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The Atonal Music of Arnold Schoenberg 1908–1923$
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Bryan R. Simms

Print publication date: 2000

Print ISBN-13: 9780195128260

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195128260.001.0001

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The Operas Erwartung and Die glückliche Hand

The Operas Erwartung and Die glückliche Hand

Chapter:
(p.89) 5 The Operas Erwartung and Die glückliche Hand
Source:
The Atonal Music of Arnold Schoenberg 1908–1923
Author(s):

Bryan R. Simms

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195128260.003.0005

Due to his unsuccessful efforts in completing an operatic libretto, Schoenberg searched for a literary collaborator, someone sympathetic to his literary tastes. He found such a colleague in Marie Pappenheim. The contradiction between two accounts of the Erwatung points to the essential differences of interpretation and perspective of the musician and writer. The physician Pappenhiem was concerned with the Woman as an individual, as a apatinet. Her tortured emotions are symptoms of an illness that could have been avoided by her taking possession of her emotional life. For the musician Schoenberg, Erwatung deals with emotions per se. The individuality and psychology of the Woman were secondary, even arbitrary matters. Meanwhile, the drama of the Die glückliche Hand incorporates two themes: an artist spurned by his contemporaries and Man's search for love despite repeated failures.

Keywords:   Erwatung, Op. 17, operatic libretto, Strauss's Salome, emotions, Op. 18, Seziersaal, Marie Pappenheim, Die glückliche Hand

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