886.

The Cider Cellar Songster: A Collection of Spreeish Chants and Nobby Songs (London: Henry Smith, [between 1840 and 1857]).

Clark, Timothy J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London: Thames and Hudson, 1985.

“Classical v. Popular Music.” Musical World 40.37 (13 Sep. 1862): 587.

Cockrell, Dale. Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge: Cambridge University Press, 1997.

Cockrell, Dale. “Nineteenth-Century Popular Music.” In David Nicholls, ed., The Cambridge History of American Music, 158–85. Cambridge: Cambridge University Press, 1998.

Colls, Robert, and Philip Dodd. Englishness: Politics and Culture 1880–1920. London: Croom Helm, 1986.

(p.273) Condemi, Concetta. Les Cafés-concerts: Histoire d’un divertissement (1849–1914). Paris: Quai Voltaire, 1992.

Cook, Will Marion. “Clorindy, the Origin of the Cakewalk” (1947). In Theater Arts Anthology, ed. Rosamond Gilder et al. New York: Theater Arts Books, 1950.

Cooper, Victoria L. The House of Novello: Practice and Policy of a Victorian Music Publisher, 1829–1866. Aldershot, England: Ashgate, 2003.

Coover, James, comp. Music Publishing, Copyright and Piracy in Victorian England. London: Mansell, 1985.

Corder, Frederick. “The Music of the People.” Musical Times and Singing-Class Circular 26.503 (1 Jan. 1885): 9–11.

Corder, Frederick. “Some Kinds of Music.” Musical Times and Singing Class Circular 30.553 (1 Mar. 1889): 143–44.

Coulonges, Georges. La Commune en chantant. Paris: Messidor, 1970.

Crittenden, Camille. Johann Strauss and Vienna: Operetta and the Politics of Popular Culture. Cambridge: Cambridge University Press, 2000.

Crocker, Richard L. A History of Musical Style. New York: McGraw-Hill, 1966.

Csáky, Moritz. “Der soziale und kulturelle Kontext der Wiener Operette.” In Finscher and Riethmüller, Johann Strauss, 28–65.

Curtis, G. W. “Editor's Easy Chair.” Harper's 64 (February 1882): 467–78.

Dahlhaus, Carl. Esthetics of Music (1967). Trans. William Austin. Cambridge: Cambridge University Press, 1982.

Dahlhaus, Carl. Nineteenth-Century Music (1980). Trans. J. Bradford Robinson. Berkeley: University of California Press, 1989.

d’Anjou, Pierre. Au Temps du Chat Noir. Paris: Henri Lemoine, 1943.

Darwin, Bernard. Introduction to The Posthumous Papers of The Pickwick Club, by Charles Dickens, v–vi. Oxford: Oxford University Press, 1948.

d’Avenel, Georges. Le Mécanisme de la vie moderne. Paris: A. Colin, 1902.

Davey, Henry. History of English Music. London: J. Curwen, 1895.

Davidson, Donald. Inquiries into Truth and Interpretation. Oxford: Clarendon Press, 2001.

Davison, James. “The Parsifal Sickness” (1883). Reprinted in Charles Reid, The Music Monster: A Biography of James William Davison, Music Critic of The Times of London, 1846–78, with Excerpts from His Critical Writings, 215–17. London: Quartet Books, 1984.

Davison, Peter, comp. and ed. Songs of the British Music Hall. Jerry Silverman, music ed. New York: Oak, 1971.

Deaville, James. “African-American Entertainers in Jahrhundertwende Vienna: Austrian Identity, Viennese Modernism and Black Success.” Nineteenth-Century Music 3.2 (2006): 89–112.

Delmet, Paul. Chansons de Montmartre. Paris: Enoch, 1898.

Delmet, Paul. Chansons du Quartier Latin. Paris: Enoch, 1897.

DeNora, Tia. Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803. Berkeley: University of California Press, 1995.

Dickens, Charles. American Notes for General Circulation (1842). Excerpted in Bean, Hatch, and McNamara, Inside the Minstrel Mask, 48–49.

Dickens, Charles. Pickwick Papers (1836). London: Penguin, 2000.

Dobson, Henry C., and G. Clifton Dobson. Dobson's Universal Banjo Instructor. Boston: Oliver Ditson, 1882.

Dodd, Charles. Tour Notes 1878. Manuscript in the Wrexham Library, Wales.

(p.274) Donnay, Maurice. Mes Débuts à Paris. Paris: Libraire Anthème Fayard, 1937.

Earl, John. “Building the Halls.” In Bailey, Music Hall, 1–32.

Eco, Umberto. Travels in Hyperreality (1986). London: Pan, 1987.

Editorial. Musical World 13.192, new ser., 5.109 (21 Nov. 1839): 461–62.

Editorial [“The Ratcatcher's Daughter”]. Musical World 33.44 (3 Nov. 1855): 710.

“The Educational Value of Dance Music.” Musical Times 26.507 (1 May 1885): 253–55.

Ehrlich, Cyril. Harmonious Alliance: A History of the Performing Right Society. Oxford: Oxford University Press, 1989.

Ehrlich, Cyril. The Music Profession in Britain since the Eighteenth Century: A Social History. Oxford: Clarendon Press, 1985.

Ehrlich, Cyril. The Piano: A History. London: Dent, 1976.

Ehrlich, Cyril, Simon McVeigh, and Michael Musgrave. “London.” In “Concert Life: 1850–1900,” sec. 6.2.2 in New Grove II, 141–44.

Eisenberg, Ludwig. Johann Strauss: Ein Lebensbild. Leipzig: Breitkopf und Härtel, 1894.

Elias, Norbert. The Civilizing Process (1939). Oxford: Blackwell, 1994.

Elkin, Robert. Royal Philharmonic: The Annals of the Royal Philharmonic Society. London: Rider, 1946.

Ellis, Katharine. Music Criticism in Nineteenth-Century France: La Revue et Gazette musicale de Paris, 1836–1880. Cambridge: Cambridge University Press, 1995.

Emerson, Ken. Doo-dah! Stephen Foster and the Rise of American Popular Culture. New York: Simon and Schuster, 1997.

Engel, Carl. The Literature of National Music (1878–79). London: Novello, 1879.

Engel, Erich Wilhelm. Johann Strauss und seine Zeit. Vienna: Verlag der k.u.k. Hof-Verlags-Buchandlung Emil M. Engel, 1911.

Epstein, Dena J. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana: University of Illinois Press, 1977.

Erskine, John. The Philharmonic Society of New York: Its First Hundred Years. New York: Macmillan, 1943.

Ewen, David. All the Years of American Popular Music. Englewood Cliffs, N.J.: Prentice Hall, 1977.

Ewen, David. American Popular Song. New York: Random House, 1966.

Fantel, Hans. Johann Strauss: Father and Son and Their Era. Newton Abbot, England: David and Charles, 1971.

Faulk, Barry J. Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture. Athens: Ohio University Press, 2004.

Fields, Armond. Le Chat Noir: A Montmartre Cabaret and Its Artists in Turn-of-the-Century Paris. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1993.

Finscher, Ludwig, and Albrecht Riethmüller, eds. Johann Strauss: Zwischen Kunstanspruch und Volksvergnüngen. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995.

505 Mohawk Minstrels’ Songs and Ballads. London: Francis, Day and Hunter, 1891.

Fletcher, Tom. 100 Years of the Negro in Show Business (1954). New York: Da Capo Press, 1984.

Flaubert, Gustave. Madame Bovary (1856). Paris: Classiques universels, 2000.

Floyd, Samuel A., Jr. “Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry.” Black Music Research Journal 11.2 (1991): 265–88.

(p.275) Foner, Philip S. American Labor Songs of the Nineteenth Century. Urbana: University of Illinois Press, 1975.

Foucault, Michel. Surveiller et punir: Naissance de la prison. Paris: Gallimard, 1975.

Foucault, Michel, and Pierre Boulez. “Contemporary Music and the Public.” Trans. John Rahn, Perspectives of New Music (fall–winter 1985): 6–12. Excerpted as “On Music and Its Reception,” in Derek B. Scott, ed., Music, Culture, and Society: A Reader, 164–67. Oxford: Oxford University Press, 2000.

Freud, Sigmund. The Interpretation of Dreams (1899). Trans. James Strachey (1953). Harmondsworth, England: Penguin, 1976.

Frith, Simon. Performing Rites: On the Value of Popular Music. New York: Oxford University Press, 1996.

“From My Study.” Musical Times 36.627 (1 May 1895): 297–301.

Fulcher, Jane. “The Orphéon Societies: Music for the Workers in Second-Empire France.” International Review of the Aesthetics and Sociology of Music 10 (1979): 47–56.

Fulcher, Jane. “The Popular Chanson of the Second Empire: ‘Music of the Peasants’ in France.” Acta Musicologica 52.1 (1980): 27–37.

Fuld, James. The Book of World-Famous Music: Classical, Popular and Folk. New York: Crown, 1966.

Fuller Maitland, John Alexander. English Music in the Nineteenth Century. London: Grant Richards, 1902.

Gadamer, Hans Georg. Truth and Method (1965). Trans. William Glen-Doepel. Rev. Joel Weinsheimer and Donald G. Marshall. New York: Continuum, 2004.

Gadamer, Hans Georg. Wahrheit und Methode: Grundzüge einer philosophischen Hermeneutik (1960). 2nd ed. Tübingen: Mohr, 1965.

Gál, Hans, ed. Johann Strauss Vater: Acht Walzer, Denkmäler der Tonkunst in Österreich 68. Graz: Akademische Druck- u. Verlaganstalt, 1960.

Gammond, Peter, ed. The Good Old Days Songbook. London: EMI, 1983.

Gammond, Peter. The Oxford Companion to Popular Music. Oxford: Oxford University Press, 1991.

Gans, Herbert J. Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York: Basic Books, 1974.

“The Garde Republicaine Band.” Dwight's Journal of Music 32.9 (Jul. 1872): 277.

Garrett, John M. Sixty Years of British Music Hall. London: Chappell, 1976.

Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press, 2002.

Genouillac, H. Gourdon de, comp. Les Refrains de la rue de 1830 à 1870. Paris: E. Dentu, 1879.

Giddens, Anthony. New Rules of Sociological Method: A Positive Critique of Interpretative Sociologies (1976). 2nd ed. Cambridge: Polity Press, 1993.

Gilbert, Douglas. American Vaudeville: Its Life and Times. New York: McGraw-Hill, 1940.

Gillett, Paula. “Entrepreneurial Women in Britain.” In Weber, The Musician as Entrepreneur, 198–220.

Gillett, Paula. Musical Women in England, 1870–1914. London: Macmillan, 2000.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.

(p.276) Glauert, Jürgen. “Robert Stolz.” Notes to Wiener Musik, compact disc, 23–27. RCA Red Seal 82876–67890–2 (2005),

Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience (1974). Boston: Northeastern University Press, 1986.

Goncourt, Jules de and Edmond de. Journal: Mémoires de la vie littéraire. Ed. Robert Laffont. 22 vols. [1887–96; journal founded 1851 but publication began only in 1887]. Monaco: Fasquelle and Flammarion, 1956.

Goodman, Andrew. Gilbert and Sullivan's London (1988). London: Faber, 2000.

Goudeau, Emile. Preface to Chansons du Quartier Latin, by Paul Delmet. Paris: Enoch, 1897.

Gramit, David. “Selling the Serious.” In Weber, The Musician as Entrepreneur, 81–100.

Gramsci, Antonio. Selections from the Prison Notebooks. Ed. and trans. Quintin Hoare and Geoffrey N. Smith. London: Lawrence and Wishart, 1971.

Green, Benny. The Last Empires: A Music Hall Companion. London: Pavilion Books, 1986.

Greenberg, Clement. “Avant-Garde and Kitsch” (1939). In Charles Harrison and Paul Wood, eds., Art in Theory 1900–1990: An Anthology of Changing Ideas, 529–41. Oxford: Blackwell, 1992.

Gregory, E. David. Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820–1883. Lanham, Md.: Scarecrow Press, 2006.

Guilbert, Yvette. La Chanson de ma Vie (Mes Memoires). Paris: Bernard Grasset, 1927.

Guilbert, Yvette, and H. Simpson. Yvette Guilbert: Struggles and Victories. London: Mills and Boon, 1910.

Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society (1962). Trans. Thomas Burger, with the assistance of Frederick Lawrence. 2nd ed. Cambridge: Polity Press, 1989.

Halker, Clark D. For Democracy, Workers, and God: Labor Song-Poems and Labor Protest, 1865–95. Urbana: University of Illinois Press, 1991.

Hamm, Charles. Music in the New World. New York: Norton, 1983.

Hamm, Charles. Yesterdays: Popular Song in America. New York: Norton, 1979.

Hanslick, Eduard. Geschichte des Concertwesens in Wien (1869–70). 2 vols. Hildesheim: Georg Olms, 1979.

Hanslick, Eduard. Vienna's Golden Years of Music 1850–1900. Trans. Henry Pleasants. London: Victor Gollancz, 1951.

Hanslick, Eduard. Vom musikalisch-Schönen (1854). 2nd ed. Leipzig: Rudolph Weigel, 1858.

Hanson, Alice M. Musical Life in Biedermeier Vienna. Cambridge: Cambridge University Press, 1985.

Harding, Rosamond E. M. The Piano-Forte: Its History Traced to the Great Exhibition of 1851. Cambridge: Cambridge University Press, 1933.

Harker, Dave. Fakesong: The Manufacture of British “Folksong” 1700 to the Present Day. Milton Keynes, England: Open University Press, 1985.

Haweis, Hugh Reginald. Music and Morals. 1871. Reprint, London: Longmans, Green, 1912.

Hawkins, Peter. Chanson: The French Singer-Songwriter from Bruant to the Present Day. Aldershot, England: Ashgate, 2000.

Hegel, Georg W. F.. Vorlesungen über die Ästhetik [1835–38]. Vol. 3, Das System der einzelnen Künste. Ed. Eva Moldenhauer. Werke in 20 Bänden und Register, Bd.15. Frankfurt: Suhrkamp Verlag, 1986.

(p.277) Hellsberg, Clemens. “Die wiener Philharmoniker spielen Strauss.” In Wiener Philharmoniker Johann Strauss Jubiläums-Edition 1999, book accompanying, compact disc set, 6–8. Deutsche Grammophon 459734–2 (1999).

Hemyng, Bracebridge. “Prostitution in London” (1862). In Henry Mayhew, London Labour and the London Poor, 4:210–72. London: Frank Cass, 1967.

Herbert, Michel. La Chanson à Montmartre. Paris: Editions de la Table Ronde, 1967.

Hillery, David. The Théâtre des Variétés in 1852. Durham: University of Durham Modern Languages Series, 1996.

Hogarth, George. Musical History, Biography, and Criticism (1838). New York: Da Capo, 1969.

Hoggart, Paul. “Kids, Kidnappers and Carry-on Cockneys.” Times (London), Friday, 13 Mar. 1998, 51.

Hoggart, Richard. Uses of Literacy. Harmondsworth, England: Penguin, 1958.

Höher, Dagmar. “The Composition of Music Hall Audiences 1850–1900.” In Bailey, Music Hall, 73–92.

Howard, John Tasker. Stephen Foster: America's Troubadour (1934). 2nd ed. New York: Crowell, 1953.

Hughes, Meirion, and Robert Stradling. The English Musical Renaissance, 1840–1940: Constructing a National Music (1993). 2nd ed. Manchester: Manchester University Press, 2001.

Hunt, E. H. British Labour History 1815–1914. London: Weidenfeld and Nicolson, 1981.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986.

Ivanoff, Vladimir. “From the Danube to the Bosporus: The Ecstasy of the Waltz and the Mysticism of the Dervishes.” Notes to The Waltz—Ecstasy and Mysticism, compact disc, 9–11. Archiv Produktion, 00289 477 5420 (2005).

Jacob, Heinrich Eduard. Johann Strauss: A Century of Light Music (1937). Trans. Marguerite Wolff. London: Hutchinson, 1940.

Jacob, Heinrich Eduard. Johann Strauss und das neunzehnte Jahrhundert. Die Geschichte einer musikalischen Weltherrschaft, 1819–1917. Amsterdam: Querido-Verlag, 1937.

Jacobs, Arthur. Arthur Sullivan: A Victorian Musician. Oxford: Oxford University Press, 1984.

Jacobs, Arthur. “Sullivan, Gilbert and the Victorians.” Music Review 12 (1951): 122–32.

James, Henry. Portrait of a Lady (1881). Oxford: Oxford University Press, 1999.

Johann Strauss, Jr. Edition. Compact disc set with notes. 51 vols. Marco Polo 8.223201–47, 8.233249, 8.233275–76, 8.233279 (1989–96).

Johnson, James H. Listening in Paris: A Cultural History. Berkeley: University of California Press, 1995.

Johnston, William M. The Austrian Mind: An Intellectual and Social History 1848–1938. Berkeley: University of California Press, 1972.

“Jullien's Concerts.” Musical Examiner 110 [wrongly published as 109] (7 Dec. 1844): 70–71.

Kahn, E. J., Jr. The Merry Partners: The Age of Harrigan and Hart. New York: Random House, 1955.

Kasson, John F. Rudeness and Civility: Manners in Nineteenth-Century Urban America. New York: Hill and Wang, 1990.

Kemp, Peter. Notes to Johann Strauss, Jr. Edition. Compact disc set. 51 vols. Marco Polo 8.223236 (1993).

(p.278) Kemp, Peter. The Strauss Family: A Portrait of a Musical Dynasty (1985). London: Omnibus, 1989.

Kemp, Peter. “Strauss.” In New Grove II, 24:474–96.

Kift, Dagmar. The Victorian Music Hall: Culture, Class and Conflict (1991). Trans. Roy Kift. Cambridge: Cambridge University Press, 1996.

Kilgariff, Michael. Sing Us One of the Old Songs: A Guide to Popular Song 1860–1920. Oxford: Oxford University Press, 1998.

King, A. Hyatt. Four Hundred Years of Music Printing. London: British Museum, 1964.

Kleinecke, Rudolf. Johann Strauss: Ein Lebensbild. Leipzig: Internationale Verlagsund Kunstanstalt, 1894.

Kolodin, Irving, Francis D. Perkins, and Susan Thielmann Sommer. “New York.” In New Grove II, 17:171–89. London: Macmillan, 2001.

Kracauer, Siegfried. Offenbach and the Paris of His Time (1937). Trans. Gwenda David and Eric Mosbacher. London: Constable, 1937.

Lamb, Andrew. “Music of the Popular Theatre.” In Nicholas Temperley, ed., The Romantic Age 1800–1914, vol. 5 of The Blackwell History of Music in Britain (1981), 92–108. Oxford: Blackwell, 1988.

Lamb, Andrew. “Waltz.” In New Grove II, 27:72–78.

Langley, Leanne. “The Musical Press in Nineteenth-Century England.” Notes, 2nd ser., 46.3 (Mar. 1990): 583–92.

Larkey, Edward. Pungent Sounds: Constructing Identity with Popular Music in Austria. New York: Peter Lang, 1993.

Laube, Heinrich. Reise durch das Biedermeyer (1834–37). Hamburg: Hoffmann und Campe, 1965. (Originally entitled Reisenovellen.)

Lawrence, Arthur. Sir Arthur Sullivan: Life Story, Letters, and Reminiscences. London: James Bowden, 1899.

Lee, Edward. Folksong and Music Hall. London: Routledge, 1982.

Leneberg, Hans, ed. and trans. Breitkopf and Härtel in Paris: The Letters of Their Agent Heinrich Probst between 1833 and 1840. Stuyvesant, N.Y.: Pendragon Press, 1990.

Leppert, Richard. The Sight of Sound: Music, Representation, and the History of the Body. Berkeley: University of California Press, 1993.

Leroy, Oliver. A Glossary of French Slang. London: Harrap, 1922.

Lesure, François. “Debussy et Le Chat Noir.” Cahiers Debussy 23 (1999): 35–43.

Levine, Lawrence. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press, 1988.

Levy, Lester S. Grace Notes in American History: Popular Sheet Music from 1820 to 1900. Norman: University of Oklahoma Press, 1967.

Lhamon, W. T., Jr. “Ebery Time I Weel About I Jump Jim Crow: Cycles of Minstrel Transgression from Cool White to Vanilla Ice.” In Bean, Hatch, and McNamara, Inside the Minstrel Mask, 275–84.

Lhamon, W. T., Jr. Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, Mass.: Harvard University Press, 1998.

“‘Light’ and ‘Heavy.’” Dwight's Journal of Music 24.13 (Sep. 1864): 310.

Lindert, Peter H., and Jeffrey G. Williamson. “English Workers’ Living Standards During the Industrial Revolution: A New Look.” Economic History Review 36 (1983): 1–25.

Linke, Norbert. “Es mußste einem was einfallen”: Untersuchungen zur kompositorischen Arbeitsweise der “Naturalisten.” Tutzing: Hans Schneider, 1992.

(p.279) Linke, Norbert. Johann Strauss. Reinbek bei Hamburg: Rowohlt, 1996.

Linke, Norbert. Musik erobert die Welt: Wie die Wiener Familie Strauss die “Unterhaltungsmusik” revolutionierte. Vienna: Herold, 1987.

Linn, Karen. That Half-Barbaric Twang: The Banjo in American Culture. Urbana: University of Illinois Press, 1991.

Liu, Dan, Nai-Yao Zhang, and Han-Cheng Zhu. “Form Recognition for Johann Strauss's Waltz Centos Based on Musical Features.” In Proceedings of the First International Conference on Machine Learning and Cybernetics, 2 vols., 2:800–804. Beijing, Institute of Electrical and Electronics Engineers, 2002.

Lloyd, Albert L. Come All Ye Bold Miners: Ballads and Songs of the Coalfields (1952). 2nd ed. London: Lawrence and Wishart, 1978.

Locke, Ralph P. Music, Musicians and the Saint-Simonians. Chicago: University of Chicago Press, 1986.

Locke, Ralph P. “The Music of the French Chanson, 1810–1850.” In Peter Bloom, ed., Music in Paris in the Eighteen-Thirties, 431–56. Stuyvesant, N.Y.: Pendragon Press, 1987).

Loesser, Arthur. Men, Women and Pianos: A Social History. New York: Simon and Schuster, 1954.

Long, John Dixon. Pictures of Slavery in Church and State. Philadelphia: John Dixon Long, 1857.

Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993.

Lunn, Henry C. “The London Musical Season.” Musical Times and Singing Class Circular 12.283 (1 Sep. 1866): 363–65.

Lunn, Henry C. “Popular Music.” Musical Times and Singing Class Circular 19.430 (1 Dec. 1878): 660–61.

Macdonnell, J. B. “Classical Music and British Musical Taste.” Macmillan's 1 (1860): 383–89.

MacInnes, Colin. Sweet Saturday Night: Pop Song 1840–1920. London: MacGibbon and Kee, 1967.

[MacKay, Charles]. “Modern Cynicism.” Blackwood's Edinburgh Magazine 103.627 (Jan. 1868): 62–70.

Mackerness, E. D. A Social History of English Music. London: Routledge and Kegan Paul, 1964.

Mackinlay, Sterling. Origin and Development of Light Opera. London: Hutchinson, 1927.

Mac-Nab, Donald. Preface to Nouvelles Chansons du Chat Noir, musique nouvelle de Roland Kohr, by Maurice Mac-Nab. Paris: Heugel, [1894?], 7–22.

Mac-Nab, Maurice. Chansons du Chat Noir, musique nouvelle ou harmonisée par Camille Baron. Paris: Heugel, 1888.

Mac-Nab, Maurice. Nouvelles Chansons du Chat Noir, musique nouvelle de Roland Kohr. Paris: Heugel, [1894?].

Magee, Jeffrey. “‘The Sweetest Sounds’: Jewish Resonance in American Popular Song.” Paper presented at the American Musicological Society conference “Musical Intersections,” Toronto, 5 Nov. 2000.

Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Urbana: University of Illinois Press, 1999.

Mailer, Franz. Notes to Johann Strauss I Edition 5. Compact disc. Marco Polo 8.225281 (2003).

(p.280) Mailer, Franz. Notes to J. Strauss, Sr.: Orchestral Works. Compact disc. Marco Polo 8.223617 (1994).

Marc, Henri. Aristide Bruant: Le maître de la rue. Paris: Editions France-Empire, 1989.

Maretzek, M. Revelations of an Opera Manager in Nineteenth-Century America (1855). New York: Dover, 1968.

Marsh, J. B. T. The Story of the Jubilee Singers with Their Songs (1875). New ed. with a supplement by F. J. Loudin. Mineola, N.Y.: Dover, 2003.

Marston, William M., and John H. Fuller. F. F. Proctor Vaudeville Pioneer. New York: Richard R. Smith, 1943.

Marx, Karl. “The Chartists.” New York Daily Tribune, 25 Aug. 1852. In Karl Marx: Selected Writings in Sociology and Social Philosophy, ed. T. B. Bottomore and M. Rubel, 2nd ed., 204–7. Harmondsworth, England: Penguin, 1961.

Marx, Karl. Das Kapital. Kritik der politischen Oekonomie (1867). Paderborn: Voltmedia, 2004.

Marx, Karl, and Friedrich Engels. Die deutsche Ideologie (1845–46). Full text based on the original manuscript in Marx-Engels-Lenin Institute, Moscow, www.mlwerke.de/me/me03/me03_009.htm.

Mattfield, Julius. A Hundred Years of Grand Opera in New York, 1825–1925. New York: New York Public Library, 1927.

Matthews, William. Cockney Past and Present: A Short History of the Dialect of London (1938). London: Routledge and Kegan Paul, 1972.

Mayhew, Henry. A Few Odd Characters out of the London Streets, as Represented in Mr. Henry Mayhew's Curious Conversazione. London: R. S. Francis, 1857.

Mayhew, Henry. London Labour and the London Poor. Vol. 1. London: Charles Griffin, 1861.

McColl, Sandra. Music Criticism in Vienna 1896–1897: Critically Moving Forms. Oxford: Clarendon Press, 1996.

McFarlane, Gavin. Copyright: The Development and Exercise of the Performing Right. Eastbourne, England: Offord, 1980.

McVeigh, Simon. “An Audience for High Class Music.” In Weber, The Musician as Entrepreneur, 162–82.

McVeigh, Simon. “The Society of British Musicians (1834–1865) and the Campaign for Native Talent.” In Christina Bashford and Leanne Langley, eds., Music and British Culture, 1785–1914: Essays in Honour of Cyril Ehrlich, 145–68. Oxford: Oxford University Press, 2000.

Melnick, Jeffrey. A Right to Sing the Blues: African Americans, Jews, and American Popular Song. Cambridge, Mass.: Harvard University Press, 1999.

Melville, Herman. Moby-Dick (1851). Mineola, N.Y.: Dover, 2003.

Meusy, Victor, and Edmond Depas. Guide de l’étranger à Montmartre. Paris: Strauss, 1900.

Meyer, Leonard B. Style and Music: Theory, History, and Ideology (1989). Chicago: University of Chicago Press, 1996.

Middleton, Richard. “Popular Music.” In New Grove II, 20:128–30. London: Macmillan, 2001.

Mill, John Stuart. On Liberty and Other Essays. Oxford: Oxford University Press, 1991.

Mill, John Stuart. Principles of Political Economy. [With Harriet Taylor]. 2 vols. 3rd ed. London: John W. Parker, 1852.

Mills, C. Wright. The Sociological Imagination. New York: Oxford University Press, 1959.

(p.281) Minutes of Evidence Taken before the Select Committee on Theatres and Places of Entertainment. London: Eyre and Spottiswoode for HMS0, 1892.

Mittag, Erwin. The Vienna Philharmonic. Trans. J. R. L. Orange and G. Morice. Vienna: Gerlach and Wiedling, 1950.

“A Monument to Beethoven.” Musical Times and Singing Class Circular 21.448 (1 Jun. 1880): 281.

“The Moore & Burgess Minstrels.” Strand Musical Magazine 4 (Jul.–December 1896): 78–79.

Morris, George P. The Deserted Bride and Other Poems. New York, 1838.

“Mrs. Hunt's Orchestra.” Strand Musical Magazine 5 (May 1897(: 268–69, 268.

“The Musical ‘Cheap Jack.’” Editorial. Musical Standard (17 Mar. 1871): 117–18.

“Music for the People.” Musical Times and Singing Class Circular 26.512 (1 Oct. 1885): 579–81.

“The Music Hall Mania.” Musical Times and Singing-Class Circular 33.591 (1 May 1892): 265–66.

“The Music Hall of the Future.” Musical Times and Singing-Class Circular 35.620 (1 Oct. 1894): 657–58.

“The Music Hall of the Future.” Pall Mall Gazette, 13 Apr. 1892.

Myers, Margaret. “Searching for Data about Ladies’ Orchestras.” In Pirkko Moisala and Beverley Diamond, eds., Music and Gender, 189–213. Urbana: University of Illinois Press, 2000.

Nathan, Hans. Dan Emmett and the Rise of Early Negro Minstrelsy. Norman: University of Oklahoma Press, 1962.

Nettel, Reginald. The Orchestra in England: A Social History. London: Jonathan Cape, 1946.

Nettel, Reginald. A Social History of Traditional Song (1954). London: Phoenix House, 1969.

Newsome, Roy. Brass Roots: A Hundred Years of Brass Bands and Their Music, 1836–1936. Aldershot, England: Ashgate, 1998.

Nicholls, David, ed. The Cambridge History of American Music. Cambridge: Cambridge University Press, 1998.

Niecks, Frederick. “Popular Appreciation of Music.” Musical Times and Singing-Class Circular 21.449 (1 Jul. 1880): 360.

Nietzsche, Friedrich. Der Fall Wagner. Ein Musikanten-Problem. Leipzig: C. G. Naumann, 1888.

Northcote, Sydney. The Ballad in Music. London: Oxford University Press, 1942.

Oberthür, Mariel. Cafés and Cabarets of Montmartre. Layton, Utah: Gibbs M. Smith, 1984.

Oberthür, Mariel. Le Chat Noir 1881–1897. Paris: Réunion des musées nationaux, 1992.

Odell, George C. D. Annals of the New York Stage (1927–49). 15 vols. New York: AMS Press, 1970.

Offenbach, Jacques. Orpheus in America (1877). Trans. Lander MacClintock. Bloomington: Indiana University Press, 1957.

Orledge, Robert. Satie Remembered. London: Faber, 1995.

Paddison, Max. Adorno, Modernism and Mass Culture: Essays in Critical Theory and Music. London: Kahn and Averill, 1995.

Palmer, Roy. A Ballad History of England. London: Batsford, 1979.

Palmer, Roy. The Sound of History: Songs and Social Comment. Oxford: Oxford University Press, 1988.

Parry, Charles Hubert. Style in Musical Art. London: Macmillan, 1911.

(p.282) Parsons, Talcott. The Social System. London: Routledge and Kegan Paul, 1951.

Pater, Walter. The Renaissance: Studies in Art and Poetry (1877). 2nd ed. Oxford: Oxford University Press, 1986.

Paulus. Trente Ans de café-concert: Souvenirs recueillis par Octave Pradels. Paris: Société d’édition, 1927.

Pearsall, Ronald. Victorian Popular Music. Newton Abbot, England: David and Charles, 1973.

Peiss, Kathy. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple University Press, 1986.

Pénet, Martin. Mémoire de la chanson: 1100 chansons du Moyen-Age à 1919. Paris: Omnibus, 1998.

Pennybacker, Susan. “‘It Was Not What She Said, but the Way in Which She Said It’: The London County Council and the Music Hall.” In Bailey, Music Hall, 118–40.

“The Pianoforte Virtuoso.” Paris, 25 Mar. 1843. Excerpt (via a translation in Dwight's Journal of Music). Musical World 36.32 (7 Aug. 1858): 500–501.

Pickering, Michael. Blackface Minstrelsy in Britain. Aldershot, England: Ashgate, 2008.

Pickering, Michael. “White Skin, Black Masks.” In Bratton, Music Hall, 70–91.

Pike, G. D. The Jubilee Singers and Their Campaign for Twenty Thousand Dollars. Boston: Lee and Shepard, 1874.

Poe, Edgar Allan. “George P. Morris.” In Rufus Wilmot Griswold, ed., The Works of the Late Edgar Allan Poe, vol. 3, The Literati: Some Honest Opinions about Autorial Merits and Demerits, 255–56. New York: Redfield, 1850.

Pole, William. “The London Concert Season.” Macmillan's 4 (1861): 449.

Pole, William. The Philosophy of Music (1879). London: Kegan Paul, Trench, Trübner, 1910.

“Popular Composers.” Strand Magazine 4 (Jul. 1892): 83–89.

“Popular Music.” St. James's Magazine (June 1868). Excerpted in Musical Standard 8.203 (20 Jun. 1868): 246–47.

“Popular Music.” Musical Times and Singing Class Circular 19.430 (1 Dec. 1878): 660–61.

“Popular Music of the Olden Time.” Musical World 37.51 (17 Dec. 1859): 805–6.

Rainbow, Bernarr. The Land without Music: Musical Education in England 1800–1860 and Its Continental Antecedents. London: Novello, 1967.

“The Ratcatcher's Daughter.” Correspondence. Musical World 33.44 (3 Nov. 1855): 709–10.

Raynor, Henry. Music and Society since 1815. London: Barrie and Jenkins, 1976.

Reeser, Eduard. The History of the Waltz (1947). Trans. W. A. G. Doyle-Davidson. Stockholm: Continental Book, 1949.

Reid, Charles. The Music Monster: A Biography of James William Davison, Music Critic of the “Times” of London, 1846–78, with Excerpts from His Critical Writings. London: Quartet Books, 1984.

Reynolds, Harry. Minstrel Memories: The Story of Burnt Cork Minstrelsy in Great Britain from 1836 to 1927. London: Alston Rivers, 1928.

Richard, Lionel. Cabaret, Cabarets: Origines et decadence. Paris: Plon, 1991.

Richards, Denis. Offspring of the Vic: A History of Morley College. London: Routledge and Kegan Paul, 1958.

Riethmüller, Albrecht. “Johann Strauss und der Makel der Popularität.” In Finscher and Riethmüller, Johann Strauss, 1–17.

(p.283) Riis, Thomas L. “‘Bob’ Cole: His Life and His Legacy to Black Musical Theater.” Black Perspective in Music 13.2 (autumn 1985): 135–50.

Riis, Thomas L. Just before Jazz: Black Musical Theater in New York, 1890 to 1915. Washington, D.C.: Smithsonian Institution Press, 1989.

Ritchie, J. E. The Night Side of London. London: William Tweedie, 1857.

Roberts, Arthur. Fifty Years of Spoof. London: Bodley Head, 1926.

Rodenburg, M. de. Journal d’un voyage à Londres. Translation from La Revue et Gazette Musicale. Musical World 36.30 (24 Jul. 1858): 467.

Rodgers, C., and J. Black, eds. The Gathering of the Forces, by Walt Whitman. New York: Knickerbocker Press, 1920.

Rubey, Norbert. “Des Verfassers beste Laune”: Johann Strauss (Vater) und das Musik-Business im Biedermeier. Vienna: Wiener Stadt- und Landesbibliothek, 2004.

Ruskin, John. The Stones of Venice. 3 vols. London: Smith, Elder, 1851–53.

Russell, David. Popular Music in England, 1840–1914 (1987). 2nd ed. Manchester: Manchester University Press, 1997.

Russell, Henry. Cheer, Boys, Cheer! London: John Macqueen, 1895.

Rutherford, Lois. “‘Managers in a Small Way’: The Professionalization of Variety Artistes, 1860–1914.” In Bailey, Music Hall, 93–117.

Sachs, Curt. World History of the Dance (1933). Trans. Bessie Schönberg. New York: Norton, 1937.

Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. Executive ed. John Tyrrell. 2nd ed. 29 vols. London: Macmillan, 2001. Referred to elsewhere in this bibliography as New Grove II.

Said, Edward W. Culture and Imperialism (1993). New York: Vintage, 1994.

Saint-Simon, Henri de. Opinions litteraires, philosophes et industrielles (1825). Excerpted in Steve Edwards, Art and Its Histories: A Reader, 188–90. New Haven, Conn.: Yale University Press, 1999.

Sampson, Henry T. Blacks in Blackface: A Source Book on Early Black Musical Shows (1980). 2nd ed. Lanham, Md.: Scarecrow Press, 1995.

Sanjek, Russell. American Popular Music and Its Business: The First Four Hundred Years. Vol. 2. From 1790 to 1909. New York: Oxford University Press, 1988.

Satie, Erik. “Les Musiciens de Montmartre” (1900). In Ornella Volta, ed., Ecrits, 47. Paris: Champ Libre, 1990.

Scheide, Frank M. South London, English Music Hall, and the Early Films of Charlie Chaplin. Oxford: Oxford University Press, forthcoming.

Schmitz, Oskar. Das Land ohne Musik: Englische Gesellschaftsprobleme. 8th ed. Munich: Georg Müller, 1914.

Schneider, Ulrich. Die Londoner Music Hall und ihre Songs 1850–1920. Tübingen: Niemeyer, 1984.

Schnitzler, Henry. “‘Gay Vienna’—Myth and Reality.” Journal of the History of Ideas 15.1 (Jan. 1954): 94–118.

Scholes, Percy A. The Mirror of Music 1844–1944: A Century of Musical Life in Britain as Reflected in the Pages of the “Musical Times.” 2 vols. London: Novello, 1947.

Schönherr, Max. “An der schönen blauen Donau: Marginalien zur 100. Wiederkeh des Tages der Urauffürung.” Österreichische Musikzeitschrift 22 (1967): 3–15.

Schönherr, Max. “Modelle der Walzerkomposition: Grundlagen zu einer Theorie des Walzers.” Österreichische Musikzeitschrift 30 (1975): 273–86.

Schönherr, Max, and Karl Rienhöhl. Johann Strauss Vater: Ein Werkverzeichnis. Vienna: Universal, 1954.

(p.284) Schraenen, Guy. Erratum Musical. Bremen: Institut Français, 1994.

Schubert, Franz. Sämtliche Tänze für Klavier. Vol. 2. Vienna: Wiener Urtext Edition, 1973.

Schuller, Gunther. “Jazz and Musical Exoticism.” In Jonathan Bellman, ed., The Exotic in Western Music, 281–91. Boston: Northeastern University Press, 1998.

Scott, Derek B. From the Erotic to the Demonic: On Critical Musicology. New York: Oxford University Press, 2003.

Scott, Derek B. “In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century.” Nineteenth-Century Music 3.1 (2006): 3–23.

Scott, Derek B. The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (1989). 2nd ed. Aldershot, England: Ashgate, 2001.

Scott, Harold. The Early Doors: Origins of the Music Hall. London: Nicholson and Watson, 1946.

Segel, Harold B. Turn-of-the-Century Cabaret. New York: Columbia University Press, 1987.

Seidl, Johann W. Musik und Austromarxismus: Zur Musikrezeption der österreichischen Arbeiterbewegung im späten Kaiserreich und in der Ersten Republik. Vienna: Böhlau, 1989.

Senelick, Laurence, ed. Tavern Singing in Early Victorian London: The Diaries of Charles Rice for 1840 and 1850. London: Society for Theatre Research, 1997.

Sharp, Cecil J. English Folk-Song: Some Conclusions (1907). 2nd ed. London: Novello, 1936.

Shaw, George Bernard. The Irrational Knot (1880). London: Constable, 1914.

Shaw, George Bernard. Pygmalion: A Romance in Five Acts. Ed. Dan H. Laurence. Harmondsworth, England: Penguin, 2000.

Shaw, George Bernard. Shaw's Music. Ed. Dan H. Laurence. 3 vols. London: Bodley Head, 1981.

A Short History of Cheap Music. London: Novello, Ewer, 1887.

Shrubsole, Grahame. “‘Jim Crow,’ Old Dan Tucker and Miss Lucy Long: The Early Years of Negro Minstrelsy in Manchester.” Manchester Sounds 3 (2002): 23–53.

Simmel, Georg. “The Metropolis and Mental Life” (1902–3). In Kurt H. Wolff, trans. and ed., The Sociology of Georg Simmel, 409–24. New York: Free Press, 1950.

Simpson, Harold. A Century of Ballads 1810–1910: Their Composers and Singers. London: Mills and Boon, 1910.

Sims, George R. How the Poor Live (1889). New York: Garland, 1984.

Sixty Old-Time Variety Songs. London: EMI, 1977.

Smiles, Samuel. Life and Labour. London: John Murray, 1887.

Smiles, Samuel. Self-Help (1859). London: John Murray, 1936.

Solie, Ruth A. Music in Other Words: Victorian Conversations. Berkeley: University of California Press, 2004.

Southern, Eileen. “The Georgia Minstrels: The Early Years.” In Bean, Hatch, and McNamara, eds., Inside the Minstrel Mask, 163–75.

Southern, Eileen. The Music of Black Americans: A History (1983). 2nd ed. New York: Norton, 1971.

Southern, Eileen., ed. Readings in Black American Music (1971). 2nd ed. New York: Norton, 1983.

Southern, Eileen, and Josephine Wright. Images: Iconography of Music in African-American Culture (1770s–1920s). New York: Garland, 2000.

(p.285) Spaeth, Sigmund. A History of Popular Music in America. New York: Random House, 1948.

“Specimen of a Leader for a Music Journal.” Musical Examiner 95 (24 Aug. 1844): 749.

Stark, Seymour. Men in Blackface: True Stories of the Minstrel Show. Philadelphia: Xlibris, 2000.

Stedman, Jane W. W. S. Gilbert: A Classic Victorian and His Theatre. New York: Oxford University Press, 1996.

“Strauss.” Obituary. Ost-Deutsche Post, Friday, 28 Sep. 1849, 1.

Strauss, Johann [Sr.]. Sämtliche Werke in Wiedergabe der Originaldrucke. Ed. Ernst Hilmar. 5 vols. Tutzing: Hans Schneider, 1987.

Strauss, Johann [Jr.]. Foreword to Johann Strauss [Sr.], Gesamtausgabe, keyboard edition (1887–89).

Sullivan, Arthur. “About Music” (1888). In Arthur Lawrence, Sir Arthur Sullivan: Life Story, Letters, and Reminiscences, 261–87. London: James Bowden, 1899.

Sweet, Frank W. A History of the Minstrel Show (Palm Coast, Fla.: Backintyme, 2000.

Symons, Arthur. Colour Studies in Paris. New York: Dutton, 1918.

“A Talk with Mr. Strauss.” New York Sun, 13 Jul. 1872. Reprinted in Dwight's Journal of Music 32.9 (Jul. 1872): 276–77.

Tawa, Nicholas. A Music for the Millions: Antebellum Democratic Attitudes and the Birth of American Popular Music. New York: Pendragon Press, 1984.

Tawa, Nicholas. Sweet Songs for Gentle Americans: The Parlor Song in America, 1790–1860. Bowling Green, Ohio: Bowling Green University Popular Press, 1980.

Tawa, Nicholas. The Way to Tin Pan Alley: American Popular Song, 1866–1910. New York: Schirmer Books, 1990.

Thérésa [Emma Valadon]. Mémoires de Thérésa écrits par elle-même. [With Victorien Monnier]. Paris: E. Dentu, 1865.

Tick, Judith. American Women Composers before 1870. Rochester, N.Y.: University of Rochester Press, 1979.

Toll, Robert C. On with the Show: The First Century of Show Business in America. New York: Oxford University Press, 1976.

Traubner, Richard. Operetta: A Theatrical History (1983). New York: Oxford University Press, 1989.

Tressell, Robert. The Ragged Trousered Philanthropists (1955). London: Grafton Books, 1965.

Trollope, Frances. Vienna and the Austrians. Paris: Galignani, 1838.

Trotter, Richard M. Music and Some Highly Musical People (1878). Excerpted in Southern, Readings in Black American Music, 142–48.

“The True Waltz Tempo—Strauss in New York.” Weekly Review, 13 Jul. 1872. Reprinted in Dwight's Journal of Music 32.9 (Jul. 1872): 276.

Tunley, David. Salons, Singers and Songs: A Background to Romantic French Song 1830–1870. Aldershot, England: Ashgate, 2002.

Turner, Michael R., and Antony Miall, eds. Just a Song at Twilight: The Second Parlour Song Book. London: Michael Joseph, 1975.

Turner, Michael R., and Antony Miall. The Parlour Song Book: A Casquet of Vocal Gems (1972). London: Pan, 1974.

Twain, Mark [Samuel Clemens]. Letter from Carson City. Virginia City (Nev.) Territorial Enterprise, 12 Dec. 1862. www.twainquotes.com/18621212t.html.

(p.286) Twyman, Michael. Early Lithographed Music. London: Farrand Press, 1996.

Van Akin Burd, ed. The Winnington Letters. London: Allen and Unwin, 1969.

Van der Merwe, Peter. Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. Oxford: Clarendon Press, 1989.

Velter, André, ed. Les Poètes du Chat Noir. Paris: Editions Gallimard, 1996.

Wagner, Richard. Mein Leben (1880). Vol. 1. English translation, www.gutenberg.org/dirs/etext04/wglf110.txt.

Wagner, Richard. Wagner Writes from Paris: Stories, Essays, and Articles by the Young Composer. Ed. and trans. Robert L. Jacobs and Geoffrey Skelton. London: George Allen and Unwin, 1973.

Waites, Aline, and Robin Hunter. The Illustrated Victorian Songbook. London: Michael Joseph, 1984.

Waring, Dennis G. Manufacturing the Muse: Estey Organs and Consumer Culture in Victorian America. Middletown, Conn.: Wesleyan University Press, 2002.

Weber, Max. The Protestant Ethic and the Spirit of Capitalism (1904–5). Trans. Talcott Parsons. New York: Routledge, 1992. Full text in German, http://de.wikisource.org/wiki/Die_protestantische_Ethik_und_der_Geist_des_ Kapitalismus.

Weber, Max. Economy and Society [Wirtschaft und Gesellschaft, 1922]. Ed. Günther Roth and Claus Wittich. Trans. Ephraim Fischoff, et al. 2 vols. Berkeley: University of California Press, 1978. Full text in German http://www.textlog.de/weber_wirtschaft.html

Weber, Max. From Max Weber: Essays in Sociology. Trans. and ed. H. H. Gerth and C. Wright Mills. New York: Oxford University Press, 1946.

Weber, William. “Canon and the Traditions of Musical Culture.” In Jan Gorak, ed., Canon vs. Culture: Reflections on the Current Debate, 135–50. New York: Garland, 2001.

Weber, William. “From the Self-Managing Musician to the Independent Concert Agent.” In Weber, The Musician as Entrepreneur, 105–29.

Weber, William. The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms. Cambridge: Cambridge University Press, forthcoming.

Weber, William. “The Intellectual Origins of Musical Canon in Eighteenth-Century England.” Journal of the American Musicological Society 47 (1994): 488–520.

Weber, William. “The Muddle of the Middle Classes.” Nineteenth-Century Music 3 (1979): 175–85.

Weber, William. Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848 (1975). 2nd ed. Aldershot, England: Ashgate, 2003.

Weber, William., ed. The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists. Bloomington: Indiana University Press, 2004.

Wechsberg, Joseph. The Waltz Emperors: The Life and Times and Music of the Strauss Family. London: Weidenfeld and Nicolson, 1973.

Weiss, Jeffrey S. “Picasso, Collage, and the Music Hall.” In Kirk Varnedoe and Adam Gopnik, eds., Modern Art and Popular Culture: Readings in High and Low, 83–115. New York: Abrams, 1990.

Whitcomb, Ian. After the Ball: Pop Music from Rag to Rock (1972). New York: Limelight Editions, 1986.

Whiting, Steven. Satie the Bohemian: From Cabaret to Concert Hall. Oxford: Clarendon Press, 1998.

Williams, Raymond. Culture. London: Faber, 1981.

(p.287) Williams, Raymond. Culture and Society 1780–1950 (1958). Harmondsworth, England: Penguin, 1961.

Williams, Raymond. Keywords. London: Fontana, 1976.

Williams, Raymond. The Long Revolution (1961). Harmondsworth, England: Penguin, 1965.

Williams, William H. A. ’Twas Only an Irishman's Dream: The Image of Ireland and the Irish in American Popular Song Lyrics, 1800–1920. Urbana: University of Illinois Press, 1996.

Willis, Nathaniel Parker. Memoranda of the Life of Jenny Lind. Philadelphia: Robert E. Peterson, 1851.

Wilmeth, Don B. Variety Entertainment and Outdoor Amusements: A Reference Guide. Westport, Conn.: Greenwood Press, 1982.

Wilson, Thomas. A Companion to the Ball Room. London: Button, Whittaker, 1816.

Wilson, Thomas. A Description of the Correct Method of Waltzing. London: Sherwood, Neely, and Jones, 1816.

Winter, Marian Hannah. “Juba and American Minstrelsy.” In Bean, Hatch, and McNamara, Inside the Minstrel Mask, 223–41.

Wise, Tim. “Yodelling in American Popular Music.” Ph.D. diss., University of Liverpool, 2004.

Wittke, Carl. Tambo and Bones: A History of the American Minstrel Stage (1930). New York: Greenwood Press, 1968.

Woll, Allen. Black Musical Theatre—From Coontown to Dreamgirls (1989). New York: Da Capo Press, 1991.

Wollstonecroft, Mary. A Vindication of the Rights of Men (1790). Oxford: Oxford University Press, 1999.

Wood, Henry J. My Life of Music. London: Victor Gollancz, 1938.

Wood, Paul. “The Avant-Garde and the Paris Commune.” In Paul Wood, ed., The Challenge of the Avant-Garde, 113–36. New Haven, Conn.: Yale University Press, 1999.

Workman, James. “Home, Sweet Home.” Strand Musical Magazine 2 (1895): 252–56.

Wright, David. “The South Kensington Music Schools.” Journal of the Royal Musical Association 130.2 (2005): 236–82.

Wyndham, Henry Saxe. August Manns and the Saturday Concerts: A Memoir and a Retrospect. London: Walter Scott, 1909.

Wyn Jones, Carys. “Is There a Canon in Rock Music? Canonical Values, Terms and Mechanisms in the Reception of Rock Albums.” Ph.D. diss., University of Cardiff, 2006.

Yaraman, Sevin H. Revolving Embrace: The Waltz as Sex, Steps, and Sound. New York: Pendragon Press, 2002.

Young, Percy M. The Concert Tradition: From the Middle Ages to the Twentieth Century. London: Routledge and Kegan Paul, 1965.

Zon, Bennett. “‘Loathsome London’: Henry Davey's History of English Music (1895) and the Anti-urban Socialist Utopianism of Ruskin and Morris.” Forthcoming. (p.288)