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The Imaginary Museum of Musical WorksAn Essay in the Philosophy of Music$
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Lydia Goehr

Print publication date: 1994

Print ISBN-13: 9780198235415

Published to Oxford Scholarship Online: November 2003

DOI: 10.1093/0198235410.001.0001

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Musical Production Without the Work‐Concept

Musical Production Without the Work‐Concept

Chapter:
(p.176) 7 Musical Production Without the Work‐Concept
Source:
The Imaginary Museum of Musical Works
Author(s):

Lydia Goehr (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/0198235410.003.0008

Demonstrates that most moments, aspects, or beliefs associated with the work concept was either absent or understood differently prior to the late eighteenth century. It argues that the moments of the work concept did not function together in such a way as to give the concept institutional centrality. It shows, further, how the extra‐musical and functional understanding of music pervaded every level of practice. Issues such as reception, occasional music, composers’ involvement in performances, ownership of musical material, musical publication, and notation are explored in their pre‐1800 settings.

Keywords:   functional music, notation, occasional music, ownership, publication

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