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Images of ExcellencePlato's Critique of the Arts$

Christopher Janaway

Print publication date: 1998

Print ISBN-13: 9780198237921

Published to Oxford Scholarship Online: November 2003

DOI: 10.1093/0198237928.001.0001

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(p.204) Bibliography

(p.204) Bibliography

Source:
Images of Excellence
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Oxford University Press

Bibliography references:

Items marked * contain those translations of Plato which I have used unless otherwise stated.

Adam, J., The Republic of Plato (2 vols.; Cambridge, 1902).

Annas, J., An Introduction to Plato's Republic (Oxford, 1981).

—— ‘Plato on the Triviality of Literature’, in Moravcsik and Temko (eds.), Plato on Beauty, Wisdom, and the Arts (1982), 1–28.

Aquinas, ST Thomas, Summa Theologiae (Blackfriars edn.; London, 1967), vol. xix, 1a. 2ae, 22–30.

Aristotle, Poetics, in S. H. Butcher, Aristotle's Theory of Poetry and Fine Art (1911; repr. New York, 1951).

Barnes, J., The Presocratic Philosophers (London, 1982).

Beardsley, M. C., Aesthetics from Classical Greece to the Present: A Short History (University of Alabama, 1966).

Belfiore, E., ‘Plato's Greatest Accusation against Poetry’, in New Essays on Plato, Canadian Journal of Philosophy, Supplementary Vol. IX (1983), 39–62.

—— ‘A Theory of Imitation in Plato's Republic’, Transactions of the American Philological Association, 114 (1984), 121–46.

—— ‘ “Lies Unlike the Truth”: Plato on Hesiod, Theogony 27’, Transactions of the American Philological Association, 115 (1985), 47–57.

Bell, C., ‘Significant Form’, in J. Hospers (ed.), Introductory Readings in Aesthetics (New York, 1969), 87–99.

Bosanquet, B., A History of Aesthetic (London, 1892).

Budd, M., ‘Belief and Sincerity in Poetry’, in E. Schaper (ed.), Pleasure, Preference and Value (Cambridge, 1983), 137–57.

—— Music and the Emotions: The Philosophical Theories (London, 1985).

—— ‘How Pictures Look’ (Inaugural Lecture at University College London, 1991).

Burnyeat, M., ‘Plato on the Grammar of Perceiving’, Classical Quarterly, 26 (1976), 29–51.

—— The Theaetetus of Plato (Indianapolis, 1990).

—— ‘The Passion of Reason in Plato's Phaedrus’ (unpublished).

Callow, S., Being an Actor (Harmondsworth, 1985).

Cherniss, H., ‘On Plato's Republic X 597B’, American Journal of Philology, 53 (1932), 233–42.

Clay, D., ‘The Tragic and Comic Poet of the Symposium’, in J. P. Anton and A. Preus (eds.), Essays in Ancient Greek Philosophy, vol. 2 (Albany, NY, 1983), 186–202.

Collingwood, R. G., ‘Plato's Philosophy of Art’, Mind, 34 (1925), 154–72.

(p.205) —— The Principles of Art (Oxford, 1938).

Cornford, F. M., Plato's Theory of Knowledge: The Theaetetus and the Sophist of Plato translated with a running commentary (London, 1935).

* —— Sophist, in Hamilton and Cairns (eds.), Plato: Collected Dialogues, 957–1017.

—— The Republic of Plato (Oxford, 1941).

Crombie, I. M., An Examination of Plato's Doctrines (2 vols.; London, 1962–3).

Cross, R. C., and Woozley, A. D., Plato's Republic: A Philosophical Commentary (London, 1964).

Daiches, D., Critical Approaches to literature (London, 1956).

Danto, A. C., The Transfiguration of the Commonplace (Cambridge, Mass., 1981).

—— The Philosophical Disenfranchisement of Art (New York, 1986).

—— The State of the Art (New York, 1987).

Demand, N., ‘Plato and the Painters’, Phoenix, 29 (1975), 1–20.

Derrida, J., ‘Plato's Pharmacy’, in Dissemination, trans. B. Johnson (London, 1981), 61–171.

Dickie, G., Art and the Aesthetic: An Institutional Analysis (Ithaca, NY, and London, 1974).

Diels, H., and Kranz, W., Die Fragmente der Vorsokratiker, 3 vols. (Berlin, 1951–4).

Diffey, T. J., The Republic of Art and Other Essays (New York, 1991).

Dodds, E. R., The Greeks and the Irrational (Berkeley, Calif., 1951).

—— Plato: Gorgias (Oxford, 1959).

—— The Ancient Concept of Progress and Other Essays on Greek Literature and Belief (Oxford, 1973).

Dorter, K., ‘The Ion: Plato's Characterization of Art’, Journal of Aesthetics and Art Criticism, 32 (1973–5), 65–78.

Dover, K. J., Greek Popular Morality in the time of Plato and Aristotle (Oxford, 1974).

—— Plato: Symposium (Cambridge, 1980).

Elias, J. A., Plato's Defence of Poetry (London, 1984).

Else, G. F., ‘ “Imitation” in the Fifth Century’, Classical Philology, 53 (1958), 73–90.

—— Plato and Aristotle on Poetry (Chapel Hill, NC, 1986).

Everson, S. (ed.), Epistemology (Companions to Ancient Thought, 1; Cambridge, 1990).

Ferrari, G. R. F., Listening to the Cicadas: A Study of Plato's Phaedrus (Cambridge, 1987).

—— ‘Plato and Poetry’, in G. A. Kennedy (ed.), The Cambridge History of Literary Criticism, i. Classical Criticism (Cambridge, 1989), 92–148.

Fine, G., ‘Knowledge and Belief in Republic v’, Archiv für Geschichte der Philosophie, 60 (1978), 121–39.

(p.206) Fine, G., ‘Knowledge and Belief in Republic v–vii’, in S. Everson (ed.), Epistemology (1990), 85–115.

Flashar, H., Der Dialog Ion als Zeugnis platonischer Philosophie (Berlin, 1958).

Forster, E. M., ‘The Duty of Society to the Artist’, in Two Cheers for Democracy (London, 1972), 94–8.

Gadamer, H.‐G., ‘Plato and the Poets’, in Dialogue and Dialectic: Eight Hermeneutical Studies on Plato, trans. P. C. Smith (New Haven, Conn., 1980), 39–72.

Gallop, D., Plato: Phaedo (Oxford, 1975).

Gaudreault, A., ‘Mimésis et Diègèsis chez Platon’, Revue de Metaphysique et de Morale, 94 (1989), 79–92.

Golden, L., ‘Plato's Concept of Mimesis’, British Journal of Aesthetics, 15 (1975), 118–31.

Gombrich, E. H., Art and Illusion (London, 1960).

—— ‘Illusion and Art’, in R. L. Gregory and E. H. Gombrich (eds.), Illusion in Nature and Art (London, 1973).

Goodman, N., Languages of Art (New York, 1968).

Gosling, J. C. B., ‘Republic v; Ta Polla Kala etc.’, Phronesis, 5 (1960), 116–28.

* —— Plato: Philebus (Oxford, 1975).

Gould, T., The Ancient Quarrel between Poetry and Philosophy (Princeton, NJ, 1990).

Greene, W. C., ‘Plato's View of Poetry’, Harvard Studies in Classical Philology, 29 (1918), 1–75.

Grey, D. R., ‘Art in the Republic’, Philosophy, 27 (1952), 291–310.

Griswold, C. L., ‘The Ideas and the Criticism of Poetry in Plato's Republic, Book 10’, Journal of the History of Philosophy, 19 (1981), 135–50.

—— ‘Plato's Metaphilosophy: Why Plato Wrote Dialogues’, in C. L. Griswold (ed.), Platonic Writings, Platonic Readings (New York and London, 1988), 143–67.

Grube, G. M. A., ‘Plato's Theory of Beauty’, The Monist, 37 (1927), 269–88.

—— Plato's Thought (1935; repr. London, 1980).

* —— Plato: The Republic (London, 1981).

* Guthrie, W. K. C., Plato: Protagoras and Meno (Harmondsworth, 1956).

—— The Sophists (Cambridge, 1971).

—— A History of Greek Philosophy, iv. Plato the Man and His Dialogues: Earlier Period (Cambridge, 1975).

Hackforth, R., Plato's Phaedrus (1952; repr. Cambridge, 1972).

—— Plato's Philebus (1958; repr. Cambridge, 1972).

Halliwell, S., ‘Plato and Aristotle on the Denial of Tragedy’, Proceedings of the Cambridge Philological Society, 30 (1984), 49–71.

—— Aristotle's Poetics (London, 1986).

—— Plato: Republic 10 (Warminster, 1988).

(p.207) —— ‘The Importance of Plato and Aristotle for Aesthetics’, Proceedings of the Boston Area Colloquium in Ancient Philosophy, 5 (1991), 321–57.

—— ‘Plato and the Psychology of Drama’, in B. Zimmermann (ed.), Antike Dramentheorien und ihre Rezeption (Stuttgart, 1992), 55–73.

Hamilton, E., and Cairns, H. (eds.), Plato: Collected Dialogues (Princeton, NJ, 1963).

* Hamilton, W., Plato: Symposium (Harmondsworth, 1951).

Hampshire, S., ‘The Conflict between Art and Politics’, The Listener, Oct. 13, 1960, 629–36.

—— ‘The Social Spirit of Mankind’, in E. Förster (ed.), Kant's Transcendental Deductions (Stanford, Calif., 1989), 145–56.

Havelock, E. A., Preface to Plato (Cambridge, Mass., 1963).

Hegel, G. W. F., Introductory Lectures on Aesthetics, trans. B. Bosanquet, ed. M. Inwood (Harmondsworth, 1993).

Hesiod, Theogony, in Hesiod's Theogony, trans. with introduction, etc.; by R. S. Caldwell (Cambridge, Mass., 1987).

—— Works and Days, trans. A. N. Athanassakis, in Hesiod: Theogony, Works and Days, Shield (Baltimore and London, 1983).

Hofstadter, A. and Kuhns, R., Philosophies of Art and Beauty (Chicago, 1964).

Irwin, T. H., Plato's Moral Theory (Oxford, 1977a).

—— ‘Plato's Heracleiteanism’, Philosophical Quarterly, 27 (1977b), 1–13.

* —— Plato: Gorgias (Oxford, 1979).

—— Review of M. Nussbaum, The Fragility of Goodness, Journal of Philosophy, 85 (1988), 376–83.

Jaeger, W., Paideia: The Ideals of Greek Culture, vol. ii, trans. G. Highet (Oxford, 1944).

Janaway, C., ‘Recent Work in Aesthetics’, Philosophical Books, 30 (1989), 193–201.

—— ‘Plato's Analogy between Painter and Poet’, British Journal of Aesthetics, 31 (1991), 1–12.

—— ‘Arts and Crafts in Plato and Collingwood’, Journal of Aesthetics and Art Criticism, 50 (1992a), 45–54.

—— ‘Craft and Fineness in Plato's Ion’, Oxford Studies in Ancient Philosophy, 10 (1992b), 1–23.

—— ‘Beauty in Nature, Beauty in Art’, British Journal of Aesthetics, 33 (1993), 321–32.

Jowett, B., Republic, in The Dialogues of Plato: translated into English with analyses and introductions, vol. ii (Oxford, 1953), 1–499.

Kahn, C., ‘The Beautiful and the Genuine: A Discussion of Paul Woodruff, Plato, Hippias Major’, Oxford Studies in Ancient Philosophy, 3 (1985), 261–87.

Kant, I., Critique of Judgement, trans. J. C. Meredith (Oxford, 1928).

Kerferd, G. B., The Sophistic Movement (Cambridge, 1981).

(p.208) Keuls, E. C., Plato and Greek Painting (Leiden, 1978).

Koller, H., Die Mimesis in der Antike (Berne, 1954).

Kosman, L. A., ‘Silence and Imitation in the Platonic Dialogues’, in J. C. Klagge and N. D. Smith (eds.), Oxford Studies in Ancient Philosophy, suppl. vol. 1992: Methods of Interpreting Plato and his Dialogues (Oxford, 1992), 73–92.

Kristeller, P. O., ‘The Modern System of the Arts: A Study in the History of Aesthetics (I)’, Journal of the History of Ideas, 12 (1951), 496–527.

—— ‘The Modern System of the Arts: A Study in the History of Aesthetics (II)’, Journal of the History of Ideas, 13 (1952), 17–46.

LaDrière, C., ‘The Problem of Plato's Ion’, Journal of Aesthetics and Art Criticism, 10 (1951), 26–34.

Lee, H. D. P., Plato: The Republic (Harmondsworth, 1955).

* —— Plato: Timaeus (Harmondsworth, 1965).

* Levett, M. J. (rev. M. Burnyeat), ‘Plato's Theaetetus’, in M. Burnyeat, The Theaetetus of Plato.

Levi, P., ‘Greek Drama’ in J. Boardman, J. Griffin, and O. Murray (eds.), The Oxford History of the Classical World (Oxford, 1986), 156–85.

Levinson, G., ‘Defining Art Historically’, British Journal of Aesthetics, 19 (1979), 232–50.

Liddell, H. G., and Scott, R., A Greek‐English Lexicon, rev. H. S. Jones (Oxford, 1968).

Lodge, R. C., Plato's Philosophy of Art (1953; repr. New York, 1975).

Lovibond, S., ‘Plato's Theory of Mind’. in S. Everson (ed.), Psychology (Companions to Ancient Thought, 2; Cambridge, 1991), 35–55.

Lucas, D. W., Aristotle: Poetics (Oxford, 1968).

Lyons, J., Structural Semantics: An Analysis of Part of the Vocabulary of Plato, Publications of the Philological Society, 20 (Oxford, 1963).

McKeon, R., ‘Literary Criticism and the Concept of Imitation in Antiquity’, in R. S. Crane (ed.), Critics and Criticism (Chicago, 1957), 117–45.

Moline, J., ‘Plato on the Complexity of the Psyche’, Archiv für Geschichte der Philosophie, 60 (1978), 1–26.

Moravcsik, J. M. E., ‘Reason and Eros in the “Ascent”‐passage of the Symposium’, in J. P. Anton and G. L. Kustas (eds.), Essays in Ancient Greek Philosophy (Albany, NY, 1971), 285–302.

—— ‘Noetic Aspiration and Artistic Inspiration’, in Moravcsik, and Temko, (eds.), Plato on Beauty, Wisdom, and the Arts (1982), 29–46.

—— ‘On Correcting the Poets’, Oxford Studies in Ancient Philosophy, 4 (1986), 35–47.

—— and Temko, P. (eds.), Plato on Beauty, Wisdom, and the Arts (Totowa, NJ, 1982).

Mothersill, M., Beauty Restored (Oxford, 1984).

Murdoch, I., The Fire and the Sun (Oxford, 1977).

Murphy, N. R., The Interpretation of Plato's Republic (Oxford, 1951).

(p.209) Murray, P., ‘Poetic Inspiration in Early Greece’, Journal of Hellenic Studies, 101 (1981), 87–100.

Nehamas, A., ‘Plato on Imitation and Poetry in Republic 10’, in Moravcsik and Temko (eds.), Plato on Beauty, Wisdom, and the Arts (1982), 47–78.

—— ‘Plato and the Mass Media’, The Monist, 71 (1988), 214–34.

—— ‘Commentary on Halliwell’, Proceedings of the Boston Area Colloquium in Ancient Philosophy, 5 (1991), 349–57.

Nietzsche, F., On the Genealogy of Morals, trans. W. Kaufmann, in Basic Writings of Nietzsche (New York, 1968), 449–599.

—— The Birth of Tragedy, ibid. 15–144.

—— The Will to Power, ed. W. Kaufmann, trans. W. Kaufmann and R. J. Hollingdale (New York, 1968).

Nussbaum, M. C., ‘ “This Story Isn't True”: Poetry, Goodness, and Understanding in Plato's Phaedrus’, in Moravcsik and Temko (eds.), Plato on Beauty, Wisdom, and the Arts (1982), 79–124.

—— The Fragility of Goodness (Cambridge, 1986).

—— Love's Knowledge: Essays on Philosophy and Literature (New York and Oxford, 1990).

Oates, W. J., Plato's View of Art (New York, 1972).

Osborne, C., ‘The Repudiation of Representation in Plato's Republic and its Repercussions’, Proceedings of the Cambridge Philological Society, 33 (1987), 53–73.

Partee, M. H., ‘Inspiration in the Aesthetics of Plato’, Journal of Aesthetics and Art Criticism, 30 (1971), 87–95.

Penner, T., ‘Thought and Desire in Plato’, in G. Vlastos (ed.), Plato: A Collection of Critical Essays (New York, 1971), ii. 96–118.

—— The Ascent from Nominalism (Dordrecht, 1987).

Pickard‐Cambridge, A. W., Dithyramb Tragedy and Comedy (Oxford, 1927).

Plotinus, The Enneads, trans. S. MacKenna (London, 1962).

Pohlenz, M., ‘Die Anfänge der griechischen Poetik’ (1920; repr. in Kleine Schriften, ii (Hildesheim, 1965), 436–72.

Pound, E., ‘The Serious Artist’, in Literary Essays of Ezra Pound (London, 1954), 41–57.

Price, A. W., Love and Friendship in Plato and Aristotle (Oxford, 1989).

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Reeve, C. D. C., Plato: Republic, trans, G. M. A. Grube, rev. C. D. C. Reeve (Indianapolis, 1992).

Roochnik, D. L., ‘Socrates's Use of the Techne‐Analogy’, Journal of the History of Philosophy, 24 (1986), 295–310.

* Rowe, C. J., Plato: Phaedrus (Warminster, 1986).

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(p.210) Saintsbury, G., A History of Criticism and Literary Taste in Europe, i. Classical and Mediaeval Criticism (Edinburgh and London, 1908).

Saunders, T. J. (ed.), Plato: Early Socratic Dialogues (Harmondsworth, 1987).

* —— Plato: Ion, in Saunders (ed.), Plato: Early Socratic Dialogues (1987), 39–65.

* —— Plato: The Laws (Harmondsworth, 1975).

Savile, A., The Test of Time: An Essay in Philosophical Aesthetics (Oxford, 1982).

Schaper, E., Prelude to Aesthetics (London, 1968).

Schier, F., Deeper into Pictures (Cambridge, 1986).

—— ‘The Claims of Tragedy: An Essay in Moral Psychology and Aesthetic Theory’, Philosophical Papers, 18 (1989), 7–26.

Schiller, F, On the Aesthetic Education of Mankind: In a Series of Letters, ed. and trans. E. M. Wilkinson and L. A. Willoughby (Oxford, 1967).

Schopenhauer, A., The World as Will and Representation, trans. E. F. J. Payne (2 vols.; New York, 1969).

Schuhl, P.‐M., Platon et l' art de son Temps (Paris, 1933).

Scruton, R., Art and Imagination (London, 1974).

—— ‘On “knowing what” ’ (unpublished).

Shelley, P. B., The Complete Works of Percy Bysshe Shelley, vii (London, 1965).

Shorey, P., Republic, in Hamilton and Cairns (eds.), Plato: Collected Dialogues, 575–844.

Sidney, SIR Philip, ‘A Defence of Poetry’, in K. Duncan‐Jones and J. van Dorsten (eds.), Miscellaneous Prose of Sir Philip Sidney (Oxford, 1973), 73–121.

* Skemp, J. B., Statesman, in Hamilton and Cairns (eds.), Plato: Collected Dialogues, 1018–85.

Sörbom, G., Mimesis and Art (Uppsala, 1966).

Sprague, R. K. (ed.), The Older Sophists (Columbia, SC, 1972).

—— Plato's Philosopher‐King (Columbia, SC, 1976).

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Tate, J., ‘ “Imitation” in Plato's Republic’, Classical Quarterly, 22 (1928), 16–23.

—— ‘Plato and “Imitation” ’, Classical Quarterly, 26 (1932), 161–9.

Taylor, A. E., Plato: The Man and his Work (London, 1926).

Tigerstedt, E. N., Plato's Idea of Poetical Inspiration (Helsinki, 1969).

—— ‘Furor poeticus: Poetic Inspiration in Greek Literature before Democritus and Plato’, Journal of the History of Ideas, 31 (1970), 163–78.

(p.211) Tolstoy, L., What is Art?, trans. A. Maude (Indianapolis, 1960).

* Tredennick, H., Apology, in The Last Days of Socrates (Harmondsworth, 1969).

Urmson, J. O., ‘Plato and the Poets’, in Moravcsik and Temko (eds.), Plato on Beauty, Wisdom, and the Arts (1982), 125–36.

—— ‘Pleasure and Distress: A Discussion of J. C. B. Gosling and C. C. W. Taylor, The Greeks on Pleasure’, in Oxford Studies in Ancient Philosophy, 2 (1984), 209–21.

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—— ‘Der Begriff der Mania in Platons Phaidros’, Archiv für Geschichte der Philosophie, 44 (1962), 132–50.

—— ‘The Principles of Greek Literary Criticism’, Mnemosyne, 36 (1983), 14–59.

Vlastos, G., ‘The Disorderly Motion in the “Timaeus” ’ (1939), repr. in R. E. Allen (ed.), Studies in Plato's Metaphysics (London, 1965), 379–99.

—— ‘Degrees of Reality in Plato’ (1965), repr. in Vlastos, Platonic Studies, 58–75.

—— ‘Reasons and Causes in the Phaedo’ (1969), repr. in Vlastos, Platonic Studies, 76–110.

—— Platonic Studies (Princeton, NJ, 1981).

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Wollheim, R., Art and its Objects (2nd edn.; Cambridge, 1980).

* Woodruff, P., Plato: Hippias Major (Oxford, 1982a).

—— ‘What Could Go Wrong with Inspiration? Why Plato's Poets Fail’, in Moravcsik and Temko (eds.), Plato on Beauty, Wisdom, and the Arts (1982b), 137–50.

—— ‘Plato's Early Epistemology’, in S. Everson (ed.), Epistemology (1990), 60–84.

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