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Playing in the CathedralMusic, Race, and Status in New Spain$
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Jesús A. Ramos-Kittrell

Print publication date: 2016

Print ISBN-13: 9780190236816

Published to Oxford Scholarship Online: August 2016

DOI: 10.1093/acprof:oso/9780190236816.001.0001

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Epilogue

Epilogue

Further Considerations on Race and Music Culture

Chapter:
(p.165) Epilogue
Source:
Playing in the Cathedral
Author(s):

Jesús A. Ramos-Kittrell

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190236816.003.0007

This section closes the book by proposing new ways of addressing race within studies of Latin American colonial music culture. Given that individuals subscribed to different manifestations of Spanish identity depending on their credentials, the chapter considers that calidad functioned as hierarchical discourse of difference. The chapter closes by stressing how music, practiced as a profession, functioned as a strategy to articulate this phenomenon, and thus, as a dynamic element in the production of colonial society.

Keywords:   music, race, nobility, decency, calidad, limpieza de sangre

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