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Writings on Music 1965–20001965-2000$

Steve Reich and Paul Hillier

Print publication date: 2004

Print ISBN-13: 9780195151152

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195151152.001.0001

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(p.243) Bibliography

(p.243) Bibliography

Writings on Music 1965–2000
Oxford University Press

Bibliography references:

Alburger, Mark. A Conversation with Steve Reich in 20th Century Music, 4, no. 12 (December 1997), pp. 1–18.

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———. Theory, Analysis, and the “Problem” of Minimal Music. In Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies, ed. Elizabeth W. Marvin and Richard Hermann. Rochester, NY: University of Rochester Press, 1995, pp. 259–84.

Cage, John. Silence. Middletown, CT: Wesleyan University Press, 1961.

Cohn, Richard. Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music in Perspectives of New Music, 30 (Summer 1992), pp. 146–77.

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Cumming, Naomi. The Horrors of Identification: Reich's Different Trains. In Perspectives of New Music, 35 (Winter 1997), pp. 129–152.

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(p.244) Duckworth, William. Talking Music. New York: Schirmer Books, 1995.

Epstein, Paul. Pattern Structure and Process in Steve Reich's Piano Phase. In The Musical Quarterly, 72 (1986), pp. 494–502.

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Nyman, Michael. Experimental Music: Cage and Beyond. New York: Cambridge University Press, 1972; reprinted with new introduction by Brian Eno, Cambridge: Cambridge University Press, 1999.

———. Steve Reich: An Interview with Michael Nyman.” In The Musical Times. 112 (March 1971), pp. 299–31.

Potter, Keith. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge: Cambridge University Press, 2000.

Reich, Steve. Writings about Music. Halifax: Nova Scotia College of Art and Design, 1974.

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(p.245) ———. Process vs. Intuition in the Recent Works of Steve Reich and John Adams. In American Music, 8 (1990), pp. 245–73.

———. Steve Reich: Music as a Gradual Process. In Perspectives of New Music, 19 (1980/81), pp. 373–92; and 20 (1981/82), pp. 225–86.

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———. Minimalism: Origins. Bloomington: Indiana University Press, 1993.

Warburton, Dan. Aspects of Organization in the Sextet of Steve Reich. Ph.D. dissertation, University of Rochester, 1987.

———. A Working Terminology for Minimal Music. In Intégral, 2 (1988), pp. 135–59.

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Wickes, William. Treatise on the Accentuation of Psalms, Proverbs, and Job. 1881, republished New York: KTAV Publishing, 1970.

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