In the last decades most cultural critics have come to agree that the division between “high” and “low” art is an artificial one, that Beethoven's Ninth and Blue Suede Shoes are equally valuable as cultural texts. This book challenges these dominant assumptions about the relativism of cultural judgements. The book maintains that music is more than just “a matter of taste”: while some music provides entertainment, or serves as background noise, other music functions as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it w ... More

In the last decades most cultural critics have come to agree that the division between “high” and “low” art is an artificial one, that Beethoven's Ninth and Blue Suede Shoes are equally valuable as cultural texts. This book challenges these dominant assumptions about the relativism of cultural judgements. The book maintains that music is more than just “a matter of taste”: while some music provides entertainment, or serves as background noise, other music functions as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This long book aims to restore classical music's intrinsic aesthetic value and to rescue it from a designation as mere signifier of elitism or refinement.