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Music Printing in Renaissance VeniceThe Scotto Press (1539-1572)$
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Jane A. Bernstein

Print publication date: 1998

Print ISBN-13: 9780195102314

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195102314.001.0001

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Introduction

Introduction

Chapter:
(p.3) Introduction
Source:
Music Printing in Renaissance Venice
Author(s):

Jane A. Bernstein

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195102314.003.0001

The commercial phase of music printing began at a particularly propitious moment in Venetian history, for the years from 1540 until 1570 marked an era of unbroken peace and prosperity for the Most Serene Republic. The sense of stability and affluence prompted Venetians to turn their attention to external appearances. Proclaiming themselves the new Romans, they became concerned with ceremonial display and artistic endeavors, made manifest in the construction of new civic buildings and in an ambitious program of patrician patronage. Over the past four decades, a number of studies have appeared on sixteenth-century music printers. Musicologists of the next generation expanded the format by including historical studies with their catalogues.

Keywords:   music printing, musicologists, civic buildings, patronage, catalogues

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