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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aPianoxPerformancexHistory.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195178265.001.000101285nam 22002658 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001900137245010600156260004800262300001100310504004700321533031200368600005000680650005700730650006100787650003200848710002900880830004600909856006400955osouk9780195336665UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2008 nyu s 001 0 eng d z97801953366651 aAgnew, Vanessa10aEnlightenment Orpheus.bThe Power of Music in Other Worlds.cBy Vanessa Agnew.h[electronic resource] aNew York :bOxford University Press,c2008. a240 p. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aPeress, Maurice. 0aMusiczUnited StatesxAfrican American influences.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195098228.001.000101134cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002300137245007200160260004800232300001700280504004700297533031200344600005600656650004100712710002900753830004600782856006400828osouk9780195100679UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2006 nyu s 001 0 eng d z97801951006791 aKinderman, William10aMozart's Piano Music.cBy William Kinderman.h[electronic resource] aNew York :bOxford University Press,c2006. a246 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195104547.001.000101431cam 22003254 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001800137245011900155260004800274300001700322504004700339533031200386610002500698610001600723610004400739650004500783650003100828650003300859650001500892650002500907650003400932710002900966830004600995856006401041osouk9780195123678UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s1999 nyu s 001 0 eng d z97801951236781 aErlmann, Veit10aMusic, Modernity, and the Global Imagination.bSouth Africa and the West.cBy Veit Erlmann.h[electronic resource] aNew York :bOxford University Press,c1999. a320 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.20aSouth African Choir.20aZulu Choir.20aLadysmith Black Mambazo (Musical group) 0aMusiczSouth AfricaxWestern influences. 0aMusicxAfrican influences. 0aIntercultural communication. 0aEthnicity. 0aMusiczSouth Africa. 0aChoral singingzSouth Africa.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195123678.001.000101163cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002700137245012100164260004800285300001700333504004700350533031200397650002400709650002200733650001500755710002900770830004600799856006400845osouk9780195140231UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2002 nyu s 001 0 eng d z97801951402311 aZbikowski, Lawrence M.10aConceptualizing Music.bCognitive Structure, Theory, and Analysis.cBy Lawrence M. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusical perception. 0aNature (Aesthetics) 0aMusicxHistory and criticism.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151947.001.000101119cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245008000158260004800238300001700286504004700303533031200350600005100662650002500713710002900738830004600767856006400813osouk9780195151978UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2006 nyu s 001 0 eng d z97801951519781 aWaldoff, Jessica10aRecognition in Mozart's Operas.cBy Jessica Waldoff.h[electronic resource] aNew York :bOxford University Press,c2006. a320 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aMozart, Wolfgang Amadeus,d1756-1791.tOperas. 0aOperay18th century.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151978.001.000101133cam 22002294 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002000137245011600157260004800273300001700321504004700338533031200385600006700697710002900764830004600793856006400839osouk9780195156904UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2004 nyu s 001 0 eng d z97801951569041 aMaurice, Donald10aBartók's Viola Concerto.bThe Remarkable Story of His Swansong.cBy Donald Maurice.h[electronic resource] aNew York :bOxford University Press,c2004. a234 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBartók, Béla,d1881-1945.tConcertos,mviola, orchestra.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195156904.001.000101245cam 22002654 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119245012600137260004800263300000900311504004700320533031200367650004200679651005900721700002300780700002100803700001600824710002900840830004600869856006400915osouk9780195173048UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2005 nyu s 001 0 eng d z978019517304800aMusic in American Religious Experience.cEdited by Philip V. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicxReligious aspectsvCongresses. 0aUnited StatesxReligious life and customsvCongresses.1 aBohlman, Philip V.1 aBlumhofer, Edith1 aChow, Maria2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195173048.001.000101040cam 22002174 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002300137245010500160260004800265300001100313504004700324533031200371710002900683830004600712856006400758osouk9780195365825UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2008 nyu s 001 0 eng d z97801953658251 aAntokoletz, Elliot10aMusical Symbolism in the Operas of Debussy and Bartok.cBy Elliot Antokoletz.h[electronic resource] aNew York :bOxford University Press,c2008. a352 p. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195365825.001.000101538cam 22003014 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001900137245014900156260004800305300001700353504004700370533031200417600005900729600005200788600006000840600005800900600005900958650003701017651004301054710002901097830004601126856006401172osouk9780195148831UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2003 nyu s 001 0 eng d z97801951488311 aLott, R. Allen10aFrom Paris to Peoria.bHow European Piano Virtuosos Brought Classical Music to the American Heartland.cBy R. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aMeyer, Leopold von,d1816-1883xTravelzUnited States.10aHerz, Henri,d1803-1888xTravelzUnited States.10aThalberg, Sigismond,d1812-1871xTravelzUnited States.10aRubinstein, Anton,d1829-1894xTravelzUnited States.10aBülow, Hans von,d1830-1894xTravelzUnited States. 0aPianistsxTravelzUnited States. 0aUnited StatesxDescription and travel.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195148831.001.000101147cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119245011500137260004800252300001500300504004700315533031200362650001600674650002800690700001700718700001900735710002900754830004600783856006400829osouk9780195167498UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2004 nyu s 001 0 eng d z978019516749800aEmpirical Musicology.bAims, Methods, Prospects.cEdited by Eric Clarke, Nicholas Cook.h[electronic resource] aNew York :bOxford University Press,c2004. a0 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicology. 0aMusic theoryxResearch.1 aClarke, Eric1 aCook, Nicholas2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195167498.001.000101160cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001700137245009700154260004800251300001700299504004700316533031200363600005200675650002000727700002000747710002900767830004600796856006400842osouk9780195173574UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2006 nyu s 001 0 eng d z97801951735741 aGrave, Floyd14aThe String Quartets of Joseph Haydn.cBy Floyd Grave, Margaret Grave.h[electronic resource] aNew York :bOxford University Press,c2006. a392 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aHaydn, Joseph,d1732-1809.tQuartets,mstrings. 0aString quartet.1 aGrave, Margaret2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195173574.001.000101000cam 22002174 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001800137245006400155260004800219300001700267504004700284533031200331710002900643830004600672856006400718osouk9780195178296UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2005 nyu s 001 0 eng d z97801951782961 aLerdahl, Fred10aTonal Pitch Space.cBy Fred Lerdahl.h[electronic resource] aNew York :bOxford University Press,c2005. a430 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195178296.001.000101210cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245012800158260004800286300001700334504004700351533031200398600006400710651005500774710002900829830004600858856006400904osouk9780195305470UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2006 nyu s 001 0 eng d z97801953054701 aNotley, Margaret10aLateness and Brahms.bMusic and Culture in the Twilight of Viennese Liberalism.cBy Margaret Notley.h[electronic resource] aNew York :bOxford University Press,c2006. a252 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBrahms, Johannes,d1833-1897xCriticism and interpretation. 0aVienna (Austria)xIntellectual lifey19th century.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195305470.001.000101287cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002400137245014800161260004800309300001700357504004700374533031200421600005600733650005500789650005000844710002900894830004600923856006400969osouk9780195149746UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2005 nyu s 001 0 eng d z97801951497461 aSposato, Jeffrey S.14aThe Price of Assimilation.bFelix Mendelssohn and the Nineteenth-Century Anti-Semitic Tradition.cBy Jeffrey S. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aMendelssohn-Bartholdy, Felix,d1809-1847xReligion. 0aJewish ChristianszGermanyxHistoryy19th century. 0aAntisemitismzGermanyxHistoryy19th century.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195149746.001.000101317cam 22002654 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119245019000137260004800327300001700375504004700392533031200439650004500751650001900796650005000815700002400865700002300889710002900912830004600941856006400987osouk9780195124538UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2000 nyu s 001 0 eng d z978019512453804aThe Divine Office in the Latin Middle Ages.bMethodology and Source Studies, Regional Developments, Hagiography.cEdited by Rebecca A. Baltzer, Margot E. 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System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aChurch musicxCatholic Churchy500-1400. 0aDivine office. 0aDivine office (Music)xHistory and criticism.1 aBaltzer, Rebecca A.1 aFassler, Margot E.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195124538.001.000101203cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001700137245011600154260004600270300001700316504004700333533031200380650004800692650004800740700002200788710002900810830004600839856006400885osouk9780198161653UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s1999 enk s 001 0 eng d z97801981616531 aBrown, Clive10aClassical and Romantic Performing Practice 1750-1900.cBy Clive Brown, Roger Norrington.h[electronic resource] aOxford :bOxford University Press,c1999. a676 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aPerformance practice (Music)y18th century. 0aPerformance practice (Music)y19th century.1 aNorrington, Roger2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198161653.001.000101117cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002500137245011500162260004600277300001700323504004700340533031200387650001800699650001900717710002900736830004600765856006400811osouk9780198166474UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2004 enk s 001 0 eng d z97801981664741 aVan der Merwe, Peter10aRoots of the Classical.bThe Popular Origins of Western Music.cBy Peter Van der Merwe.h[electronic resource] aOxford :bOxford University Press,c2004. a576 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusic theory. 0aMusicxOrigin.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198166474.001.000101266cam 22002774 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002300137245011200160260004800272300001700320504004700337533031200384650002400696650002400720650005900744700002000803700002600823710002900849830004600878856006400924osouk9780195151510UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2002 nyu s 001 0 eng d z97801951515101 aSchenker, Heinrich04aThe Art of Performance.cBy Heinrich Schenker, Heribert Esser, Irene Schreier Scott.h[electronic resource] aNew York :bOxford University Press,c2002. a130 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicxPerformance. 0aPianoxPerformance. 0aPiano musicvInterpretation (Phrasing, dynamics, etc.)1 aEsser, Heribert1 aScott, Irene Schreier2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151510.001.000101163cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002000137245010400157260004800261300001700309504004700326533031200373650002700685650003800712650002000750710002900770830004600799856006400845osouk9780195151961UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2003 nyu s 001 0 eng d z97801951519611 aScott, Derek B.10aFROM THE EROTIC TO THE DEMONIC.bOn Critical Musicology.cBy Derek B. Scott.h[electronic resource] aNew York :bOxford University Press,c2003. a266 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicxSocial aspects. 0aMusicxPhilosophy and aesthetics. 0aStyle, Musical.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151961.001.000101167cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245016900158260004600327300001700373504004700390533031200437700001900749700001800768710002900786830004600815856006400861osouk9780198165040UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2004 enk s 001 0 eng d z97801981650401 aCampbell, Murray10aMusical Instruments.bHistory, Technology, and Performance of Instruments of Western Music.cBy Murray Campbell, Clive Greated, Arnold Myers.h[electronic resource] aOxford :bOxford University Press,c2004. a520 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.1 aGreated, Clive1 aMyers, Arnold2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198165040.001.000101169cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001800137245011500155260004800270300001700318504004700335533031200382600006400694650003000758710002900788830004600817856006400863osouk9780195116236UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s1999 nyu s 001 0 eng d z97801951162361 aKrebs, Harald10aFantasy Pieces.bMetrical Dissonance in the Music of Robert Schumann.cBy Harald Krebs.h[electronic resource] aNew York :bOxford University Press,c1999. a304 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aSchumann, Robert,d1810-1856xCriticism and interpretation. 0aMusical meter and rhythm.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195116236.001.000101210cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245015500158260004800313300001700361504004700378533031200425650007500737700001700812710002900829830004600858856006400904osouk9780195154160UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2006 nyu s 001 0 eng d z97801951541601 aGlixon, Jonathan10aInventing the Business of Opera.bThe Impresario and His World in Seventeenth-Century Venice.cBy Jonathan Glixon, Beth Glixon.h[electronic resource] aNew York :bOxford University Press,c2006. a424 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aOperaxProduction and directionzItalyzVenicexHistoryy17th century.1 aGlixon, Beth2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195154160.001.000101183cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245012600158260004800284300001700332504004700349533031200396650004900708650004500757710002900802830004600831856006400877osouk9780195134896UK-OxUP20080808152331.0m e d cr bn ---auuuu080429s2003 nyu s 001 0 eng d z97801951348961 aGlixon, Jonathan10aHonoring God and the City.bMusic at the Venetian Confraternities, 1260-1807.cBy Jonathan Glixon.h[electronic resource] aNew York :bOxford University Press,c2003. a388 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusiczItalyzVenicexHistory and criticism. 0aConfraternitieszItalyzVenicexHistory.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195134896.001.000101063cam 22002294 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002000137245008200157260004600239300001700285504004700302533031200349650003300661710002900694830004600723856006400769osouk9780195189544UK-OxUP20080808152331.0m e d cr bn ---auuuu080507s2005 enk s 001 0 eng d z97801951895441 aHuebner, Steven10aFrench Opera at the Fin de Siecle.cBy Steven Huebner.h[electronic resource] aOxford :bOxford University Press,c2005. a544 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aOperazFrancey19th century.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195189544.001.000101307cam 22002654 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001800137245009400155260004800249300001700297504004700314533031200361600006300673600006400736600006400800650003800864710002900902830004600931856006400977osouk9780195132960UK-OxUP20080808152331.0m e d cr bn ---auuuu080507s2002 nyu s 001 0 eng d z97801951329601 aDaverio, John10aCrossing Paths.bSchubert, Schumann, and Brahms.cBy John Daverio.h[electronic resource] aNew York :bOxford University Press,c2002. a322 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aSchubert, Franz,d1797-1828xCriticism and interpretation.10aSchumann, Robert,d1810-1856xCriticism and interpretation.10aBrahms, Johannes,d1833-1897xCriticism and interpretation. 0aMusicxPhilosophy and aesthetics.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195132960.001.000101156cam 22002414 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001900137245011400156260004800270300001500318504004700333533031200380600003700692650004600729710002900775830004600804856006400850osouk9780195090222UK-OxUP20080808152331.0m e d cr bn ---auuuu080507s2005 nyu s 001 0 eng d z97801950902221 aMagee, Jeffrey14aThe Uncrowned King of Swing.bFletcher Henderson and Big Band Jazz.cBy Jeffrey Magee.h[electronic resource] aNew York :bOxford University Press,c2005. a0 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aHenderson, Fletcher,d1897-1952. 0aJazz musicianszUnited StatesvBiography.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195090222.001.000101226cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100001800137245011600155260004600271300001700317504004700334533031200381650005000693650004400743650004600787710002900833830004600862856006400908osouk9780199214761UK-OxUP20080808152331.0m e d cr bn ---auuuu080507s2007 enk s 001 0 eng d z97801992147611 aTreitler, Leo10aWith Voice and Pen.bComing to Know Medieval Song and How it Was Made.cBy Leo Treitler.h[electronic resource] aOxford :bOxford University Press,c2007. a506 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aVocal musicy500-1400xHistory and criticism. 0aMusic and literaturexHistoryyTo 1500. 0aOral traditionzEuropexHistoryyTo 1500.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780199214761.001.000101219cam 22002534 4500001001900000003000800019005001700027006001900044007001500063008004100078020001800119100002100137245007400158260004800232300001700280504004700297533031200344600004000656650006400696650006600760710002900826830004600855856006400901osouk9780195130737UK-OxUP20080808152331.0m e d cr bn ---auuuu080507s2008 nyu s 001 0 eng d z97801951307371 aGoldberg, Halina10aMusic in Chopin's Warsaw.cBy Halina Goldberg.h[electronic resource] aNew York :bOxford University Press,c2008. a336 p.bill. aIncludes biographical references and index aElectronic reproduction.bOxford :cOxford University Press,c2004.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Filefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aChopin, Frédéric,d1810-1849. 0aMusiczPolandzWarsawy19th centuryxHistory and criticism. 0aMusicxSocial aspectszPolandzWarsawxHistoryy19th century.2 aOxford University Press. 0aOxford scholarship online.pMusic module.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195130737.001.0001