Develops a theory of expression that will incorporate the insights developed in Chs. 7–10, and also to the constraints laid down in Ch. 6. Understanding expression is likened to ’knowing what it's like’, which is in turn analysed in terms of a Wittgensteinian theory of first‐person awareness. Expression, so understood, is integral to the meaning and value of any work that possesses it, and can be fully understood only in the context of a theory of aesthetic value.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.