Includes some of the most significant of Sibley’s published papers as well as five new essays previously unpublished. The point of the book is not a systematic introduction to aesthetics, but rather a theoretical discussion of some core topics. The first three papers study the difference and the relation between aesthetic and non-aesthetic properties. Papers 4–6 show how aesthetic properties depend on non-aesthetic ones. In papers 7–9 is discussed the difficulty in finding criteria of aesthetic merit. The distinction between attributive and predicative use of adjectives and its application to ... More

Includes some of the most significant of Sibley’s published papers as well as five new essays previously unpublished. The point of the book is not a systematic introduction to aesthetics, but rather a theoretical discussion of some core topics. The first three papers study the difference and the relation between aesthetic and non-aesthetic properties. Papers 4–6 show how aesthetic properties depend on non-aesthetic ones. In papers 7–9 is discussed the difficulty in finding criteria of aesthetic merit. The distinction between attributive and predicative use of adjectives and its application to the cases of beautiful and ugly is considered in Chs 12–14. The nature of aesthetic and the relation between concepts of the aesthetic of art are the arguments of papers 10 and 15. Finally, papers 11 and 16 investigate the impossibility of isolating and defining a ‘purely music’ experience and illustrate the ontological status of works of visual art respectively.