Aesthetics and Politics in Contemporary Black Film Theory
This chapter aims to question the aesthetic merit of a black film as this is sometimes treated as inseparable from questions regarding the film's political perspective. This chapter makes several considerations on the recent endeavors to meet the demand of a growing number of Hollywood movies by independent black film makers for a more nuanced black film commentary through the definition of independent black cinema and the sweetback debate and black spectatorship. The aspirations of black people are often misrepresented when they are framed to accord with the views of the white mainstream. Critics have objected to the recording of a negative portrayal of black people through inversion. This practice reiterates an ideology designed to mainstream white hegemony.
Keywords: black film, political perspective, sweetback debate, black spectatorship, white mainstream, inversion
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .