This book studies the representation in European literature of adultery, focusing in particular on the figure of the husband. Drawing on psychoanalysis, and primarily the work of Melanie Klein, it argues that the differing representations of the deceived husband evidence anxieties within patriarchal society about gender and power, and ultimately about death and the unknown. Detailed discussions of a wide range of texts including The Canterbury Tales, The Decameron, Othello, Madame Bovary, Effi Briest, Anna Karenina, La Regenta, and Flaubert's Parrot reveal that fundamental anxieties about masc ... More

This book studies the representation in European literature of adultery, focusing in particular on the figure of the husband. Drawing on psychoanalysis, and primarily the work of Melanie Klein, it argues that the differing representations of the deceived husband evidence anxieties within patriarchal society about gender and power, and ultimately about death and the unknown. Detailed discussions of a wide range of texts including The Canterbury Tales, The Decameron, Othello, Madame Bovary, Effi Briest, Anna Karenina, La Regenta, and Flaubert's Parrot reveal that fundamental anxieties about masculinity are repeatedly articulated in two main characterisations of the deceived husband: the cuckold and the man of honour. These are representations which can be usefully understood, the book shows, with reference to the two early developmental positions forwarded by Klein: the paranoid schizoid and the depressive positions.