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Time in Indian Music$
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Martin Clayton

Print publication date: 2008

Print ISBN-13: 9780195339680

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195339680.001.0001

Development techniques and processes

Chapter:
(p. 137 ) 9 Development techniques and processes
Source:
Time in Indian Music
Author(s):

Martin Clayton

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195339680.003.0009

This chapter tries to apply the distinction between rāg-oriented (melismatic) development and text-oriented (syllabic) development by analyzing vocal and instrumental performance. The main categories of development in vocal music are: ālāp, the quasi-free rhythm exposition of the rāg, bol banāo and bol bānt, both defined as operations carried out on the text; and tāns of various kinds. The specific techniques used, and their progression, depends on genre and individual style. Development in instrumentalgats is generally underpinned by the syllabic structure of the composition. In rāg development, this structure is concealed by the use of melismatic ornamentation or syncopation, but is still detectable.

Keywords:   vocal performance, instrumental performance, rāg-oriented development, melismatic ornamentation, bol banāo

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