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Writings on Music 1965–20001965-2000$

Steve Reich and Paul Hillier

Print publication date: 2004

Print ISBN-13: 9780195151152

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195151152.001.0001

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(p.243) Bibliography

(p.243) Bibliography

Source:
Writings on Music 1965–2000
Publisher:
Oxford University Press

Bibliography references:

Alburger, Mark. A Conversation with Steve Reich in 20th Century Music, 4, no. 12 (December 1997), pp. 1–18.

Arom, Simha. African Polyphony and Polyrhythm: Musical Structure and Methodology. New York: Cambridge University Press, 1991.

Baker, Kenneth. Minimalism: Art of Circumstance. New York: Abbeville Press, 1988.

Bartók, Bela. Essay. Selected and ed. Benjamin Suchoff. New York: St. Martin's, 1976. Lincoln, NE: University of Nebraska Press, paperback edition, 1993.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968.

Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper & Row, 1989.

Bernard, Jonathan W. The Minimalist Aesthetic in the Plastic Arts and Music. In Perspectives of New Music, 31, no. 1 (Winter 1993), pp. 86–132.

———. Theory, Analysis, and the “Problem” of Minimal Music. In Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies, ed. Elizabeth W. Marvin and Richard Hermann. Rochester, NY: University of Rochester Press, 1995, pp. 259–84.

Cage, John. Silence. Middletown, CT: Wesleyan University Press, 1961.

Cohn, Richard. Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music in Perspectives of New Music, 30 (Summer 1992), pp. 146–77.

Coyote, Peter. Sleeping Where I Fall. Washington, DC: Counterpoint, 1998.

Crawford, Richard, R. Allen Lott, and Carol J. Oja, eds. A Celebration of American Music. Ann Arbor: University of Michigan Press, 1990 (essay James Tenne by Peter Garland pp. 477–486).

Cumming, Naomi. The Horrors of Identification: Reich's Different Trains. In Perspectives of New Music, 35 (Winter 1997), pp. 129–152.

Davis, R. G. [Ronnie]. The San Francisco Mime Troupe: The First Ten Years. Palo Alto, CA: Ramparts Press, 1975.

DeLio, Thomas, ed. Contiguous Lines: Issues and Ideas in the Music of the ʼ60s and ʼ70s. Lanham, MD: University Press of America, 1985.

Dennis, Brian. Repetitive and Systemic Music. In The Musical Times, 115 (1974), pp. 1036–38.

(p.244) Duckworth, William. Talking Music. New York: Schirmer Books, 1995.

Epstein, Paul. Pattern Structure and Process in Steve Reich's Piano Phase. In The Musical Quarterly, 72 (1986), pp. 494–502.

Feldman, Morton. Essay. Ed. Walter Zimmerman. Kerpen, Germany: Beginner Press, 1985.

Fox, Christopher. Steve Reich's Different Trains. In Tempo, 172 (1990), 8.

Gagne, Cole, and Caras, Tracy. Soundpieces: Interviews with American Composers. Metuchen, NJ: Scarecrow Press, 1982.

Heisinger, Brent. American Minimalism in the 1990s: In American Music, 7 (1989), pp. 430–47.

Herzog, Avigdor. Masoretic Accents. In Encyclopedia Judaica. New York: Macmillan, 1971–1972.

Hillier, Paul. Arvo Pärt. New York: Oxford University Press, 1997.

Idelsohn, Abraham. Jewish Music in its Historical Development. New York: Dover, 1929; reprinted 1967; reprinted as Jewish Music: Its Historical Development, with new introduction by Arbie Orenstein, New York: Dover, 1992.

Janáček, Leos. Uncollected Essays on Music. Selected, ed., and trans, by Mirka Zemanova. London: Marion Boyars, 1989.

Johnson, Timothy A. Minimalism: Aesthetic, Style or Technique?. In The Musical Quarterly, 78 (1994), pp. 724–73.

Jones, A. M. Studies in African Music. Oxford: Oxford University Press, 1959.

Korot, Beryl. Video Art—An Anthology. Compiled and ed. by Ira Schneider and Beryl Korot. New York: Harcourt Brace Jovanovich, 1976.

Lewitt, Sol. Sol Lewitt. Ed. by Alicia Legg, designed by Sol Lewitt. New York: Museum of Modern Art, 1978.

McCutchan, Ann. The Muse that Sings: Composers Speak about the Creative Process. New York: Oxford University Press, 1999, pp. 11–21.

McPhee, Colin. Music in Bali. New Haven, CT: Yale University Press, 1966.

Mertens, Wim. American Minimal Music. London: Kahn & Averill, 1983.

Nyman, Michael. Experimental Music: Cage and Beyond. New York: Cambridge University Press, 1972; reprinted with new introduction by Brian Eno, Cambridge: Cambridge University Press, 1999.

———. Steve Reich: An Interview with Michael Nyman.” In The Musical Times. 112 (March 1971), pp. 299–31.

Potter, Keith. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge: Cambridge University Press, 2000.

Reich, Steve. Writings about Music. Halifax: Nova Scotia College of Art and Design, 1974.

Restagno, Enzo. Reich acura di Enzo Restagno con un Saggio su “La Svolta Americana.” Turin: Edizioni di Torino, 1994.

Reynaud, Bérénice, ed. Steve Reich: Écrits et Entretiens sur la Musique. Paris: Christian Bourgois, 1981.

Rich, Alan. American Pioneers: Ives to Cage and Beyond. London: Phaidon, 1995.

Rockwell, John. All-American Music: Composition in the Late 20th Century. New York: Knopf, 1983.

Rosowsky, Solomon. The Cantillation of the Bible. New York: Reconstructionist Press, 1957.

Schwartz, Robert K. Minimalists. London: Phaidon, 1996.

(p.245) ———. Process vs. Intuition in the Recent Works of Steve Reich and John Adams. In American Music, 8 (1990), pp. 245–73.

———. Steve Reich: Music as a Gradual Process. In Perspectives of New Music, 19 (1980/81), pp. 373–92; and 20 (1981/82), pp. 225–86.

Schwarz, David. Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich. In Perspectives of New Music, 31, no. 2 (Summer 1993), pp. 24–56.

Snow, Michael. The Collected Writings of Michael Snow. Waterloo, ON: Wilfrid Laurier University Press, 1994.

Spector, Johanna. Jewish Songs from Cochin, India. Ed. by Pinchas Peli. The Fifth World Congress of Jewish Studies, vol. 4. Jerusalem: World Union of Jewish Studies, 1973.

Strickland, Edward. American Composers: Dialogues on Contemporary Music. Bloomington: Indiana University Press, 1991.

———. Minimalism: Origins. Bloomington: Indiana University Press, 1993.

Warburton, Dan. Aspects of Organization in the Sextet of Steve Reich. Ph.D. dissertation, University of Rochester, 1987.

———. A Working Terminology for Minimal Music. In Intégral, 2 (1988), pp. 135–59.

Wasserman, Emily. An Interview with Composer Steve Reich. In Artforum, 10/9 (1972), pp. 44–48.

Werner, Eric. The Sacred Bridge. New York: Columbia University Press, 1959.

Wickes, William. Treatise on the Accentuation of Psalms, Proverbs, and Job. 1881, republished New York: KTAV Publishing, 1970.

Wittgenstein, Ludwig. Philosophical Investigations. London: Macmillan, 1958. (p.246)