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Close ListeningPoetry and the Performed Word$
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Charles Bernstein

Print publication date: 1998

Print ISBN-13: 9780195109924

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195109924.001.0001

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Visual Performance of the Poetic Text

Visual Performance of the Poetic Text

Chapter:
(p.130) (p.131) 6 Visual Performance of the Poetic Text
Source:
Close Listening
Author(s):

Johanna Drucker

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195109924.003.0007

The idea of performance in poetry is conventionally associated with a live or recorded reading which provides effective dimensions to a poetic work. But a visual performance of a poetic work on a page or canvas, as a projection or sculpture, also has the qualities of an enactment, of a staged and realized event, in which the material means are an integral feature of the work. Visual performance of a poetic work has no necessary temporal, spatial, or social relation to the author or artist. This chapter presents the strategies for visual performance used in the early 20th-century poetics, where every poet put long lines of words on a page. The most obvious and established tradition of visual poetry, however, is that of the shaped or iconic work. Expressive visual means such as typography, calligraphy, painting, or collage were used in pieces whose visual features were neither iconic nor orchestral.

Keywords:   performance in poetry, poetic work, visual performance, strategies for visual performance, visual poetry, expressive visual means

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