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Two Men and MusicNationalism and the Making of an Indian Classical Tradition$
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Janaki Bakhle

Print publication date: 2005

Print ISBN-13: 9780195166101

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195166101.001.0001

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Music In Public and National Conversation

Music In Public and National Conversation

Conferences, Institutions, and Agendas, 1916–1928

Chapter:
(p.180) Five Music In Public and National Conversation
Source:
Two Men and Music
Author(s):

Janaki Bakhle

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195166101.003.0006

This chapter examines the debates and discussions at national music conferences and the two institutions of musical learning set up by Bhatkhande and Paluskar. By the end of the first decade of the 20th century, music was taught in schools in addition to private homes. Musicians performed in public halls as well as in aristocratic drawing rooms. Bhatkhande had published his major works on music theory, and Paluskar’s two schools, in Lahore and Bombay, were well established. But even more than schools and texts a new format, the All-India Music Conference, would convert music into a subject worthy of national attention.

Keywords:   national music conference, musical learning, Indian music, Vishnu Digambar Paluskar, Vishnu Narayan Bhatkhande, All-India Music Conference

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