Jump to ContentJump to Main Navigation
Writings on Music 1965–20001965-2000$

Steve Reich and Paul Hillier

Print publication date: 2004

Print ISBN-13: 9780195151152

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195151152.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 27 February 2017

(p.243) Bibliography

(p.243) Bibliography

Writings on Music 1965–2000
Oxford University Press

Bibliography references:

Alburger, Mark. A Conversation with Steve Reich in 20th Century Music, 4, no. 12 (December 1997), pp. 1–18.

Arom, Simha. African Polyphony and Polyrhythm: Musical Structure and Methodology. New York: Cambridge University Press, 1991.

Baker, Kenneth. Minimalism: Art of Circumstance. New York: Abbeville Press, 1988.

Bartók, Bela. Essay. Selected and ed. Benjamin Suchoff. New York: St. Martin's, 1976. Lincoln, NE: University of Nebraska Press, paperback edition, 1993.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968.

Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper & Row, 1989.

Bernard, Jonathan W. The Minimalist Aesthetic in the Plastic Arts and Music. In Perspectives of New Music, 31, no. 1 (Winter 1993), pp. 86–132.

———. Theory, Analysis, and the “Problem” of Minimal Music. In Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies, ed. Elizabeth W. Marvin and Richard Hermann. Rochester, NY: University of Rochester Press, 1995, pp. 259–84.

Cage, John. Silence. Middletown, CT: Wesleyan University Press, 1961.

Cohn, Richard. Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music in Perspectives of New Music, 30 (Summer 1992), pp. 146–77.

Coyote, Peter. Sleeping Where I Fall. Washington, DC: Counterpoint, 1998.

Crawford, Richard, R. Allen Lott, and Carol J. Oja, eds. A Celebration of American Music. Ann Arbor: University of Michigan Press, 1990 (essay James Tenne by Peter Garland pp. 477–486).

Cumming, Naomi. The Horrors of Identification: Reich's Different Trains. In Perspectives of New Music, 35 (Winter 1997), pp. 129–152.

Davis, R. G. [Ronnie]. The San Francisco Mime Troupe: The First Ten Years. Palo Alto, CA: Ramparts Press, 1975.

DeLio, Thomas, ed. Contiguous Lines: Issues and Ideas in the Music of the ʼ60s and ʼ70s. Lanham, MD: University Press of America, 1985.

Dennis, Brian. Repetitive and Systemic Music. In The Musical Times, 115 (1974), pp. 1036–38.

(p.244) Duckworth, William. Talking Music. New York: Schirmer Books, 1995.

Epstein, Paul. Pattern Structure and Process in Steve Reich's Piano Phase. In The Musical Quarterly, 72 (1986), pp. 494–502.

Feldman, Morton. Essay. Ed. Walter Zimmerman. Kerpen, Germany: Beginner Press, 1985.

Fox, Christopher. Steve Reich's Different Trains. In Tempo, 172 (1990), 8.

Gagne, Cole, and Caras, Tracy. Soundpieces: Interviews with American Composers. Metuchen, NJ: Scarecrow Press, 1982.

Heisinger, Brent. American Minimalism in the 1990s: In American Music, 7 (1989), pp. 430–47.

Herzog, Avigdor. Masoretic Accents. In Encyclopedia Judaica. New York: Macmillan, 1971–1972.

Hillier, Paul. Arvo Pärt. New York: Oxford University Press, 1997.

Idelsohn, Abraham. Jewish Music in its Historical Development. New York: Dover, 1929; reprinted 1967; reprinted as Jewish Music: Its Historical Development, with new introduction by Arbie Orenstein, New York: Dover, 1992.

Janáček, Leos. Uncollected Essays on Music. Selected, ed., and trans, by Mirka Zemanova. London: Marion Boyars, 1989.

Johnson, Timothy A. Minimalism: Aesthetic, Style or Technique?. In The Musical Quarterly, 78 (1994), pp. 724–73.

Jones, A. M. Studies in African Music. Oxford: Oxford University Press, 1959.

Korot, Beryl. Video Art—An Anthology. Compiled and ed. by Ira Schneider and Beryl Korot. New York: Harcourt Brace Jovanovich, 1976.

Lewitt, Sol. Sol Lewitt. Ed. by Alicia Legg, designed by Sol Lewitt. New York: Museum of Modern Art, 1978.

McCutchan, Ann. The Muse that Sings: Composers Speak about the Creative Process. New York: Oxford University Press, 1999, pp. 11–21.

McPhee, Colin. Music in Bali. New Haven, CT: Yale University Press, 1966.

Mertens, Wim. American Minimal Music. London: Kahn & Averill, 1983.

Nyman, Michael. Experimental Music: Cage and Beyond. New York: Cambridge University Press, 1972; reprinted with new introduction by Brian Eno, Cambridge: Cambridge University Press, 1999.

———. Steve Reich: An Interview with Michael Nyman.” In The Musical Times. 112 (March 1971), pp. 299–31.

Potter, Keith. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge: Cambridge University Press, 2000.

Reich, Steve. Writings about Music. Halifax: Nova Scotia College of Art and Design, 1974.

Restagno, Enzo. Reich acura di Enzo Restagno con un Saggio su “La Svolta Americana.” Turin: Edizioni di Torino, 1994.

Reynaud, Bérénice, ed. Steve Reich: Écrits et Entretiens sur la Musique. Paris: Christian Bourgois, 1981.

Rich, Alan. American Pioneers: Ives to Cage and Beyond. London: Phaidon, 1995.

Rockwell, John. All-American Music: Composition in the Late 20th Century. New York: Knopf, 1983.

Rosowsky, Solomon. The Cantillation of the Bible. New York: Reconstructionist Press, 1957.

Schwartz, Robert K. Minimalists. London: Phaidon, 1996.

(p.245) ———. Process vs. Intuition in the Recent Works of Steve Reich and John Adams. In American Music, 8 (1990), pp. 245–73.

———. Steve Reich: Music as a Gradual Process. In Perspectives of New Music, 19 (1980/81), pp. 373–92; and 20 (1981/82), pp. 225–86.

Schwarz, David. Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich. In Perspectives of New Music, 31, no. 2 (Summer 1993), pp. 24–56.

Snow, Michael. The Collected Writings of Michael Snow. Waterloo, ON: Wilfrid Laurier University Press, 1994.

Spector, Johanna. Jewish Songs from Cochin, India. Ed. by Pinchas Peli. The Fifth World Congress of Jewish Studies, vol. 4. Jerusalem: World Union of Jewish Studies, 1973.

Strickland, Edward. American Composers: Dialogues on Contemporary Music. Bloomington: Indiana University Press, 1991.

———. Minimalism: Origins. Bloomington: Indiana University Press, 1993.

Warburton, Dan. Aspects of Organization in the Sextet of Steve Reich. Ph.D. dissertation, University of Rochester, 1987.

———. A Working Terminology for Minimal Music. In Intégral, 2 (1988), pp. 135–59.

Wasserman, Emily. An Interview with Composer Steve Reich. In Artforum, 10/9 (1972), pp. 44–48.

Werner, Eric. The Sacred Bridge. New York: Columbia University Press, 1959.

Wickes, William. Treatise on the Accentuation of Psalms, Proverbs, and Job. 1881, republished New York: KTAV Publishing, 1970.

Wittgenstein, Ludwig. Philosophical Investigations. London: Macmillan, 1958. (p.246)